Latest about Producers & Engineers
Kartell: "The piece of gear that I use the most? The Behringer Poly D"
New album Everything Is Here expands Kartell's already diverse sound in new directions, taking cues from ‘70s soft rock and alt hip-hop. We hear more about how the project was made
Kölsch: "I have this obsession with instruments that don’t sound very good"
Danish house and techno artist Kölsch’s latest album, I Talk To Water, incorporates recordings by his late musician father and explores the emotional weight of grief. We found out more about its conception…
"You'll make so much bad music, and that's great": Tourist's advice for aspiring producers
We visited the electronic artist in the studio ahead of the release of his fifth album and he left us with some hard-won wisdom for artists in the early stages of their careers
“We talked about synths. She can get kind of nerdy”: Producer Carter Lang on meeting SZA and the making of Kill Bill
“I brought this weird Roland monosynth upstairs. It was an early ’70s primitive synth and we were bugging out over it”
"Computers are the worst thing that has happened for the musician": classic Vangelis interview reveals his studio wrath
The late composer might have been known for his cutting-edge synth use, but he didn't agree with every studio breakthrough
Grimes: "Sound design is my favourite part of the recording process"
Following the Canadian artist's disastrous Coachella performance, we revisit a classic interview surrounding the release of Grimes' fourth album Art Angels
Steve Albini on why Kurt Cobain's touring amp setup failed to impress in the studio for In Utero
Amps, mics and the pedal on Heart-Shaped Box that nearly caused a rift between Cobain and Krist Novoselic – "He really thought Kurt was trying to sabotage the song"
"There's too many options now": Trent Reznor discusses his music-making process with Atticus Ross
As their newest soundtrack collaboration, Challengers, gets set for release, the pair break down some of their most iconic work
