Concerned about buying an acoustic guitar online without trying it first? You needn’t worry. Online music instrument retailers like Sweetwater, Thomann, Guitar Center and Musician’s Friend offer hassle-free returns as standard, so you can purchase a guitar, play it in the comfort and privacy of your home and, if it’s not right, send it back with ease. Check the specific returns policy for your chosen retailer before you purchase, but most offer between 30-45 days to return an item, as long as it’s in original condition.
If you're in the market for one of the best acoustic guitars too suit your particular playing style and the budget you've set, we have scoured the globe – and put in a hours of playing and reviewing time – to bring you this expert round-up of best acoustic guitars in the world right now.
You'll be pleased to hear that you won't have to spend a huge amount to get your hands on a quality instrument either. How, you may ask? Because the guitars in this round-up start at an attractively low $220 (thanks, Fender), meaning there's something for smaller budgets upwards. If you're just starting out, you might want to take a look at our guide to the best acoustic guitars for beginners.
Over the past decade or so we've also witnessed a huge leap in the quality of acoustic guitars being produced at lower price points, which is brilliant for those of us who just can't stop adding new guitars to our collection.
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Our selection represents a broad cross-section of the industry, offering a group of acoustic guitars that range from flawlessly executed high-end investment pieces to modern classics and affordable off-the-shelf mass-production models that punch way above their weight and will be your musical companion for years to come.
With Amazon Prime Day on the horizon, it could be worth holding off on picking up a new acoustic guitar until the Prime Day music deals start emerging. We'll be reporting on the best offers right through to Prime Day itself.
What are the best acoustic guitars right now?
Every model in our best acoustic guitars guide is a great performer, but allow us to draw your attention to a couple of instruments in particular... kicking off with the Martin D-28. This acoustic is often considered to be the benchmark of dreadnought design.
Understandably it comes with a hefty price, but if you're looking for an all-rounder acoustic with balanced highs, deep lows and possibly the most comfortable playing experience around, this is one of the best acoustic guitars you can buy.
If you're on a tighter budget, we'd highly recommend Epiphone's EJ-200SCE. Featuring Shadow's stereo acoustic guitar pickup system, it offers the best plugged-in sounds you can buy for the price; and it's a sweetie when played acoustically too. A worthy addition to our best acoustic guitars round-up.
Choosing the best acoustic guitar for you
Like we say, build quality of the guitars featured here is the best it's ever been. Buy from one of the reputable brands we recommend and you can be investing in one of the best acoustic guitars around. So if build is a given, what are your primary concerns when buying a new instrument? Here are some general considerations.
First of all, there's the size/volume equation. No, it's not maths homework – just remember that big-bodied guitars tend to be louder than the smaller kind. Perhaps that's obvious, but you'll want to consider the effect on tone too.
Big jumbos and dreadnoughts generally deliver more bottom end. This is great for unaccompanied gigs where you need a room-filling sound, but a smaller parlour style guitar might cut through a mix better, or even offer more mid and treble detail for flat-picked or fingerstyle passages. It's general advice, admittedly – and every guitar is different – but do keep it in mind when you buy.
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Pickups and electronics
You'll also need to think about pickups when choosing the best acoustic guitar for you. You may not know if you'll ever want to plug in, and, of course, you could always have a pickup installed at a later date, but we recommend opting for a steel string with an onboard pickup/preamp if it's within budget.
Acoustic guitar wood types
Finally, let's talk about wood. Sitka spruce is commonly used in acoustic guitars and offers a balanced tone with clarity and dynamic range. Mahogany is a hardwood with more direct sound and greater definition across the frequency range. Cedar, by contrast, is softer sounding than spruce with more dynamic range and less natural compression.
Maple delivers a strong midrange and punchy bottom end that's ideal for strumming in a band mix. Remember though, whichever acoustic guitar you choose, the way the instrument is built affects its tonal characteristics just as much as its materials do, so don't let wood choice be a deal breaker.
So, on that note, here are 13 of the best acoustic guitars you can buy right now. We've listed them in price order to make it easier to find the right one for your budget, and our price comparison widgets have found the best deals online right now. Happy hunting!
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The best acoustic guitars you can buy now
The entry model of the Classic Design Series is a good reminder of just how much guitar you can get for your money at the more affordable end of the market. We've come far since the days of high-action, poor tuning stability and shoddy construction that used to mark out lower-priced models. Instead, we're offered a solid-wood mahogany top, laminated mahogany back/sides and an inviting rolled fretboard edge.
The CD-60S' intonation is great out of the box, too, though not too low to make us wary of alternate tunings. The mid-character of mahogany is certainly here, bringing some meat to a brightness usually associated with spruce tops (remember what we said about no hard and fast rules with tonewoods?).
The result is something that’s genuinely inspiring to play and chimes in chord work, and one of the best acoustic guitars for newcomers or those looking for a second acoustic. After all, why should new players settle for just okay when they need to be comfortable and inspired? And there’s no reason why this dreadnought wouldn’t be a good addition for anyone else, too.
Read our full Fender CD-60S All-Mahogany review
Made by Art & Lutherie, a sub-brand of Godin Guitars (known mostly for its electric guitars) this parlour model cuts straight to the chase – it’s clean, it’s earthy, it’s got attack and its design takes you back in time to the rural deep south where all you might have needed were the clothes on your back and this instrument for company.
Playing this Roadhouse is an absolute joy. The middle and upper ranges of the guitar are very strong. When we try some alternative tuning, dropping the bottom E to a D opens up the bass no end. Blues and country come to the fore. There’s clarity too, combined with an understated subtle warmth. A pocket-sized bag of country rock ‘n’ roll – compact and ready to go at a moment’s notice.
Read our full Art & Lutherie Roadhouse review
Based on the vintage Martin OM body shape, the orchestra style WLO12SE features sub-dreadnought dimensions with sparkling highs, a tight bottom end and a decent spec.
A walnut bound mahogany body paired with Washburn's Scalloped-X bracing makes this an elegant guitar with a clarity that makes it great for the detail of fingerstyle playing.
A Fishman Presys II preamp gives an honest portrayal of the guitar’s acoustic qualities and includes bass and treble controls for tonal tweaking. Coupled with a slim C profile neck, low action and a Graph Tech NuBone nut, this is a quality instrument that punches well above its weight.
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If you hold the opinion that Epiphones are for players priced out of Gibson ownership, you may wish to rethink your stance with the EJ-200SCE.
Distinctive calling cards of J-200 heritage are present here: the moustache bridge, decorative tortoiseshell-style pickguard and pearloid crown inlays. The sound is balanced rather than boomy, giving strummed chords the fullness that made the J-200's reputation. Expect articulate highs and a warm foundation in the bottom end.
However, it's the Shadow eSonic-2 preamp that pushes this guitar into greatness. Featuring two blendable mono pickups (a traditional undersaddle piezo and another pickup located at the end of the fingerboard), the plugged-in sound is among the best you'll find below £500. And, with an onboard tuner to keep you sounding sweet, this is without doubt one of the best electro-acoustics around today.
Read our full Epiphone EJ-200SCE review
The Mexican-made Mini is equally functional as both a travel-sized acoustic and "modern day parlour guitar". Despite its small footprint, the GS Mini is no toy instrument: there's a solid Sitka spruce top, a faultless build quality and the setup is immaculate.
Rather like a good parlour-size guitar, the GS Mini outputs a sound that belies its compactness. We'd lay a considerable sum to suggest it'd be a fine recording guitar, that tight low end giving space to a bass guitar (or bassier six-string) while the mids aren't overly honky, as some parlours can be, and the silky, sparkly highs are pure Taylor fidelity. Far from a gimmick, this is a guitar with its own vibe and voice – and both are very appealing.
Read our full Taylor GS Mini review
Unlike Martin's own X Series, or indeed, the minimalist cool of Taylor's Big Baby, the Dread Junior might be downsized, but it's very grown-up in build, with all-solid wood construction, proper mortise and tenon neck joint, a bound top edge and simple soundhole rings.
It might not have the huge depth or width, harmonically speaking, of the full-size dreadnought, but there's a punchy midrange and a slightly textured edge. It retains a Martin stamp: classic, old-school and a fine picker's choice, too. Put simply, it's a cracking guitar, far from a Guitar Shaped Object.
For serious younger players, it's a great entry into Martin's heritage, but the more compact size means that many a more mature player will enjoy it, too.
Read our full Martin Dreadnought Junior review
An electro-acoustic guitar that barely has any acoustic volume, but put a set of headphones on and you'll hear your playing with a studio-quality acoustic sound and posh effects. Oh, and you can plug in your mp3 player, too. What's more, plug this so-called Silent Guitar into a PA or acoustic amp and you have a highly realistic electro-acoustic sound without any feedback.
The solid mahogany centre-block and maple laminate frame might raise some eyebrows, but the neck is quite normal: a mainstream-feeling handful that typically is beautiful fretting and plays really well – like any other Yamaha acoustic, really. Live, expect to see jaws drop, because your audience won't believe what they're hearing from such an infeasible-looking instrument.
Read our full Yamaha SLG200S Silent Guitar review
There is traditionally a gap between how we enjoy the sound of our guitars and the way they’re represented plugged in. Enter Yamaha, a leader in stage-ready acoustic technology for decades – and in the A5R ARE, it may have just offered us a very desirable solution.
The A5R's rounded fretboard edges offer an enjoyable playing experience that mimics the feeling of guitars that have been played in to a degree and it has an ethereal quality in the high ranges, even though some treble resonance is traded with the lower action.
The A5’s resonance and bright balance is a fine showcase for the clever SRT2 preamp – we actually couldn’t dial in a ‘bad’ sound on it because the treble and bass controls mirror the natural subtlety of the pickup/mic dynamic design.
An electro experience that captures the sound of an unplugged acoustic? The SRT2 is one of the closest to get there yet. An update that marks the A Series out as an essential consideration for players who rely on a consistent and controllable stage sound.
Read our full Yamaha A5R ARE review
This D-15M dreadnought features a solid 'genuine' (South American) mahogany top over A-Frame X bracing; the same material is used for the back, sides and neck. The neck profile is a 'modified low oval', and it's hard to imagine anyone having a problem with it. Bone nut and saddle: check. Vintage-style, open-gear tuners: check. Super-thin matt nitrocellulose finish all over: check.
Tonally, there is a rich and projecting core sound that's complemented by the unmistakable, Martin D-resonance. It's vibrant and ebullient, yet not brash; warm and full without being thick or indistinct. It puts every single cent of its build budget into making the best sounding and playing instrument, with very little concession to cosmetics, electronics or anything else.
Solid woods, improved neck joint, bone nut and saddle, no frills whatsoever, save for the 'burst top: it's unreservedly recommended for anyone searching for the best acoustic guitars in the world.
Read our full Martin D-15M Burst review
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Many consider the D-28 to be ultimate expression of the dreadnought form. ‘Reimagining’ such a guitar could be a poisoned chalice. Fortunately, you can still feel the gravity of that 186 years of history in its high-end guitars, which is why this beauty has graced our best acoustic guitars round-up.
The current D-28, reimagined in 2017, features forward-shifted bracing, a wider nut and vintage-style aesthetic changes, but it’s the neck design that really makes this a comfortable and accessible dreadnought playing experience. The sound is balanced and maintains the very definition of an ‘all-rounder’. Notes ring out with sustain - that clear piano-like definition we love from Nazareth’s craftsmen.
Harmonics come easy and, with strumming, the high mids and treble have choral qualities that don’t overshadow the lower mids. Despite the tweaks, our test model still largely feels like the acoustic equivalent of Leo Fender’s Stratocaster design. Just as that outline is most synonymous with ‘electric guitar’, so too the D-28 continues to embody the dreadnought in look and sound.
Read our full Martin D-28 Reimagined review
The D-55 is Guild's dreadnought, very similar in shape to the all-conquering 14-fret Martin on which it's based. However, if your used to a handful in the neck, the D-55 dreadnought makes for quite the contrast: a gloss neck, and slimmer nut accentuating the neck's overall thinness; more a D than a C profile, to invite comfortable first-position chords, aided by an impressively low action.
That Adirondack bracing is doing its job, too, because string separation, definition and dynamic range are all notable and it feels loud, alive and resonant when playing soft or hard.
If this acoustic guitar is anything to go by, the latest Traditional models are absolutely up there with the other big American names, offering superb quality craftsmanship and world-class tone.
The D-55 is a potentially serious workhorse that has every likelihood of outlasting and outperforming any one of us as long as we can keep on picking. A real sumptuous strummer.
Read our full Guild Traditional D-55 review
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From top to bottom, this Hummingbird creates a buzz. Whatever your preference in size, colour, tone and playing style, it’s difficult to avoid picking this Cherry Sunburst up. It’s such a simple guitar to play that it’s rare to ever feel like you’re incapable of striking the right chord – especially on a neck that’s just 12” in radius.
While the traditionally ornate decoration and blushing finish have been lovingly retained, this modern Montana incarnation offers a discrete LR Baggs Element VTC system for plug-in power. It is unlike many we have seen and produces one of the best sounds we’ve heard from an electric acoustic.
Throw in the pleasure of playing such a superb guitar and it’s tough to say anything bad about the Gibson Montana Hummingbird Cherry Sunburst.
Read our full Gibson Montana Hummingbird review
The Builder’s Edition V-Class K14ce is a bold statement of intent by Taylor, combining V bracing with a notably different, more comfortable, Grand Auditorium style. Of course, its build quality is nothing short of exceptional as we’d expect – not least at this price.
We’re also reminded of the K14ce’s high-end lineage, however, by the paua ‘spring vine’ inlay that lies down the majority of the black/dark brown ebony ’board, while a lighter koa purfling stripe sits just inside the ebony edge-binding and continues around the headstock, which is again ebony-faced with a relatively demure paua inlay.
The aged-gold Gotoh tuners perfectly fit the slightly worn-in vibe – hugely understated class, just like the green abalone dots in the ebony bridge-pins. While there’s plenty for those who love details to admire, the modern Taylor guitar is hugely sorted in terms of playing feel. V-Class, Builder’s Edition? Get used to those terms. Taylor has upped the ante. Considerably.
Read our full Taylor Builder’s Edition V-Class K14CE review