Schecter has something special for the player who likes a squeaky sound and wants to hear some bark
Introducing the The Humbarker and The Chompest, dog toys with off-the-charts playability for the tone hound in your life, all for a good cause
By Daniel Griffiths published
More unlikely than his choice of song were the odds of the two warring Floyd members saying yes to it…
By Ethan Hein published
Our resident music professor explains why it's the weird, unexpected, and slightly annoying details that turn great songs into timeless classics
By Ben Rogerson published
They were not so much mad for it as just mad
By Jamie Richards published
The Last DJ has built an audience of hundreds of thousands performing live electronic music at home. We sit down with the sexagenarian Syntakt fan to find out how he did it
By Daniel Griffiths published
Sharing your Wrapped playlist is increasingly the way to show your great taste… And perhaps reveal a little too much
By Danny Turner published
“Digital is obedient, which is useful in certain circumstances, but analogue misbehaves and that wildness is appealing”
By Daniel Griffiths published
The oscar-nominated actor has nailed Dylan’s persona in an upcoming biopic. And that’s according to Dylan
By Jamie Richards published
The Last DJ has built an audience of hundreds of thousands performing live electronic music at home. We sit down with the sexagenarian Syntakt fan to find out how he did it
By Jon Musgrave published
Wavetable takes on spectral warping features and more in a wonderfully contemporary synthesizer
By Matt Mullen published
Yum Audio's Ember is a "vibe-driven" soft synth that promises analogue warmth, vintage textures and rich, characterful sound - and actually delivers
By Daniel Griffiths published
The world’s biggest music gear store just released an eye-popping video that tells their story
By Roland Schmidt published
Charting the rise, fall and subsequent resurgence of Sequential, we celebrate 50 years of groundbreaking synthesizers and technical ingenuity from one of the original trailblazers
By Daniel Griffiths published
Attention hipsters. Still rocking Apple’s first ever 5Gb iPod from 2001? We've got some great news
By Adam Douglas published
“There's no such thing as cheating. Just make music you like and stop following rules.”
By Matt Mullen published
Newfangled Audio's Obliterate started life as a conventional filter before a bug in the code caused some unique-sounding distortion - which the developer packaged into a free plugin
By Si Truss last updated
The 2024.2 update brings a new effect and an assortment of user-requested features to Image-Line’s DAW
By Ben Rogerson last updated
Plus, save even bigger if you go for an M2 or M1 MacBook
By Andy Price published
Get classic Moog sounds galore via this stellar deal on an in-the-box bundle of magnificent modules
By Stuart Williams published
This insane one-day deal from Thomann won't exist for long, so get looting while you can
By Jonathan Horsley published
Introducing the The Humbarker and The Chompest, dog toys with off-the-charts playability for the tone hound in your life, all for a good cause
By Jonathan Horsley published
Upgraded with Fishman's Ink Body pickup and preamp system, the Eclipse series gives players plenty of control over their amplified tone
By Jonathan Horsley published
Now you can have both channels from the Super Lead Overdrive right there on your pedalboard
By Jonathan Horsley published
The player-friendly Les Paul Studio Session switches up the Studio format with a figured maple cap, '57 Classic humbuckers and expanded controls
By Daniel Griffiths published
The world’s biggest music gear store just released an eye-popping video that tells their story
By Jonathan Horsley published
The Masquerader is a jack of many trades with a versatile pickup pairing, lightweight build and locking tuners
By Jonathan Horsley published
Behringer keeps the classic clones coming with the '69 Vibe, and promises more to come as it takes aim at critics
By Jonathan Horsley published
The greatest comeback in tube amp history? It's in the conversation, as the Mark IIC+ returns after nearly 40 years as a head and 1x12 combo
By Stuart Williams last updated
Forget the name on the headstock, this Squier is the Telecaster for die-hard Gibson fans
By Leigh Fuge published
Improve your blues with this lesson on the Irish rocker's style
By Roland Schmidt published
Lets draw some harmonic inspiration and top-tips from the past-masters.
By Roland Schmidt published
"Sometimes you don't want to be overtly happy or sad and a suspended chord strikes that perfect balance"
By Rob Laing published
Changing your neck curvature is not some mystic art, but it can make a lot of difference to your guitar and how playable its neck is
By Ross Holder published
Get a year of premium lessons, exclusive resources and beginner essentials for just $99 - perfect for players of all levels
By Matt McCracken published
Get a big discount on your first private guitar lesson with a professional guitar tutor in this exclusive deal for MusicRadar readers
By Roland Schmidt published
"It's what the overwhelming majority of us listen to first and foremost"
By Andy Price published
The virtuoso guitarist explains his approach to music theory and the wider scope a little knowledge can bring
By Jon Musgrave published
Wavetable takes on spectral warping features and more in a wonderfully contemporary synthesizer
By Leigh Fuge published
Improve your blues with this lesson on the Irish rocker's style
By Jon Musgrave published
How to get that hyperpop chipmunk vocal effect whilst keeping your tempo in check - and artefacts to a minimum.
By Roland Schmidt published
Lets draw some harmonic inspiration and top-tips from the past-masters.
By Roland Schmidt published
"Sometimes you don't want to be overtly happy or sad and a suspended chord strikes that perfect balance"
By Jon Musgrave published
"A simple programmed sub bass synth sound simply won’t cut it"
By Roland Schmidt published
The triad is one of the cornerstones of music theory, and vital for creating harmony. We examine the three points of the chord.
By Rob Laing published
Changing your neck curvature is not some mystic art, but it can make a lot of difference to your guitar and how playable its neck is
By Jon Musgrave published
If you’re after crispness and definition, processing loops has its limitations
By Roland Schmidt published
“The way that sharps and flats are organised is far from random or chaotic”
By Roland Schmidt published
How to get a handle on scale theory
By Jon Musgrave published
Think smart and consider the underlying theory of your lo-fi arrangement
By Roland Schmidt published
Establishing rhythm in your sheet music is just as important as dictating pitch
By Amit Sharma published
He says: “The main things I work on are vibrato, bends and phrasing”
By Jon Musgrave published
Sure-fire methods for adding some soothing space and vintage texture to your lo-fi tracks
By Roland Schmidt published
We go back to basics and make a pitch for reading music. Here's the first part of a new series
By Jon Musgrave published
Stop relying on samples and loops, and build it from scratch in your DAW
By Stuart Williams published
Don’t let annoying gremlins spoil your playing. From no sound to too much noise, most problems can be solved with some simple settings or affordable upgrades - here’s how
By Quentin Lachapèle published
On Black Friday, online learning platform Pianote drops its first digital piano for beginners. But can it hold its own against the leading players?
By Daryl Robertson published
A Fender classic gets a digital makeover, but how does it compare to the real thing?
By Andy Jones published
Vibes is a multitimbral hardware synth with Ableton-style sequencing. It's hardware imitating software imitating hardware, and we like it a lot
By Ben Rogerson published
The beginner keyboard market gets a couple of fresh contenders that offer more than you might think
By Martin Delaney published
We examine Novation’s Launchkey MK4 synth-action keyboards, available in 25- and 37-key versions
By Jon Musgrave published
Small monitors usually struggle to deliver convincing low end, but this latest design has different ideas
By Simon Arblaster published
Want to get into the headless game but are wary of spending big? Strandberg just might have the gateway drug for you
By Andy Jones published
Roland's entry-level synth workstation is easy, light, and cheap, but has depth if you want it
By Rob Laing published
The second generation of Yamaha’s TransAcoustic flagship debuts looping, delay and Bluetooth features – but is something undermining the practicality for the stage?