"If you're seeking a polished, smooth, modern distortion, this is most definitely not the stomp box for you": Peavey Decade preamp pedal review

Peavey’s latest pedal is rated-R, for riffage

  • £175
  • €199
  • $239
Peavey Decade pedal review
(Image: © Future)

MusicRadar Verdict

If you are after the very specific, raw and unpolished tone that only came from this ‘80s relic, then this is most definitely the pedal for you. Peavey has gone to great lengths to bottle the iconic sound of the Decade and deliver it back in a format that is a lot more flexible and user-friendly than the original amp.

Pros

  • +

    Well made.

  • +

    Unique tone.

  • +

    Simple to use.

Cons

  • -

    Large footprint.

  • -

    This very specific tone isn’t for everyone.

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What is it?

The Peavey Decade has come a long way since its debut in the 1980s, evolving from a basic home practice amp to a beloved favourite among stoner rock aficionados. It’s fair to say that this small, solid-state amp wasn’t all that celebrated a few years ago – heck, most of us had forgotten it even existed. Well, one look at the second-hand prices now, and it tells a very different story. What gives? Well, Josh Homme, singer, guitarist, and all-around creative force behind Queens Of The Stone Age, revealed that the secret sauce to his legendary tone was actually this tiny 10W combo.

In collaboration with Peavey, Homme has breathed new life into the Decade with the Decade Too, his signature amp. But now, the legendary sound has been distilled into a compact pedal form, making it easier than ever to recreate those classic QOTSA riffs.

Peavey Josh Homme Decade Too

The Decade Too is also being launched as a signature Josh Homme amp alongside the Decade pedal (Image credit: Matt Lincoln / Future)

Part of the Peavey Legacy Preamp Series, this pedal is a faithful recreation of the original Decade circuit, preserving all the same controls that made the amp special. Equipped with a switchable Saturation mode, it even emulates the second channel for an extra dose of harmonic overdrive at the stomp of a switch.

Additional features include pre- and post-gain controls, a responsive three-band EQ, and a hard bypass switch with anti-click circuitry. Powered by a standard 9V supply, the pedal internally boosts to 24V, delivering the headroom and dynamic range that defined the legendary original.

So, I’m gonna grab my favourite beaten-up semi-hollow, tune to C-standard, and see if the Decade pedal can help me deliver the feel-good hit of the summer, or if it’s only Rated-R for regret.

Specifications

Peavey Decade pedal review

(Image credit: Peavey)
  • Launch price: $239/£175/€199
  • Type: Amp pedal
  • Controls: Pre-gain, post-gain, low, mid, high, bypass, saturation
  • Connections: Input, output, power
  • Bypass: True bypass
  • Power: 9V DC, center-negative 75mA
  • Contact: Peavey

Build quality

Peavey Decade pedal review

(Image credit: Future)

Build quality rating: ★★★★☆

If you are at all familiar with Peavey’s Legacy lineup of pedals, that includes the Bandit, Rock Master, and Session, you’ll know what level of quality to expect with this new unit. Rugged and with no frills is how I would describe this pedal, much like the amp it’s based on.

I believe Peavey has perfectly captured the aesthetic of the Decade

Like the other stomps in the series, a robust die-cast enclosure houses all the important components, and in my opinion, it is nearly indestructible. This pedal feels bomb-proof. I’d say that the Decade feels like it can easily withstand the harsh rigours of heavy touring, and look good while doing it.

In fact, I believe Peavey has perfectly captured the aesthetic of the original combo amp here. The retro knobs and simple graphics really do resemble the original amplifier. It also feels great to operate, with controls that are smooth and well-labelled, and the footswitch has a reassuring sturdiness when pressed.

Usability

Peavey Decade pedal review

(Image credit: Future)

Usability rating: ★★★★☆

From thumping lows that shake the floor to piercing highs that make ears perk up, it's pretty easy to dial in a number of different tones

The Decade is a pretty simple affair, not that it needs to be complicated. Its intuitive control layout means you can dive right in and start jamming, leaving all those complicated settings and unnecessary distractions behind.

At the heart of the Decade are the dynamic twin gain controls: pre-gain and post-gain. The pre-gain dials in the foothold of your tone, shaping the level of input gain, while the post-gain fine-tunes the signal level before it hits the power amplifier. With a little tweak to both, you can effortlessly shift from crunchy rhythms to soaring leads.

And let’s talk about those EQ knobs, Low, Mid, and High. These are pretty powerful and broad controls. From thumping lows that shake the floor to piercing highs that make ears perk up, it's pretty easy to dial in a number of different tones. That said, I did find the mid control to be lacking precision. No matter where I placed it, I couldn't get the mid-frequencies to where I liked them. Perhaps a secondary Q control for the mids would improve this?

The Saturation switch is another standout feature that brings some real fun to the table. Designed to mimic the second channel of the original amp, it adds a rich layer of fuzzed-out distortion when stomped on.

Connectivity? Again, it's as simple as it comes, with standard 1/4” input and output jacks located on the top of the unit for easy access. It's worth noting that this pedal operates on either a 9V battery or a pedalboard power supply, but it internally boosts the voltage to 24V for added headroom.

Sounds

Peavey Decade pedal review

(Image credit: Future)

Sounds rating: ★★★★☆

Okay, straight off the bat, I’ll say it; this pedal isn’t for everyone. Josh Homme has described the tone of the original amp as ‘wiry,’ and I think that’s the perfect word to describe it. Relying more on pre-gain than post-gain results in a tone that sounds somewhat hollow in nature. Like something is missing in the midrange. Unfortunately, trying to dial in some of that missing mid-frequency using the onboard EQ only seems to increase the overall boxiness of the pedal and highlight the Decades' limitations.

Josh Homme has described the tone of the original amp as ‘wiry,’ and I think that’s the perfect word to describe it

That said, I don’t think anyone is buying this pedal for its clean tone. Stomp on the saturation switch, and the entire point of the Decade pedal comes into sharp focus. Fuzz-like, with a lo-fi edge that devours C-standard riffs, the pedal transforms a dull, lifeless clean sound into an inspiring explosion of grit and unfiltered distortion.

Ugly – but in a good way. That’s how I would describe the overdriven side of the Decade – especially if you crank both gain controls. There’s still a hollowness to the overall tone, but now that’s balanced out by an almost spitting top end, that’s fierce and cutting.

I know many pedals claim to sound unique, but few actually do. In a world where most overdrives on the market can trace their origins back to a Marshall, a Klon or a Tube Screamer, it’s refreshing to play through a pedal that genuinely has a sound all of its own. Okay, it may not be as sophisticated or classy as a boutique stomp, but I find the Decades’ retro ‘80s charm growing on me.

Verdict

Peavey Decade pedal review

(Image credit: Future)

This is the exact amp circuit, just in a smaller package

Like I said earlier, I don’t think this pedal is for everyone. The Decade delivers a very specific tone, one that is instantly recognisable to stoner rock fans. So, if you're seeking a polished, smooth, modern distortion, this is most definitely not the stomp box for you. The Decade is unvarnished, undisguised, and unapologetically raw.

Now, at a list price of $239.99, it’s not cheap either. That said, the pedal is still significantly less expensive than buying an original example of the amp and is definitely more flexible. And it has to be said that this isn’t an emulation, or a digital recreation, this is the exact amp circuit, just in a smaller package – and engineering like this comes at a price.

Having the Decade shrunk down into pedal form allows you to harness the tone of this tiny practice amp in a much more convenient way, and the sky is the limit when it comes to stacking it with other pedals and amps.

Overall, I had a lot of fun with the Peavey Decade. This is the sort of pedal that makes you want to haul your amp out into the desert and play low-tuned riffs until the sun comes up.

Swipe to scroll horizontally
Ratings scorecard

Test

Results

Score

Build quality

Well put together with a tough-feeling die-cast case and smooth controls.

★★★★

Usability

Simple controls mean it’s very easy to use.

★★★★

Sounds

It certainly does recreate the sound of the original Decade and is ideal for QOTSA riffage.

★★★★

Overall

With a unique tone that won’t be for everyone, the Decade is a fun pedal that dares to do something a little bit different.

★★★★

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Hands-on demos

Peavey Electronics

The Peavey Decade™ Preamp Effects Pedal - YouTube The Peavey Decade™ Preamp Effects Pedal - YouTube
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FACE MI

PEAVEY DECADE Pedal - Sounds - YouTube PEAVEY DECADE Pedal - Sounds - YouTube
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Daryl Robertson
Senior Deals Writer

I'm a Senior Deals Writer at MusicRadar, and I'm responsible for writing and maintaining buyer's guides on the site - but that's not all I do. As part of my role, I also scour the internet for the best deals I can find on gear and get hands-on with the products for reviews. My gear reviews have been published in prominent publications, including Total Guitar and Future Music magazine, as well as Guitar World.com. I've also had the privilege of interviewing everyone from Slash to Yungblud, as well as members of Sum 41, Foo Fighters, The Offspring, Fever 333 and many more. 


I have a massive passion for anything that makes a sound, particularly guitars, pianos, and recording equipment. In a previous life, I worked in music retail, giving advice on all aspects of music creation and selling everything from digital pianos to electric guitars, entire PA systems, and ukuleles. I'm also a fully qualified sound engineer who holds a first-class Bachelor's degree in Creative Sound Production from the University of Abertay and I have plenty of experience working in various venues around Scotland.

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