Latest about Producers & Engineers
Producer Mike Sabath reveals the surprisingly limited instrumentation in Raye's Where Is My Husband!
But he still wondered if one particular section could be "too much"
Back in 1999, Prince offered his opinion on the new generation of DAW-based musicians and producers
“If they didn’t take the time to learn their instrument and their scales and to actually speak the language of music then they can’t play… all they can do is watch,” he argued
The 'secret sauce' that creates Dijon’s distinctive vocal sound isn't what you thought it was
"What you're hearing - the 'processing' - you're hearing bleed," says his collaborator Tommy King. "You're literally hearing the entire song coming through"
How Wendy Melvoin’s bass playing became the “secret weapon” on Sombr’s 12 to 12
“It doesn't matter what bass Wendy plays because it's just always going to sound like Wendy”
“It’s faster, more spunky”: Steve Lillywhite on what he did to brush up a new live version of Fairytale Of New York
Christmas classic is “like a fine wine” says producer
Mastering engineers reflect on the loudness wars, and ponder whether they really are over
In a new documentary, Waves CTO and co-founder Meir Shashoua says that he was accused of ruining music
'Immersive first' electronic musician Halina Rice on creating unique live experiences and new album, Unreality
The London-based producer on her career in electronic music, her favourite studio gear, and exploring the possibilities of spatial audio
Dan Nigro says that he always knew that Chappell Roan’s Pink Pony Club was something special
Recorded in 2019, it took five years for it to become a hit
