Features archive
May 2026
Filter
21 articles
- May 9
-
- “It was like panning for gold. Amongst the brown murky waters, I saw this track all shiny and glimmery, shining like a big rock of gold. It said, 'Play me, play me!”: How Gorillaz deployed some sublime music theory to build their most beloved tune
- “This cop came into my dressing room. He's like Robocop – helmet, goggles, gun, handcuffs. He says, ‘Those little fellas – do you hang one of them every night?’”: Ozzy Osbourne’s outrageous tales of idiot lawmen, werewolves, chimpanzees and Paul McCartney
- May 8
-
- “Some of the public found Genesis with Peter Gabriel a bit too strange. But there was a lot of fear about whether we could carry on without him”: How Phil Collins became the singing drummer and led Genesis from despair to superstardom
- "Until then, I’d always thought that putting tongues in mouths was disgusting, but when he gave me my first proper kiss, I did indeed ‘have to let it linger’": How the Cranberries bucked '90s trends and made the surprise hit that's become huge once again
- “Good riffs are good riffs – and good beats or whatever. Usually those are the building blocks. But very seldom are we playing in unison”: How Tool created enigmatic, brain-bursting alternative rock with a late-’90s masterpiece
- What just happened? It's MusicRadar's Quiz of the Week #5!
- May 7
- May 6
-
- “The whole thing was so exciting for me – to actually have control of my baby for the first time. I was very nervous, too – because you really wonder if you’re capable”: How Kate Bush created a classic single and became a completely self-sufficient auteur
- “I wasn't allowed to do that when I was on a label. They saw success in one song, and they thought, ‘We've got to replicate that’”: Emily Burns on shunning the majors and the freedom of becoming a self-releasing artist
- May 5
- May 4
- May 3
- May 2
-
- “I love writing songs. I love being in the studio. I love touring. That stuff’s the greatest. All the rest of it is literally the worst thing you could experience”: Why an underground hero is calling time on one of 21st-century metal's greatest bands
- “It was too successful really - we weren’t cut out for it. We were fish out of water”: How the Boo Radleys wrote one of the most optimistic radio hits of the ‘90s, with fresh insight from its singer
- May 1
-
- “The synths only let you play one note at a time, which was great as we couldn’t play chords anyway”: How Depeche Mode launched their career with one of the most important synth-pop records ever released
- “David Lynch used to refer to it as firewood - how ideas are just fuel and if they’re getting in your way, then burn them”: Johnny Jewel on his relationship with synths and working with David Lynch
- “I was driving and I had to pull over to the side of the road - it blew my mind. It was a shock": Brian Wilson was obsessed with Be My Baby - this is its story
- “I guess they can’t sue us because I’m writing about it after it happened”: How Pearl Jam created a powerful signature song inspired by a real-life tragedy
- What just happened? It's MusicRadar's Quiz of the Week #4!
- The ultimate synth shoot-out 2026: Hardware classics vs. their software successors - but can you really tell which is which?
- “I wasn't prepared for what I saw that night”: How a classic song recorded live in London set Bob Marley on the path to global superstardom