MusicRadar

Needless to say, MusicRadar didn't exist in 1992. In fact, the internet as we know it didn't even exist in '92. Nor did modern DAWs, software synths, VSTs… You get the picture.

So the fact that drum 'n' bass legend Andy C was producing electronic music back then is impressive enough. What's astounding, though, is that now, 18 years later, he's still at the top of his game. These days he's renowned as one of drum 'n' bass's most respected DJs, founder of Ram records and a producer in his own right.

Back in '92, as drum 'n' bass was first blossoming as an offshoot of jungle, Andy founded Ram with co-producers Ant Miles and Shimmon as an outlet to release his debut Sour Mash EP. As Ram Trilogy the trio released a string of influential tunes through the '90s and through their label cultivated a crop of producers at the heart of drum 'n' bass.

Throughout that time Andy C has been heralded as one of drum 'n' bass's finest DJs, pioneering 3-deck quick-mixing techniques and releasing numerous mixtapes that helped define the genre.

His new mix CD, Nightlight 5, is released this week; showing off a wealth of new, unreleased music from the Ram family as well as, of course, Andy's own mixing prowess.

MusicRadar thought this the perfect opportunity to catch-up with the man to chat about DJing, producing and how music technology has changed the world of drum 'n' bass over the years...

How has the rise of digital gear and computer music technology changed the way you work as a DJ? Do you still prefer to stick with a classic turntables/mixer setup or do you now include more hi-tech gear in your setup?

"I still play vinyl and dubplate on three decks and an Allen & Heath Xone: 92 mixer. Personally I prefer DJing this way as I like the physical interaction between myself and the music. I feel, visually, it lets the crowd see how hard I'm working as well!

"I feel like I'm one of the last people DJing like this and it's a real pain at some shows, as most of the sound techs these days don't account for jumping needles and feedback, so it can be a battle."

Do you think that technology has made it easier for people to DJ these days and, if so, do you think this is a good or bad thing?

"It definitely has! But is that a bad thing? A lot of people had a problem initially with CDJs and then Serato/Traktor, saying that it was cheating or taking the skill out of it. But I feel that whatever setup you are using, as long as it helps make your show better then why not?

"What I'm not that into is the staring at screens that goes with it, as I feel you loose a certain connection with the crowd. I like to see DJs push themselves and the equipment, and as long as the dancefloor is moving then it's all good."

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