“I was blown away with the distinct Tony Iommi and Black Sabbath sound I was able to get out of them”: Gibson goes back to the beginning, reissuing its first-ever signature pickup, the Tony Iommi humbucker
Is this the power-up your riffing has been waiting for? The Godfather of Heavy Metal's signature pickup makes a comeback

Gibson has unveiled a new signature electric guitar pickup for the Godfather of Heavy Metal, Tony Iommi – or rather it has unveiled an old one, reissuing the Black Sabbath icon’s much loved signature humbucker after a number of years out of production.
Developed in the late ‘90s by JT Riboloff, Gibson’s then head of R&D Department, it was a piece of history – Gibson’s first ever signature pickup, and featured in Iommi’s signature guitars with Gibson.
Is this the ultimate aftermarket mod for anyone looking to give their electric guitar (preferably, an SG) a power-up for premier cru riff-work. Paraphrasing Tony Iommi here but it’s one to file under “You know it makes sense”.
“I’m really excited that Gibson’s bringing back my signature humbucker, they were getting pretty hard to find!” says Iommi. “This pickup came about after a lot of time spent in Nashville, just experimenting with different setups to get that perfect tone and sustain from my favourite guitars.”
He’s not exaggerating. At the launch event at the Gibson Garage London, Iommi said Riboloff had them locked in at the Nashville factory for the night. All the other staff had gone home. “Couldn’t we go and get something to eat, just to get out of here?” wondered Iommi. No, sorry. Riboloff was cooking.
But what he was cooking up was something special, a bespoke wind, inspired by Iommi's John Birch custom pickups, but reaching for something better – or at least incremental improvement, the leitmotif of Iommi's career – featuring Alnico 2 and Ceramic magnets, voiced for sustain and clarity in high-volume, high-gain scenarios. Like everything in Iommi’s rig, it was tailored to his specifications.
“We had to make sure it worked with my light gauge strings and low tunings, but still pack a punch, and the result has got some serious output,” says Iommi. “They’re on my signature guitars too, and I couldn’t be more pleased with how they turned out.”
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Gibson CEO and president Cesar Gueikian is a fan of them. He has had them on his guitars for 15 years and counting.
“I was blown away with the distinct Tony Iommi and Black Sabbath sound I was able to get out of them,” he says. “They have such a great, clean look with the unique pickup cover, and we are excited to bring the Rifflord’s signature humbucker back as we continue to pay tribute to Tony.”
And Gibson is paying tribute to Iommi throughout August, with a documentary series featuring the likes of Scott Ian, Zakk Wylde, Steve Vai and Iommi’s good friend Brian May to debut on its GibsonTV YouTube channel.
“It’s great to have the first signature pickup from Gibson back, and there really isn’t a more fitting artist than Tony Iommi,” says Lee Bartram, head of commercial and marketing EMEA, Gibson. “Tony is synonymous with the Gibson SG, but now the volume, presence, and overall power he produces through his playing can be experienced in other models too, whether at home, in the studio, or on stage.
“Thanks to Tony for his continued support and trust; these pickups are the result of our constant collaboration, and we look forward to what’s next for our partnership.”


As for the specs, they are wax-potted. Back in the day, Iommi used to horrify Ozzy Osbourne, Geezer Butler and Bill Ward as he would wax-pot the pickups himself.
On one occasion, they were staying in a caravan in Cumbria, Iommi experimenting with wax-potting to try and reduce the noise from his Gibson SG, Laney tube amp, and Dallas Rangemaster setup. The smell was overpowering.
Well, here, Gibson has done all that work for you. Average DCR readings for these are 16k. They come in chrome housings as standard, with four-conductor wiring.
Available now, priced £199/$229, the Tony Iommi Signature Humbucker is available now. See Gibson for more details.
Jonathan Horsley has been writing about guitars and guitar culture since 2005, playing them since 1990, and regularly contributes to MusicRadar, Total Guitar and Guitar World. He uses Jazz III nylon picks, 10s during the week, 9s at the weekend, and shamefully still struggles with rhythm figure one of Van Halen’s Panama.
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