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NAMM 2017: Martin adds 3 Fishman-equipped acoustic guitars to 16 Series

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By Michael Astley-Brown published 21 November 2016

Silver binding and Matrix VT Enhance electronics onboard

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Silver lining

Silver lining

NAMM 2017: It's that time of year again, and Martin has teased the first of its new models with a trio of new 16 Series guitars.

The three acoustic guitars share classy silver binding and Fishman Matrix VT Enhance electronics, spread across three body outlines.

Read on for prices and spec, and expect much more from Martin & Co in the months to follow…

Page 1 of 4
Page 1 of 4
Martin D-16E

Martin D-16E

PRESS RELEASE: The D-16E is a dreadnought, with a 000 depth, constructed of a Sitka spruce top and sycamore back and sides.

It features silver binding and heelcap, an ebony bridge and a silver bound ebony fingerboard with mother-of-pearl diamonds and squares inlay. A modified low oval neck with a high-performance taper make this guitar easy to play up and down the fingerboard.

This model is also equipped with Fishman Matrix VT Enhance electronics.

Page 2 of 4
Page 2 of 4
Martin DC-16E

Martin DC-16E

PRESS RELEASE: This acoustic-electric cutaway Dreadnought, with a 000 depth, is crafted with a Sitka spruce top and sycamore back and sides.

It features silver binding and heelcap, a multi-stripe orange top inlay and rosette, an ebony bridge, a silver bound ebony fingerboard with mother-of-pearl diamonds and squares inlay and Fishman Matrix VT Enhance electronics.

This is a great all-around guitar for players of any style.

Page 3 of 4
Page 3 of 4
Martin OMC-16E

Martin OMC-16E

PRESS RELEASE: A cutaway Orchestra Model that features a Sitka spruce top paired with cherry back and sides.

This FSC Certified model features a modified low oval neck with high performance taper, simple dovetail neck joint, silver binding and heelcap, bone nut and saddle, ebony bridge, a silver bound ebony fingerboard with diamonds and squares inlaid in mother-of-pearl and Fishman Matrix VT Enhance electronics.

A great-sounding guitar that has a rich, dense, clean and articulate tone with great sustain and clarity.

Page 4 of 4
Page 4 of 4
Michael Astley-Brown
Michael Astley-Brown
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Mike has been Editor-in-Chief of GuitarWorld.com since 2019, and an offset fiend and recovering pedal addict for far longer. He has a master's degree in journalism from Cardiff University, and 15 years' experience writing and editing for guitar publications including MusicRadar, Total Guitar and Guitarist, as well as 20 years of recording and live experience in original and function bands. During his career, he has interviewed the likes of John Frusciante, Chris Cornell, Tom Morello, Matt Bellamy, Kirk Hammett, Jerry Cantrell, Joe Satriani, Tom DeLonge, Radiohead's Ed O'Brien, Polyphia, Tosin Abasi, Yvette Young and many more. His writing also appears in the The Cambridge Companion to the Electric Guitar. In his free time, you'll find him making progressive instrumental rock as Maebe.

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