
Jonathan Horsley
Jonathan Horsley has been writing about guitars and guitar culture since 2005, playing them since 1990, and regularly contributes to MusicRadar, Total Guitar and Guitar World. He uses Jazz III nylon picks, 10s during the week, 9s at the weekend, and shamefully still struggles with rhythm figure one of Van Halen’s Panama.
Latest articles by Jonathan Horsley

PRS swaps maple for mango to give its “flagship” Custom 24 a 40th anniversary satin nitro makeover
By Jonathan Horsley published
The Mango tops on the Custom 24 Satin are exquisite, but they’re only making 500 of ‘em

Orbit Culture show us their ESP guitars – and tell us why the EverTune bridge is a game-changer
By Jonathan Horsley published
Richard Hansson and Niklas Karlsson on why passive humbuckers are better for downtuned riffs, James Hetfield's influence, and why baritones and extended range guitars are too much guitar

Cesar Gueikian teases Gibson Custom Shop replica of Marty McFly’s “1955” Back To The Future ES-345
By Jonathan Horsley published
And could there be an Epiphone version too?

Squier channels the Fender archive for 10 stunning yet affordable news Classic Vibe models
By Jonathan Horsley published
You know the drill, people... we've got Strats, Teles, a Jazzmaster and a Duo-Sonic, and refreshed basses in Squier's evergreen vintage-inspired range

Harley Benton unveils sub-$100 solution for players with two tube amps sharing same speaker cabinet
By Jonathan Horsley published
The Tube Head Switch features onboard safety load management and has a buffered instrument input and direct input for preamps and other line-level devices, and it's cheap

Kirk Hammett orders up custom version of Jack White’s Triplecaster – and gets one for White, too
By Jonathan Horsley published
Jack White's been giving out his Triplecaster to all and sundry and now Hammett returns the favour, with a "cool mod" that White hopes will duly upset Telecaster purists

Megadeth to come to an end – Dave Mustaine announces final album and farewell tour for 2026
By Jonathan Horsley published
Next year will see the release of the final Megadeth studio album before Mustaine and co ride off into the sunset – and there will be a tell-all memoir coming too
![A composite image of Steve Vai [left] playing his green PIA Ibanez signature guitar onstage with the Satch/Vai band, and right, the late, great Allan Holdsworth playing an S-style with a cigarette smoking wedged on the strings.](https://cdn.mos.cms.futurecdn.net/4rRFNyBs8iuRk62px4U6yj.jpg)
Steve Vai on why Allan Holdsworth – the fusion virtuoso who wrote his own rules – was the GOAT
By Jonathan Horsley published
Most players Vai can work out where they were coming from. Holdsworth, he admits, was something different entirely

Gibson unveils Custom Noel Gallagher Les Paul: hand-signed, limited run – the ultimate Oasis guitar?
By Jonathan Horsley published
Limited to 25, each hand-signed, replicas of Noel Gallagher's super-cool black Les Paul Standard will be available on August 21 at the Gibson Garage London

Seal on how a Tascam four-track and two chords changed his life as he found his identity on guitar
By Jonathan Horsley published
The singer-songwriter says when he got his four-track and picked up the guitar, he found his voice as an artist

Jackson adds Warrior, King V and Concert Bass to its limited edition Pro Plus Pure Metal range
By Jonathan Horsley published
Metal up your G.A.S. and take a look at these stripped-down single-pickup shred (and low-end) machines

Like the Jack Antonoff signature Gretsch? Then you are going to love the CVT Electromatic
By Jonathan Horsley published
Gretsch goes for the alt-metal, grunge and post-rock market with a hefty dual-humbucker doublecut that is built for “gut-punching” riffs – and there's a bass version, too

Is Eddie Van Halen’s 1982 Kramer – also owned by Mick Mars – the next multi-million dollar guitar?
By Jonathan Horsley published
Dressed up to look like Frankie, a precursor to the 5150, this transitional Kramer was stage-played by Eddie Van Halen and appeared on Mötley Crüe's Dr Feelgood

PRS promises spanky Strat-esque tones and a lot more from its limited run PRS CE 24 Special
By Jonathan Horsley published
The CE 24 bolt-on gets an HSH refresh and a serious tone power-up, presenting itself as another play-anything high-end build from PRS – but they’re only making 1,500 of them!

Bare Knuckle supremo Tim Mills reveals the tone secrets of Jimmy Page’s ‘Number One’ Les Paul
By Jonathan Horsley published
Mills was living the dream when he was asked to give Page's 1959 Les Paul an MOT before the 2007 Led Zeppelin reunion gig

Chase Bliss invites you to rummage around the Lost + Found – a compact multi-FX pedal with 12 modes
By Jonathan Horsley published
Lost + Found is a typically inventive design from Chase Bliss that will present its fair share of surprises – and a bewildering array of options for transforming your tone, and presets to save 'em!

Fender mixes old-school mojo with 21st-century playability for the American Ultra Luxe Vintage range
By Jonathan Horsley published
Love vintage and modern guitars? Have it both ways with compound radius fingerboards, stainless steel frets, Pure Vintage pickups and Heirloom lacquer finishes in classic Fender colours

Keith Scott on his big David Gilmour moment and the making of Bryan Adams’ record-breaking hit
By Jonathan Horsley published
Scott remembers how a “plaintive melody” from Michael Kamen intrigued Mutt Lange and was shaped into Bryan Adams' biggest, hit, giving Robin Hood: Prince Of Thieves the anthem it needed

Gibson teases release of the P-90 Les Paul Noel Gallagher has been playing at Oasis reunion shows
By Jonathan Horsley published
Available from the Gibson Garage London on August 21, this limited run guitar is the spitting image of Gallagher's "hybrid" Les Paul –and it looks like he will be signing them too

Nirvana tone guru Aaron Rash solves Kurt Cobain’s Heart-Shaped Box guitar mystery
By Jonathan Horsley published
Rash's latest break in the In Utero case arrived via a late-night epiphany and the help of ChatGPT, and it might just reignite the conversation about the impact of body wood on tone

Blackstar’s Polar Go is a take-anywhere audio interface for “studio-quality” mobile recording
By Jonathan Horsley published
Turn the park into your studio with a super-compact interface that can fit into the palm of your hand, and yet is packed with features – including a built-in ProCapture stereo mic system

They found Paul McCartney’s Höfner: can the Lost Bass Project find Marty McFly’s Gibson ES-345?
By Jonathan Horsley published
Gibson puts investigative journalists Scott and Naomi Jones on the Lost To The Future case. Despite thousands of tips the trail of the guitar – missing since '85 – remains cold

John Mayer’s PRS SE Silver Sky Rosewood is refreshed with 4 fashion-inspired solid-colour finishes
By Jonathan Horsley published
Could Dandy Lion could be this year's Roxy Pink? The SE Silver Sky Maple also gets a makeover, with Moon White, Stone Blue, Summit Purple and Nylon Blue expanding your finish options

Epiphone resurrects a 1963 Dove and five classic acoustics with help from the Gibson Custom Shop
By Jonathan Horsley published
Epiphone's partnership with the Gibson Custom Shop just gets better as it adds a Dove, a pair of Hummingbirds, two stunning SJ-200s and a Banner-era J-45 to its Inspired By Gibson Custom series

Zach Myers on Shinedown’s secret weapon, the limits of shred guitar, and getting schooled by BB King
By Jonathan Horsley published
Signing in from Shinedown's epic summer tour, Myers talks about the band's long-awaited studio album, the controversy over his relic'd Silver Sky and why Eric Bass is the band's ace in the hole
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