
Jonathan Horsley
Jonathan Horsley has been writing about guitars and guitar culture since 2005, playing them since 1990, and regularly contributes to MusicRadar, Total Guitar and Guitar World. He uses Jazz III nylon picks, 10s during the week, 9s at the weekend, and shamefully still struggles with rhythm figure one of Van Halen’s Panama.
Latest articles by Jonathan Horsley

Does your digital rig lack “thump” and feel? Victory’s PowerValve 200 promises to restore that analogue tube mojo
By Jonathan Horsley published
With an onboard Valve React Circuit, this 200-watt power amp is designed to push air through a real guitar speaker, giving you quote/unquote real amp feel when using a modeller

Fender wins historic German court ruling protecting Stratocaster body design
By Jonathan Horsley published
The Regional Court of Düsseldorf rules in favour of Fender and offers broad legal protections for the Strat's body design

“When I first met George I was speechless”: Robben Ford on what it was like working with a Beatle at the age of 22
By Jonathan Horsley published
By his own admission, Ford was “green” when he was called into play on George Harrison’s Dark Horse but there was no pressure to be anything other than himself

How Mark Morton and Gibson reinvented the Les Paul for modern metal – and why passive beats active humbuckers hands down
By Jonathan Horsley published
The Lamb Of God guitarist walks us through the evolution of his signature Les Paul Modern Quilt and explains why passive humbuckers beat active every time

IK Multimedia just put $300,000 of Dumble mojo into a Tonex One mini pedal
By Jonathan Horsley published
The Tonex One Double Special is a limited edition pedal preloaded with 20 models from two über-rare Dumbles – and the bundled software presents sounds from six Overdrive Specials

Epiphone raises the bar for its acoustic guitar range with all-solid builds, rosewood fingerboards and affordable takes on Gibson classics
By Jonathan Horsley published
The Inspired By Gibson range comprises cutaway and non-cutaway Hummingbird and J-45s, and a very smart L-00, all with Fishman electronics and a serious build upgrade

Fender celebrates three decades of the Hot Rod Deluxe with a stunning anniversary edition
By Jonathan Horsley published
The much-loved 40-watt combo gets a fancy looking textured 'Western' vinyl covering, classy and vintage '50s-style grille clothe – and a 12" Celestion Creamback under the hood

Sam Fender releases behind-the-scenes footage of him working on a guitar part for hit single Rein Me In
By Ben Rogerson published
It’s just won a Brit Award and reached Number 1 in the UK singles chart

“I’m watching this genius develop right in front of me”: Joe Satriani on what it was like to teach a teenage Steve Vai
By Jonathan Horsley published
Here's this "goofy" Ace Frehley fan with big hands and he keeps coming back for more... Satch says it wasn't long before he recognised Vai's potential

“A couple of the lyrics turned out to be AI-generated… I thought, ‘Okay, I’ll go for it’”: How Paul Gilbert accidentally wrote a song using an AI hallucination
By Jonathan Horsley published
Gilbert's first vocal album since 2016, WROC finds him adapting George Washington's "rules for civility" into lyrics for rock songs. But what happens when AI injects itself into the process?

Marshall launches membership scheme and pledges percentage of online sales to support grassroots music venues
By Jonathan Horsley published
Sign up to Marshall's Amplify scheme and the British amp giant will use one per cent of members' web store purchases to support independent venues
![Robben Ford [left] wears a dark suit jacket and v-neck t-shirt as he plays a blonde Telecaster onstage. Photographed in 1975, Joni Mitchell [right] plays her Martin dreadnought live onstage at Wembley Stadium.](https://cdn.mos.cms.futurecdn.net/VcVHS39qQMWdPw9okeyQx-320-80.jpg)
Robben Ford reveals the Joni Mitchell tone tricks that helped him nail his guitar sound in the studio
By Jonathan Horsley published
Ford has fond memories of touring and recording with the “wonderful” Mitchell, who has a producer knows exactly how she wants a guitar to sound – and how to get the tone

Geddy Lee on honouring Neil Peart and why he and Alex Lifeson are getting back together as Rush
By Jonathan Horsley published
Rush will to the stage once more to celebrate the life and legacy of the late, great Neil Peart. Lee explains how wellness clinics, fun jams and "unfinished business" made the "R" word easier to say

Living Colour’s Vernon Reid on NYC epiphanies, unsung heroes and the emotional power of a sample
By Jonathan Horsley published
The visionary guitarist walks us through the memories, sounds and people who shaped him as a player – and the sounds we hear on his bravura solo album, Hoodoo Telemetry

Gibson unveils Murphy Lab replica of Mick Ronson’s Bowie-era 1968 Les Paul Custom
By Jonathan Horsley published
With the ebony finish stripped to reveal its two-piece plain maple top, mismatched controls, custom-wound pickups, this limited run reproduction is the spitting image of Ronson's original

Geddy Lee on how he and Alex Lifeson chose Anika Nilles to fill the late, great Neil Peart’s role in Rush reunion tour
By Jonathan Horsley published
After a tip from his tech, the Rush frontman/bassist says there was only one drummer in his mind, and Nilles nailed the material. But she's going to need a bigger kit...

Love hotrodded Plexi crunch and Mesa high-gain drive? Wampler’s Golden Jubilee serves up both in one sparkly green stompbox
By Jonathan Horsley published
Wampler is calling it a “complete gain solution” and who can argue with that…
![A black-and-white portrait of Rush's Geddy Lee [left] and Alex Lifeson as they announce their reunion tour.](https://cdn.mos.cms.futurecdn.net/UBkXGCbCXZ4DWbUUFrCSbJ-320-80.jpg)
Geddy Lee and Alex Lifeson are bringing the Rush reunion tour to the UK, Europe and South America
By Jonathan Horsley published
The 50 Something Tour will see Rush play two epic sets culled from 40-plus tracks – tickets for the newly announced 2027 dates go on sale at 10am on 27 February

How Josh Middleton crushed his inner elitist to unleash a brutal Sylosis album for the kids in the pit
By Jonathan Horsley published
The New Flesh finds the UK metal stalwarts “regressing” to their teenage selves and Middleton taking a leaf out of Obituary and Deicide’s book with hench riffs you can hum, grooves you can move to

Paul Gilbert on why it can be so hard to resist the urge to shred
By Jonathan Horsley published
Gilbert says shred can sometimes be the easy way to give his audience what they want, but their expectations only make him want to work harder on his melodies

Could the Line 6 Helix Stadium Floor be a serious rival to the Quad Cortex?
By Jonathan Horsley published
Line 6's new flagship amp modelling platform not only has to live up to the Helix's reputation, it arrives when the competition has never been steeper. But it has features, lots of 'em...

“You can have a great amp but if the speaker sucks it won’t sound good”: Sylosis' Josh Middleton on the most important link in your signal chain
By Jonathan Horsley published
The secret to great tone? Don't forget the speaker cabinet matters, too

Gary Clark Jr channels the King of the Blues for limited edition Gibson Custom Shop collab
By Jonathan Horsley published
The 21st-century blues king pays dues to his hero with a stunning limited edition Cobra Burst ES-355, fresh from the Custom Shop
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![Vernon Reid [left] wears a brightly patterned suit and plays his signature Reverend onstage; [right] a still of the late great Arthur Rhames performing.](https://cdn.mos.cms.futurecdn.net/sjkugqBND4ekbX32UwgeaF-320-80.jpg)
