Latest about Singles And Albums
“A crazy amount of falsetto… definitely related to the drugs I was taking”: Damon Albarn let slips secret about debut Gorillaz album
He doesn’t which ones though...
“We decided that our audiences would come along with us”: Paul McCartney on how the avant garde influenced the Beatles
I Am The Walrus drew from John Cage
“One of the few songs that reduces me to tears every time I hear it”
How Brian Wilson hooked up with an LA advertising executive to pen one of the most majestic and moving pop songs ever created
Raye on her decision to work with Amy Winehouse producer Mark Ronson, and those inevitable comparisons
“I really just wanted to be like, ‘Do you know what? I just need to forget what anyone else is gonna say about this’”
"At first the tension was unbelievable. Johnny was really cold, Dee Dee was OK but Joey was a sweetheart": The story of the Ramones' recording of Baby I Love You
Legendary keys player Barry Goldberg on the sessions that spawned the band's biggest UK hit
"Reggae is more freeform than the blues": Bob Marley and the Wailers' Catch a Fire, track-by-track
Seminal reggae breakthrough broken down, plus listen to crucial live versions of extra track
“Part of a beautiful American tradition”: A music theory expert explains the country roots of Beyoncé’s Texas Hold ‘Em, and why it also owes a debt to the blues
The lead single from Cowboy Carter, Beyoncé’s Grammy-nominated country album, goes under the musical microscope
![Joe Bonamassa [left] plays his Epiphone 1955 Les Paul Standard and wears a bright blue suit and polka-dot; Sammy Hagar [right] wears shades, a black Cabo Wabo T-shirt and plays his red Gibson Explorer with white pickguard.](https://cdn.mos.cms.futurecdn.net/mJhoR4YDuLs9qkUkeyS3vK-840-80.jpg.webp)
“The track is a monster!”: Joe Bonamassa and Sammy Hagar have got the Fortune Teller Blues
Bonamassa played the entire track with an Ovation acoustic through an overdriven amp
