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“The only way to find out about these things is to jump in”: Aphex Twin and Philip Glass on their '95 collaboration
By Si Truss published
The minimalist classical figurehead and electronic icon reflect on each other's work in a classic Future Music interview

Barry Can’t Swim has no time for people who have an issue with artists using synth presets
By Ben Rogerson published
“I'm really not one who kind of gets in and builds a sound from scratch," admits the musician/producer

David Guetta says he’s never played a pre-recorded DJ set, and can’t understand why anyone would think he has
By Ben Rogerson published
"I think it's absolutely ridiculous, because beat matching is so easy," he argues

“Everyone comes back changed”: Bicep on their new collaborative project with Inuit musicians
By Will Simpson published
Takkuuk premieres tomorrow in London

ARMNHMR on their tools of the trade
By Andy Price published
Joseph Chung and Joseph Abella’s fusion of dubstep, trance and techno has found favour with millions of listeners globally

Lawrence Hart on the mixed blessings of classical training and being ‘scrappy’ in the studio
By Si Truss published
The Domino artist and George Fitzgerald collaborator on the creative process behind Come In Out Of The Rain

How a novelty sample almost derailed the career of one of the greatest electronic acts of all time
By Si Truss last updated
A classic 1992 Future Music interview reveals how The Prodigy outgrew Charly and shook off the curse of ‘toy-town techno'

Tresor resident Nadia Struiwigh on why she avoids tutorials and keeps things 'loose' in the studio
By Si Truss published
"Every piece of gear has a character... it's like in a TV show, you have the main character, then you have other people that come in and out"
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