Trevor Curwen
Trevor Curwen has played guitar for several decades – he's also mimed it on the UK's Top of the Pops. Much of his working life, though, has been spent behind the mixing desk, during which time he has built up a solid collection of the guitars, amps and pedals needed to cover just about any studio session. He writes pedal reviews for Guitarist and has contributed to Total Guitar, MusicRadar and Future Music among others.
Latest articles by Trevor Curwen

By Trevor Curwen Published
One-stop audio/video shop

By Trevor Curwen Published
If there's one Keeley pedal that has captured the imagination of musicians, it's the Keeley compressor, itself based on modifications to the classic MXR Dyna Comp/Ross grey compressor circuitry

By Trevor Curwen Published
Robert Keeley has been modifying Tube Screamers since 2001, and has seen Steve Vai and Joe Satriani, among others, use his modded pedals

By Trevor Curwen Published
The Mini Katana puts Keeley's dual-class A JFET-equipped Katana clean boost into a mini pedal, while adding a pair of internal DIP switches that can be combined for a choice of four sounds

By Trevor Curwen Published
Several of the pedals Valeton's new Coral series have Modern or Vintage as a prefix, including two overdrive pedals

By Trevor Curwen Published
Forget about hiring some top session pros - for a lot less money, and 24/7 availability, there's the DigiTech TRIO Band Creator

By Trevor Curwen Published
The Aurora offers a choice of hall, plate and room reverbs with four knobs to control the action

By Trevor Curwen Published
JHS seems to have been thinking about how people use reverb when designing the Alpine

By Trevor Curwen Published
TC is taking its inspiration from the past with its latest pedal: the Viscous Vibe, which is designed to deliver distinctive Uni-Vibe tones

By Trevor Curwen Published
They might have had their heyday a long time ago but ribbon mics have become increasingly popular over the last few years

By Trevor Curwen Published
Positive Grid describes Bias FX as "the world's first cross-platform, amp-and-effects processor"

By Trevor Curwen Published
Designed for studio-style compression, the VT Comp from Italian company Nemphasis uses optical circuitry to achieve its aims

By Trevor Curwen Published
The Riot Reloaded from Suhr is another re-worked pedal, this time adding 30 per cent more gain than the original and three voicing options via a toggle switch

By Trevor Curwen Published
No, we've never heard of Marco Tafelli either, but the Silver Box from Italian boutique brand Nemphasis is his signature booster and it offers a four-knob control surface and up to 22dB of boost

By Trevor Curwen Published
Silicon transistor-based, the Suhr Rufus has more tonal tweaking power than many fuzzes as it features both a three-band EQ, and a three- position treble switch

By Trevor Curwen Published
The Shiba Reloaded tweaks the overdrive circuit of Suhr's 2009 original to create a pedal that is more amp-like, has a tighter low-end, focused mids, and features 50 per cent more gain

By Trevor Curwen Published
The Philosopher King from USA firm Pigtronix combines a compressor, sustainer, distortion and a polyphonic amplitude synthesizer

By Trevor Curwen Published
A dedicated rotary speaker simulator, the Pigtronix Rototron is an all- analogue design that combines various effects to achieve its goal

By Trevor Curwen Published
The Pigtronix Gate Keeper is a noise gate designed to keep all unwanted noise from your rig

By Trevor Curwen Published
The Pigtronix Keymaster is an interface to connect any audio source (instrument, line level, mic) with pedals and return the signal at the correct impedance
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