Latest about Producers & Engineers
Dan Nigro says that he always knew that Chappell Roan’s Pink Pony Club was something special
Recorded in 2019, it took five years for it to become a hit
Greg Lester on how he crafted the classic nylon-string guitar solo in the Spice Girls’ 2 Become 1
“It was actually very well conceived but it didn't sound guitaristic at all,” he says of the original demo
“Got many requests for this one from a few years back”: Aphex Twin uploads new tracks to his Soundcloud page
It’s his first unheard music for two years
"It was the best-sounding piece of kit ever – but they were so up themselves": Trevor Horn on the pioneering synth that defined the sound of Welcome to the Pleasuredome
Legendary producer Trevor Horn talks exclusively to MusicRadar about his upcoming "mega-tour", the changing face of the music industry, recording Welcome to the Pleasuredome, and why AI is "phony"
How Oasis brought Noel and Liam’s touring crews together for their triumphant Live ‘25 reunion
“When a band the size of Oasis splits, it generates its own touring entities and reintegrating that is always going to be an interesting exercise”
Geoff Barrow on pigeonholing, production and beating imposter syndrome to become a film soundtrack composer
“I sat back and thought, 'What are you playing at? You can’t write a movie score! You’re not even a real musician'"
Jimmy Jam says that Prince’s LM-1 association influenced Jam and Lewis’s decision to switch to a Roland TR-808
“We were like, ‘no, no, we're going to do something totally different, you know'"
Spotify expands its song credits and previews a SongDNA feature that reveals samples and cover versions
The popular WhoSampled website is now part of Spotify
