Features archive
August 2025
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31 articles
- August 26
- August 25
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- “Much like its predecessor, the 909 was also a commercial flop, and arguably more so than the 808”: How the drum machine grew into a viable alternative to real drummers
- "I wanted to make the greatest rock record that I'd ever heard. I wanted it to sound enormous, to grab you by your throat": How Bruce Springsteen saved his career with Born To Run
- August 23
- August 22
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- “We came off stage and looked at each other in amazement, because all that singing from the audience was so extreme. And I said to Freddie, ‘Maybe we should be harnessing this kind of energy’”: How Queen created the mother of all rock anthems
- “His influence is referenced by many contemporary drummers and he has no doubt spawned his fair share of copyists”: 6 of the most inspirational drummers of all time
- TAMA STAR at Drums Week 2025: Unmatched craftsmanship, iconic sound — the strongest name in drums just got even stronger
- TAMA Kick Pedals at Drums Week 2025: Precision, Power, Performance — engineered for drummers who demand the fastest, smoothest response
- Zildjian Alchem-e Kits at Drums Week 2025: The feel of real drums meets limitless electronic expression – redefine your sound
- Vic Firth Terra Drumsticks at Drums Week 2025: Natural feel, unrivalled balance – crafted from sustainable hickory for drummers who play with purpose
- August 20
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- “Thom sat down and played it in three takes, then just burst into tears afterwards”: How Jeff Buckley saved Radiohead’s Fake Plastic Trees
- “I was playing the Fender Strat that Jimi Hendrix gave me. We wound up plugging the guitar straight into the board. That’s why it’s such a clean tone on that track”: Billy Gibbons on the making of ZZ Top's greatest blues song
- “They all thought it was a bonkers idea but it worked. It was already a great song, but that one little thing made it different”: How the Eagles made somebody else’s song their own – and defined the sound of country rock
- “It’s disorienting, impractical and slightly dystopian – but it's like nothing I’ve ever done before”: I tried making music in VR and I’m never going back
- August 19
- August 17
- August 15
- August 14
- August 13
- August 12
- August 11
- August 8
- August 7
- August 6
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- “An irate fan pulled a gun on them in their dressing room. They stopped using our name immediately”: How a fake version of a popular British band managed to deceive American fans
- “When the bubble bursts, the grandiose claims about the technology will be shown to be massively overblown”: AI in music production – where should we draw the line?
- August 5
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- “BB held one note for 12 bars… I set my guitar down, and I walked off the stage. That was the biggest musical lesson I’ve ever learned”: Zach Myers on Shinedown’s secret weapon, the limitations of shred, and that time he got schooled by BB King
- “It's like he reached into a place that even he'd never got to before”: How Freddie Mercury took on mortality itself for Queen’s majestic final single
- “I got up and started walking round the room, singing 'Walking round the room, ya, ya, walking round the room’”: The surprising origins and intricate musical theory behind an iconic Police masterpiece
- August 4
- August 1
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- “This is a number one smash record. Let’s not put it on a B-side and lose it”: How one of Madonna’s most iconic hits grew from cheap filler to international chart-topper
- “We never became so famous that we hated each other or fell out”: Saint Etienne on longevity, studio technology and recording their final album, International