I've recorded everything from vocals to guitars with this unbelievably versatile mic – and it just plummeted to only $79. That's so cheap I had to check the price twice
With a whopping $170 off at Guitar Center, you can now grab an impressive UK-made microphone with plenty of change from $100
Okay, so the end of August isn’t exactly known as prime bargain-hunting season for music gear. But sometimes, the universe throws us a curveball, and today, it’s a seriously good one. I’ve just stumbled across a microphone offer that genuinely rivals the best Black Friday music deals.
Right now, Guitar Center is slashing up to 25% off a bunch of studio equipment, but the real headline here is the jaw-dropping $170 discount on the Aston Origin condenser microphone. That brings the price down to a tiny $79!
I’m a big fan of the Origin even at its usual wallet-friendly price, but at $79, it’s honestly a no-brainer. I’d even be tempted to grab two and run them as a stereo pair.
So, if you’ve been on the fence about upgrading your mic locker, or just want a killer new sound for your studio, this is one of those rare times when hesitation could mean missing out.
The Aston Origin may be competitively priced, but it offers a degree of originality you don't normally see at this price point. The Origin is a fixed-pattern (cardioid) condenser and the smaller of Aston's two mics; the larger Spirit is a multi-pattern condenser with an extra 10dB pad. The stainless steel casing has two switches: a 10 dB pad and an 80 Hz low-cut filter.
For me, the Aston Origin isn’t just another entry-level condenser mic. This large-diaphragm, cardioid-pattern mic has earned a reputation for punching well above its price class. In our glowing in-depth review, we said, “Close up, the proximity effect doesn't get boomy and misbalanced; the low-end characteristic is pleasing, rendering the source with little tonal alteration beyond the basic physics of proximity. Vocals are a clear winner here, with plenty of scope for playing the mic from close-up intimacy to a more roomy distance without losing or altering the voice.”
The custom-finished, wave-form mesh head gives the microphone a boutique look, but it’s designed to handle knocks and bumps that would leave other mics bruised, or worse. Plus, Aston’s unique mesh acts as a built-in pop filter, so you can often skip the extra gear for controlling plosives.
MusicRadar’s resident recording expert Matt McCracken put the Origin to the test in a recent session, and here’s how he described the results: “I used the Aston Origin recently to record a Tweed Fender Blues Junior, on the edge-of-breakup with a healthy dollop of spring reverb. The Origin perfectly captured the lush, complex overtones of the metallic reverb wash,” says Matt.
“Paired with a dynamic mic, it nicely complemented the more direct tone with detailed room ambience, blending beautifully for an organic-sounding guitar tone that sat in the mix perfectly,” he continues.
The only issue Matt had with the microphone was the bulky shock mount, giving us this handy tip: “You have to do a lot of manoeuvring if you’re using it in close quarters with another mic. It’s fine on a single source like vocals, but a bit awkward when dual-micing a guitar cab.”
At $79, the Aston Origin is a steal, whether you’re a seasoned engineer or a bedroom producer looking to level up. Deals like this don’t come around often, so if you’ve been waiting for a sign to expand your mic collection, this is it.

I'm a Senior Deals Writer at MusicRadar, and I'm responsible for writing and maintaining buyer's guides on the site. As part of my role, I also scour the internet for the best deals I can find on gear and get hands-on with the products for reviews. My gear reviews have been published in prominent publications, including Total Guitar, Guitarist, and Future Music, as well as Guitar World.com. I've also had the privilege of interviewing everyone from Slash to Yungblud, as well as members of Sum 41, Foo Fighters, The Offspring, and many more.
In a previous life, I worked in music retail, selling everything from digital pianos to electric guitars. I'm also a fully qualified sound engineer who holds a first-class Bachelor's degree in Creative Sound Production from the University of Abertay.
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