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How PinkPantheress’s meteoric rise has been aided and abetted by Basement Jaxx
By Ben Rogerson published
She's described the UK electronic music duo as being "pivotal" to her development as a producer

“I guess I wasn’t surprised”: Pete Tong admits he has to wear a hearing aid these days
By Will Simpson published
DJ has become an ambassador for Boots Hearingcare

How Alan Braxe and Fred Falke made an all-time house classic with just a sampler and a bass guitar
By Si Truss published
Watch the French house icons recreate their classic track Intro in the studio

"Extraordinary resilience, but resilience is not a policy”: New report into UK electronic music brings mixed news
By Will Simpson published
The North of England is at the forefront of that resilence

“Every producer bows down to Dilla, whether they like it or not”: How J Dilla and his MPC changed beatmaking forever
By Matt Mullen published
20 years on from his untimely passing, we decode the genius of the revered producer that redefined rhythm as we know it

“There was a time I was collecting synths – it’s a bit weird downgrading from that”: Ikonika on going back-to-basics
By Si Truss published
In the studio: The Hyperdub artist on going back in-the-box and why they’re ‘trying to avoid Auto-Tune’

“We have a perverse or healthy attraction to crazy ideas”: Soulwax are throwing a rave – at Abbey Road Studios
By Will Simpson published
Call the Soulwax rave hotline on 07886 072699

"His creative influence spans every corner of contemporary culture”: Mark Ronson to receive Brits Outstanding Contribution award
By Will Simpson published
DJ calls it “the most meaningful honour” of his career

“Emotional and soul crushing”: Aphex Twin has more Youtube listeners than Taylor Swift and this is the reason why
By Will Simpson published
QKThr seems to be a go-to track for Youtube shorts

Back in 1999, Prince offered his opinion on the new generation of DAW-based musicians and producers
By Ben Rogerson published
“If they didn’t take the time to learn their instrument and their scales and to actually speak the language of music then they can’t play… all they can do is watch,” he argued
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