MusicRadar Verdict
A reverb pedal that makes practicality its priority.
Pros
- +
Shift channel is very useful. Great design and build.
Cons
- -
Perhaps a bit pricey...
MusicRadar's got your back Our team of expert musicians and producers spends hours testing products to help you choose the best music-making gear for you. Find out more about how we test.
JHS seems to have been thinking about how people use reverb when designing the Alpine, as its two footswitches allow two levels of reverb to be instantly available: one set with the Reverb knob, the other by the Shift knob and brought in with the second footswitch.
"The reverb sounds excellent and is amply editable for size of the space, tone and length of tail"
There's also an effects loop so you can insert another pedal to be used either with both channels or just the Shift channel. This opens the way to adding, say, a delay for huge ambiences or a pitch shifter for a 'shimmer reverb' effect.
The reverb sounds excellent and is amply editable for size of the space, tone and length of tail so you can get a nicely versatile range of ambiences including spring reverb emulations.
It's a nice-sounding reverb by anyone's reckoning, but it's the thoughtful design of the Shift channel and loop that makes it a practical choice for the player who wants to go from 'reverb as essential component of the sound' to 'reverb for effect' in an instant. Very cool!
“After every take, Mutt would say, ‘Check the tuning, man!’ This went on and on for almost a year. One day, I just gave him the guitar and said, ‘You tune it. I can’t take this anymore!’”: How legendary producer Mutt Lange drove the Cars half-mad
“Its provides the mix ‘glue’ that makes everything sound cohesive and finished”: Here's how to compress your mix bus for sonic punch
“I remember thinking: ‘Wouldn’t it be great if I could ask Sting to sing that line?’ Suddenly someone said: ‘Sting’s here on holiday! He’s on the beach!’” How Mark Knopfler got lucky with Money For Nothing
