Latest about Producers & Engineers
How Wendy Melvoin’s bass playing became the “secret weapon” on Sombr’s 12 to 12
“It doesn't matter what bass Wendy plays because it's just always going to sound like Wendy”
“It’s faster, more spunky”: Steve Lillywhite on what he did to brush up a new live version of Fairytale Of New York
Christmas classic is “like a fine wine” says producer
Mastering engineers reflect on the loudness wars, and ponder whether they really are over
In a new documentary, Waves CTO and co-founder Meir Shashoua says that he was accused of ruining music
'Immersive first' electronic musician Halina Rice on creating unique live experiences and new album, Unreality
The London-based producer on her career in electronic music, her favourite studio gear, and exploring the possibilities of spatial audio
Dan Nigro says that he always knew that Chappell Roan’s Pink Pony Club was something special
Recorded in 2019, it took five years for it to become a hit
Greg Lester on how he crafted the classic nylon-string guitar solo in the Spice Girls’ 2 Become 1
“It was actually very well conceived but it didn't sound guitaristic at all,” he says of the original demo
“Got many requests for this one from a few years back”: Aphex Twin uploads new tracks to his Soundcloud page
It’s his first unheard music for two years
"It was the best-sounding piece of kit ever – but they were so up themselves": Trevor Horn on the pioneering synth that defined the sound of Welcome to the Pleasuredome
Legendary producer Trevor Horn talks exclusively to MusicRadar about his upcoming "mega-tour", the changing face of the music industry, recording Welcome to the Pleasuredome, and why AI is "phony"
