
Jonathan Horsley
Jonathan Horsley has been writing about guitars and guitar culture since 2005, playing them since 1990, and regularly contributes to MusicRadar, Total Guitar and Guitar World. He uses Jazz III nylon picks, 10s during the week, 9s at the weekend, and shamefully still struggles with rhythm figure one of Van Halen’s Panama.
Latest articles by Jonathan Horsley

Epiphone’s Futura Series reimagines Gibson classics with Chromashift finishes, ProBucker Ignite 'buckers and stainless steel frets
By Jonathan Horsley published
Unveiled at NAMM 2026, the unashamedly bold Futura Series comes replete with a host of player-friendly updates, including compound radius fingerboards and expanded electronics

How Allan Holdsworth blew Eddie Van Halen's mind and took guitar to a higher plane
By Jonathan Horsley published
We unpack the brilliance of jazz-fusion trailblazer Allan Holdsworth, with some help from Steve Vai, Guthrie Govan, Paul Gilbert and Eddie Van Halen

“We set out to capture the defining moments that shaped Fender’s legacy”: Fender unveils the Vintera III series
By Jonathan Horsley published
The third generation of Fender's vintage-inspired lineup is all about the specs

UK amp pioneer Lyndon Laney has died, aged 77
By Jonathan Horsley published
Black Sabbath's Tony Iommi leads tributes to the founder of Laney Amplification, whose tube amps give helped birth heavy metal – and who also had a connection with Led Zeppelin, too

Robben Ford on rearranging John Lennon, iconic collaborations and paying tribute to the great Jeff Beck and amp guru Alexander Dumble
By Jonathan Horsley published
Two Shades Of Blues was conceived as a tribute to Beck and Ford's favourite amp builder, and it finds him exploring the Strat and making his own weather with his Overdrive Special

Could your next amp be Kurt Cobain’s stage-played Fender Twin? Nirvana’s Bleach-era touring backline goes up for sale
By Jonathan Horsley published
Black and silver panel Fender Twins loaded with JBL speakers – bring yer own Boss DS-1 and you're good to go...

“We are about to do something insane”: Guitar Center is launching its own guitar brand “from the ground up”
By Jonathan Horsley published
CEO Gabe Dalporto wants to build a “a revolutionary guitar” and would like you to slide into his sub-Reddit with some ideas

Gibson CEO Cesar Gueikian has made a stunning custom Explorer – and Billy Gibbons is playing it onstage with ZZ Top
By Jonathan Horsley published
And the Gibson CEO also given us a sneak peak of the forthcoming DES lineup in the shape of a Ghost Burst SG?

Myles Kennedy on what it was like to play Jeff Buckley’s Telecaster – and how he felt unworthy to play it
By Jonathan Horsley published
Kennedy saluted one of his all-time heroes in 2019 when he performed Hallelujah live in Paris, and it was the first time Buckley's Tele had been played in public since his death in '97

Eric Johnson on why pick choice and picking style are fundamental to your playing – and how his favourite jazz player got his sound by using his thumb
By Jonathan Horsley published
Your guitar pick, the material it's made from and how you use it are "the beginning of the whole thing," says the Texan virtuoso

“Six room sizes, a gated reverb patch and a reverse reverb patch for your consideration”: Catalinbread launches compact reverb pedal with inspired by the Neil Young and Daft Punk-approved Alesis Microverb
By Jonathan Horsley published
The '90s cult classic studio reverb is reimagined as an 8-mode stompbox with an very useful Mix knob and pre-delay

Mark Morton on the chemistry behind Lamb Of God's twin-guitar groove and what he owes ZZ Top
By Jonathan Horsley published
Morton gets geeky with rhythm and discusses the making of Lamb Of God's pummelling new album, Into Oblivion, and explains why he is proud to be (just) behind the beat

“Look at AC/DC. Whatever was popular, it didn’t matter. It’s like McDonald’s. ‘We make the Big Mac and we make fries and we don’t care about doing sushi’”: Zakk Wylde on musical identity, jailhouse rocking with Ozzy and the return of Black Label Society
By Jonathan Horsley published
The maestro of the pinched harmonic and pentatonic blitzkrieg sits in to talk Engines Of Demolition, Randy Rhoads' greatness, and the origin of his style

JHS Pedals’ turns loose the Coyote – a fuzz pedal tribute to a “lost” cult classic and its maker
By Jonathan Horsley published
A two-knob fuzz that's got three modes – including some octave-up craziness – all at the turn of a dial, the Coyote replicates the circuit of the late Glenn Wylie's unique, brilliant Moonrock Fuzz

Electro-Harmonix launches six of its most-famous pedals as plugins
By Jonathan Horsley published
Teaming up with MixWave, EHX presents three Big Muffs, the Deluxe Memory Man, Electric Mistress and the Small Clone for your DAW

Source Audio’s Pathways is a state-of-the-art reverb and tremolo pedal for vintage enthusiasts and modern tone-seekers alike
By Jonathan Horsley published
Pathways has seven reverb and echo engines, three tremolo types, plus all the digital connectivity to get the configure them just how you need them

Harley Benton takes on the high-performance heavyweights with a Sparkle Burst refresh of its $400 Floyd-equipped S-style
By Jonathan Horsley published
Super-affordable, built for shred, and now available in an array of new colours – and with single and dual-humbucker versions of each

Geddy Lee on the making of Rush’s 1984 classic Grace Under Pressure
By Jonathan Horsley published
How the trio battled cabin fever in the depths of winter in search of a sound that had more of Alex Lifeson's guitar, more cutting-edge synths, "more of everything!"

“I’ve got to compete with Bach and Beethoven and Mozart and The Beatles!”: Inside the mind of guitar hero Paul Gilbert
By Jonathan Horsley published
Featuring: his “mouse” heartbeat, the jazz pianist so good he's “inhuman” and the most courageous thing a shredder can do

Jackson launches spectacular EverTune refresh of Christian Andreu’s signature Rhoads
By Jonathan Horsley published
The Gojira riffer says he has been in love with the Jackson Rhoads ever since he saw Hammett of play one, and Andreu's latest signature version takes its design where it's never been before

Harley Benton unveils three entry-level T-styles with Bigbsy-style vibratos and vintage mojo to burn
By Jonathan Horsley published
Ideal for beginner player with a taste for old-school guitar design

Richie Sambora was so desperate to track down his stolen Explorer he hired a private detective – 41 years later he has it back
By Jonathan Horsley published
Sambora played this heavily modded Explorer as Bon Jovi rose to fame and has been looking for it for decades. Matt's Guitar Shop in Paris tracked it down

Robben Ford on how playing with Miles Davis set him up for life
By Jonathan Horsley published
Ford wasn't a jazz player when he joined up with Davis in 1986 but he would soon learn – and it give him a sense of self-confidence that's with him to this day

“The perfect marriage of brilliance and brute force”: Gretsch unveils the reinvention of the Jet
By Jonathan Horsley published
Meet the Jet with the Luminlay markers, the contoured body, the Twin Six humbuckers and a filter for percussive high-gain sounds. It's a Jet, Jim, but not as we know it

Charvel’s hotrodded shred performance just got more affordable with the launch of the $569 Standard SD Series
By Jonathan Horsley published
The Standard Series T-styles are cut from the same cloth as their more expensive siblings and present aspiring shredders with a pair of high-output humbuckers and a no-fuss hardtail bridge
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