Summer NAMM 2019: Supro revives its “finest electric”, the Silverwood By Michael Astley-Brown New guitar tops off company’s Reissue Collection
Mr Black keeps it smart and simple with the Mini Reverb universal reverberator By Michael Astley-Brown Latest mini pedal delivers a range of reverbs with minimal controls
PRS expands its guitar accessories line-up with new strings and cables By Michael Astley-Brown Signature Series Strings and Classic Series Cables now available
Death By Audio unleashes the Evil Fuzz pedal By Michael Astley-Brown Limited-edition stompbox shrinks Evil Filter fuzz circuits
Summer NAMM 2019: Blackstar debuts amPlug2 Fly headphone guitar amps By Michael Astley-Brown Feature-loaded guitar and bass versions of popular mini-amp now available
Summer NAMM 2019: Martin debuts 13 new acoustic guitars, including some… unusual one-offs By Michael Astley-Brown American Chopper, Brexit and Fly Fishing
Summer NAMM 2019: Boss launches its next-generation looper, the RC-10R Rhythm Loop Station By Michael Astley-Brown Pedal takes on song-based looping and dynamic rhythms
Summer NAMM 2019: Boss crams 121 synth sounds into the SY-1 Synthesizer pedal By Michael Astley-Brown Downsized SY-300 offers polyphonic tracking for guitar and bass
Summer NAMM 2019: So, um, Martin has made a Brexit guitar... By Michael Astley-Brown Acoustic giant turns satirist
10 questions for The Beths’ Liz Stokes: “You can’t not air-guitar the solo break in Weezer’s Buddy Holly - it’s illegal!” By Michael Astley-Brown Indie-rocker on her first guitars, essential gear and onstage nightmares
Gibson threatened dealers with legal action unless they stopped selling Dean guitars, alleges Dean By Michael Astley-Brown Armadillo Enterprises seeks to cancel Flying V, Explorer and ES-335 shape trademarks
Fender’s Rarities Flame Maple Top Chambered Telecaster surfaces By Michael Astley-Brown Glam electric guitar boasts Tim Shaw pickups
Summer NAMM 2019: Vintage channels ’30s blues with affordable Paul Brett Statesboro ‘Whisky Sour’ acoustic guitars By Michael Astley-Brown Acoustic and electro model available in orchestra, dreadnought and parlour body sizes
Summer NAMM 2019: Janktone’s Jankenstein promises “the first real and defining change to the humbucker pickup since 1955” By Michael Astley-Brown Patent-pending guitar pickup boasts ‘variable stacking height bobbins’
Johnny Marr invites fan on stage to play guitar on This Charming Man… and he only goes and nails it By Michael Astley-Brown The Smiths guitarist temporarily relinquishes six-string duties
Summer NAMM 2019: Supro reissues the Ozark electric guitar By Michael Astley-Brown Jimi Hendrix’s first guitar recreated and reimagined
Guitar sales surge following The Cure’s Glastonbury set By Michael Astley-Brown Schecter guitars see major uplift
Pete Townshend pays tribute to late guitar tech Alan Rogan By Michael Astley-Brown The Who tech dies on eve of band’s Wembley show
Summer NAMM 2019: Is PRS about to launch a more affordable John Mayer Silver Sky? By Michael Astley-Brown Strat-a-like signature guitar set to hit SE range
Graham Nash is selling 19 rare guitars from his personal collection By Michael Astley-Brown Woodstock-played 1969 Martin D-45 acoustic guitar takes top billing
Illuminate your pedalboard with RockBoard’s LED Light By Michael Astley-Brown Bathe your pedals in six glorious colours
Boss adds new tone-tweaking options to Nextone guitar amps with free V2 update By Michael Astley-Brown Tube Logic combos get new deep-editing functions
Gallien-Krueger debuts the Legacy bass amp series By Michael Astley-Brown New heads build on 800RB range
Singular Sound blurs the line between looper and audio workstation with the Aeros Loop Studio pedal By Michael Astley-Brown Touchscreen and hands-free mixing onboard
