Latest about Producers & Engineers
Josh Groban says he has no regrets about his “ballsy” decision to make an album with Rick Rubin
“I found myself bored, so I wanted to learn again, get the good fear again," he says of 2010's Illuminations
"I’d say 95 percent of the work I’ve done was unpaid”: James Blake on the hit and miss nature of production work
“You’re throwing stuff at a wall and seeing what sticks” he says
Why Bruno Mars' new single Risk It All could have ended up sounding very different
“Most of the other versions were more up-tempo," says co-writer/producer D'Mile
“A lot of people got a hard drive full of music and they don’t know how to finish… just tell everybody, ‘Hey, that’s what I got – hope you like it!’”: Watch Saba, No ID and Jimmy Douglass build a track from scratch
Universal Audio documents Chicagoan rapper Saba's free-flowing session with two veteran producers
“MIDI controllers can be expensive!": PinkPantheress records her songs using her MacBook’s keyboard
Who needs a MIDI controller when you’ve got Logic Pro’s Musical Typing feature?
Eddie Van Halen’s guitar solo didn't overheat a speaker during the making of Michael Jackson’s Beat It, but an AC/DC issue did
“Something let loose in the amplifier and put out a tremendous power surge,” says engineer Matt Forger
“Afterwards he sent David an invoice for $10,000”: Tony Visconti on Dave Grohl’s “ludicrious” Bowie session fee
He guested on the Heathen album
Harry Styles says that “hypnotic” electronic music by the likes of Floating Points and Jamie XX has influenced his new album
Kiss all the time. Disco, occasionally. is released on Friday
