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The difference between distortion and saturation and how to effectively get a gnarly sound
By Roland Schmidt published
Adding small or even large amounts of saturation doesn’t have to be bad for you, as we explore how to singe your sonics

How to use reverb to build impressive-sounding filters, reverses, risers and pads
By Stuart Adams published
Create your own reverb effects with our step-by-step tutorial

How to get Radiohead’s resonant National Anthem vocal effect in software
By Roland Schmidt published
On Kid A, Radiohead went resonant with some severe vocal processing - although complex at the time, the incredible results can now be easily achieved in software

Build your own expressive talkbox with plugins
By Roland Schmidt published
If you love the sound of the talkbox, but grapple with the practicality of the hardware, we have some top tips for recreating the classic sound with plugins

How to get recognisable pop sounds and effects using only Logic’s stock plugins
By Jon Musgrave published
If you’ve got Logic, you’re already more than capable of recreating Skrillex’s manipulated reverb, Billie Eilish’s formant shifting and much more…

How to emulate one of Jon Hopkins' signature sonic techniques with plugins
By Roland Schmidt published
We get creative with an effects chain inspired by Jon Hopkins, and a heavy dose of felt piano

Exploring how Harry Styles brought the sounds of minimal techno to pop with Aperture
By Tim Cant published
Aperture heralded a new approach for Styles, but its sounds clearly cribbed from the minimal techno playbook

Do you want to remix faster and better? Here's 6 essential remix skills every producer should know
By MusicRadar published
Get the technical know-how required to make great remixes with these essential techniques
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