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"I snuck in an easter egg that most people don't know about - I don't think anyone's found it yet": Teenage Engineering engineer reveals hidden Pocket Operator feature
By Matt Mullen published
The Teenage Engineering team reflects on the development and influence of the Pocket Operator line in recognition of its 10th anniversary

Roland puts 8 classic Boss effects pedals in a new plugin, and there are more to come... but they're only available with a Roland Cloud subscription
By Matt Mullen published
The Boss Effects Pedals plugin emulates classic stompboxes like the OD-1 OverDrive, PH-1 Phaser, and DS-1 Distortion

MusicRadar deals of the week: Score a massive $550 off a premium Fender Strat, £380 off the Epiphone Dave Grohl DG-335, and £189 off the Boss SDE-3000D delay pedal
By Daryl Robertson published
We've uncovered the very best offers on a range of music-making gear from the likes of SSL, Fender, Rickenbacker, PRS, and more

Best home studio mixers 2025: analogue and digital mixing desks for all budgets
By James Grimshaw last updated
A comprehensive look at the best home studio mixers on the market today – from compact consoles to podcasting heavyweights

Best beginner DJ mixers 2025: The best entry-level club, scratch and rotary DJ mixers to get you started
By Si Truss last updated
Get to grips with the basics of mixing and scratching with these cheap and entry-level mixers

Arturia upgrades its MicroLab MIDI keyboard with new keybed, sustain input and USB-C - and slashes the price
By Matt Mullen published
MicroLab mk3 is only $59

Native Instruments releases polyphonic sequencer that can "transform one note into a stunning soundscape"
By Matt Mullen published
Bring Circular's four sound layers to life through Euclidean, polyrhythmic and probabilistic sequencing with per-step control over its extensive selection of effects

Watch Peter Gabriel and futurist Ray Hammond debate the impact of the synthesizer back in 1983
By Ben Rogerson published
“For me it’s something of a dream machine,” says Gabriel. “I always fantasised about something [with] which you could take any real world sound and manipulate it and put it in your music”
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