Latest about Producers & Engineers
“I could not have done something like Let’s Dance without David”: Does Nile Rodgers deserve more credit?
"A strummy folk guitar part with a moving voice in the chords? It didn’t even sound close to what I’d call a hit”
Producer Danny L Harle enlists “dream collaborator” PinkPantheress for new song Starlight
“Starlight reaches for a kind of euphoric melancholy - a guiding light in all of my music,” says Harle
"On every laptop you have access to every sound you could ever want. That can make creativity hard": Peel
Forging a close bond as two-thirds of international superstars, Foster the People, Sean Cimino and Isom Innis have embarked on a parallel life as Peel.
Ezra Collective’s Joe Armon-Jones on the imagined musical apocalypse that inspired All The Quiet
The London-based keyboardist, producer and composer on improvisation, learning production and the therapeutic value of music
Lorde unmasks the guitar part on her new album that was created using a ‘90s Roland V-Guitar processor
Plus, the Teenage Engineering OP-1 patch that “shows up everywhere” on the record
Lawrence Hart on the mixed blessings of classical training and being ‘scrappy’ in the studio
The Domino artist and George Fitzgerald collaborator on the creative process behind Come In Out Of The Rain
How a novelty sample almost derailed the career of one of the greatest electronic acts of all time
A classic 1992 Future Music interview reveals how The Prodigy outgrew Charly and shook off the curse of ‘toy-town techno'
Lorde on the Frank Ocean collaborator who helped to humanise the synths on her new album, Virgin
The star performed a secret set to open this weekend's Glastonbury Festival
![Brent Smith [left] performs in a blazer and white T-shirt as flames from pyro light the stage behind him. On the right, Rick Beato is photographed in a denim overshirt at NAMM 2022.](https://cdn.mos.cms.futurecdn.net/9MSHbXfF6HqJNm2sy8DmFS-840-80.jpg.webp)
