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Rising producer Yunè Pinku on DAWs, Madonna and shaking off the cobwebs of lockdown
By Kate Puttick published
The Irish-Malaysian producer and songwriter talks "trash" vocals, '90s influences and her love of arpeggiators
The Offspring’s Dexter Holland recalls recording the landmark Smash on its 30th anniversary
By Daryl Robertson published
The punk rock frontman also gives us the low-down on the new album SUPERCHARGED chasing down Queen legend Brian May, and issues a come get me plea to Ed Sheeran
Jack Antonoff explains that unusual key change in Sabrina Carpenter’s Please Please Please
By Ben Rogerson published
"It’s A to C - it’s not a typical place you would lift to - and we were just all like ‘whoa’”
Spike AI puts an AI chatbot based on chart-topping mix engineer Spike Stent inside your DAW
By Matt Mullen published
Tell Spike AI how you want your track to sound and it'll respond by adjusting the mix in real-time
Ever wanted to play your synth like a violin? A Japanese DIY enthusiast has made that a reality
By Si Truss published
The Arduino-powered ‘Key-bowed’ is built around an adapted Roland MIDI keyboard
"You guys definitely have to be the first band into the Sphere, because this is the future": U2's live sound engineer on how he persuaded Bono and The Edge to be the Las Vegas Sphere's first resident band
By Andy Price published
"I tried my level best and I couldn't break it" Joe O'Herlihy on the prep behind U2's astounding residency
Kathy Sledge explains why Sister Sledge didn't get to hear We Are Family right up until they recorded it
By Ben Rogerson published
“They believed in spontaneity,” she says
Roland just unveiled its V-Drums Quiet Design VQD106 kits, delivering “the lowest playing-noise in the history of electronic drum kits”
By Stuart Williams published
The electronic drums giant claims the VQD106 is 75% quieter than a regular electronic kit
The Gibson ES-330 is back! And the iconic P-90-equipped hollowbody arrives in four classic finishes
By Jonathan Horsley published
The hollowbodied electric is back and looking fresh in four finish options – including Gibson exclusive Ebony – and comes complete with dog-ear P-90s, deep-set neck and a trapeze tailpiece
“Ideal for players who love the dreadnought tone in a more comfortable size”: Martin debuts all-new body size and salutes Hawaiian influence on steel-string acoustics with the koa-backed O’ahu HG-28
By Jonathan Horsley published
Martin says mahalo to the pioneers of steel-string guitar design with new player-friendly acoustic featuring a slope-shouldered dread-style body with a 000 depth
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