About Musicradar.com: who we are, what we do and how to contact us
All the contact info you need
MusicRadar is the world's number 1 website for music makers of all kinds, be they guitarists, drummers, keyboard players, DJs or producers. Launched in 2007, we've gone from strength to strength by offering you the very best in...
- GEAR: We help musicians find the best gear with top-ranking gear round-ups and high- quality, authoritative reviews by a wide team of highly experienced experts.
- TIPS: We also provide tuition, from bite-sized tips to advanced work-outs and guidance from recognised musicians and stars.
- STARS: We talk to musicians and stars about their creative processes, and the nuts and bolts of their gear and technique. We give fans an insight into the actual craft of music making that no other music website can.
We'd love you to get in touch. To do so, email us at contact@musicradar.com or hit up the relevant person below.
Contact us
Editorial contacts
I'm lucky enough to be MusicRadar's Editor-in-chief while being, by some considerable distance, the least proficient musician on the editorial team. An undeniably ropey but occasionally enthusiastic drummer, I've worked on the world's greatest music making website in one capacity or another since its launch in 2007. I hope you enjoy the site - we do.
I’m the Deputy Editor for MusicRadar, specialising in all things tech. I previously spent eight years working on our sister magazine, Computer Music. I’ve been playing the piano, gigging in bands and failing to finish tracks at home for more than 30 years, 20 of which I’ve also spent writing about music technology.
I'm the Guitars Editor for MusicRadar, handling news, reviews, features, tuition, advice for the strings side of the site and everything in between. Before MusicRadar I worked on guitar magazines for 15 years, including Editor of Total Guitar. I've currently set aside any pipe dreams of getting anywhere with my own songs and I am enjoying playing covers in function bands.
I take care of the reviews on MusicRadar and Future Music magazine, though can sometimes be spotted in front of a camera talking little sense in the presence of real musicians. For the past 30 years, I have been unable to decide on which instrument to master, so haven't bothered. Currently, a lover of all things high-gain in the guitar stakes and never one to resist churning out sub-standard funky breaks, the likes of which you'll never hear.
I'm the Tech Features Editor for MusicRadar, working on everything from artist interviews to tech tutorials. I've been writing about (and making) electronic music for almost ten years, and when I'm not behind my laptop keyboard, you'll find me behind a MIDI keyboard or a synthesizer.
I'm MusicRadar's eCommerce Editor. It's my job to manage the buyer's guides on MusicRadar and help musicians find the right gear and the best prices. I'm a guitarist and a drummer and I've worked in the music gear industry for 18 years, including 7 years as Editor of the UK's best-selling drum magazine Rhythm, and 5 years as a freelance writer working with many of the world's biggest musical instrument brands including the likes of Roland, Boss, MusicRadar and Natal.
I'm a Senior Deals Writer at MusicRadar, and I'm responsible for writing and maintaining buyer's guides on the site - but that's not all I do. As part of my role, I also scour the internet for the best deals I can find on gear and get hands-on with the products for reviews. I have a massive passion for anything that makes a sound, in particular guitars, pianos and recording equipment. In a previous life, I worked in music retail, giving advice on all aspects of music creation, selling everything from digital pianos to electric guitars, entire PA systems, to ukuleles. I'm also a fully qualified sound engineer with experience working in various venues in Scotland.
Matt is a Junior Deals Writer at MusicRadar and has been playing guitar as his main instrument for well over 20 years. He also plays drums, bass, and keys producing out of his home studio in Manchester, UK. He has previously worked for Dawsons Music, Northwest Guitars, and freelanced for various magazines and blogs, writing reviews, how-to's, and features. When he's not downloading the latest VSTs or justifying yet another guitar pedal purchase, you'll find him making a racket with Northern noise hounds JACKALS.
Advertising contacts
Advertising Sales Director - Lara Jaggon: lara.jaggon@futurenet.com
UK/EU Account Sales Director - Guy Meredith: guy.meredith@futurenet.com
UK/EU Account Sales Director - Kyle Phillips: kyle.phillips@futurenet.com
US Head of Industry, Music - Brian Preston: brian.preston@futurenet.com
US Account Sales Director - Robert Dye: robert.dye@futurenet.com
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US Account Sales Director - Jeff Donnenwerth: jeff.donnenwerth@futurenet.com
We are IPSO members
MusicRadar is a member of the Independent Press Standards Organisation (which regulates the UK's magazine and newspaper industry). We abide by the Editors' Code of Practice and are committed to upholding the highest standards of journalism. If you think that we have not met those standards and want to make a complaint please contact contact@musicradar.com. If we are unable to resolve your complaint, or if you would like more information about IPSO or the Editors' Code, contact IPSO on 0300 123 2220 or visit www.ipso.co.uk.
PR/Reviews/ethics policy
Our reviews are entirely independent and free from commercial considerations. We never take money for reviews. Nothing that has a star rating has been paid for.
We sometimes take trips and hospitality to attend shows and see products. It doesn’t affect how we think about products, but does affect whether we cover certain products.
Almost all the gear we review is sent to us by the companies who manufacture or distribute them, and almost always after we've requested review units. We only review gear we think it's worth reviewing and we always return products on request or at the end of our agreed loan period.
Read out How we test music gear page for more details.
Affiliate & Advertising disclosure
We always aim to provide unbiased editorial created by our journalists and writers. We also need to pay our teams and website costs so we make money in a number of ways. We sometimes use affiliate links to products and services on retailer sites for which we can receive compensation if you click on those links or make purchases through them. From time to time we also publish advertorials (paid-for editorial content) and sponsored content on the site. When this is the case the content is clearly marked as sponsored or promoted, so you’ll always know which content is editorial and which is not. Future PLC is our parent company and has an in-depth terms and conditions page with a lot more information that you can read right here.
Privacy
MusicRadar is part of Future PLC. We are both fiercely committed to protecting your privacy. Please have a look at our in-depth privacy policy to find out more.
Post/telephone
MusicRadar.com, Future PLC, 5 Pinesway Industrial Estate, Bath, BA2 3QS
Telephone: (+44)1225 442244
“Thank you so much Mr. Reid, hope you get the same inspiration from that Triplecaster”: Jack White and Vernon Reid swap signature guitars after chance meeting at the airport
“CorOS 3.1.0 and Cortex Control 1.2.0 showcase our relentless drive to keep the Quad Cortex at the leading edge of possibilities for the guitar”: Neural DSP gives Quad Cortex functionality a juicy power-up, adding two new compatible plugins
“Thank you so much Mr. Reid, hope you get the same inspiration from that Triplecaster”: Jack White and Vernon Reid swap signature guitars after chance meeting at the airport
“CorOS 3.1.0 and Cortex Control 1.2.0 showcase our relentless drive to keep the Quad Cortex at the leading edge of possibilities for the guitar”: Neural DSP gives Quad Cortex functionality a juicy power-up, adding two new compatible plugins