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“I remember saying to Clapton, ‘You try playing that one riff for eight minutes!’”: The secret to Status Quo's riff power
By Paul Elliott Published
"That song is where the Quo twelve-bar boogie shuffle came from"

"Every time I played it, I got phone call after phone call": The story of William Orbit’s rework of Adagio for Strings and its chart-smashing trance remix
By Matt Mullen Published
How Samuel Barber's tear-jerking orchestral classic was transformed into an unlikely dancefloor hit at the turn of the millennium

“Suddenly we were presented with this gift”: How One saved Achtung Baby and saved U2
By Beth Simpson Published
Track was written in just 15 minutes

“The first three times I performed it in public, I burst into tears”: Joni Mitchell's era-defining classic Woodstock
By Neil Crossley Published
An anthem inspired by the legendary music festival – by an artist who wasn’t actually there

The story of how Madonna and William Orbit united and crafted a euphoric electronic pop classic
By Andy Price Published
Is it Madonna’s best single? This William Orbit-produced smash found the Queen of Pop hurtling full-speed into a technicolour sonic universe

How David Byrne and Brian Eno anticipated a darker tomorrow on Talking Heads’ 1979 masterpiece
By Andy Price Published
With Eno stationed outside in a mobile recording van, the loft-recorded banger Life During Wartime painted a bleak picture of a seemingly inevitable future

We chat with The Selecter’s Pauline Black about their breakthrough 1979 single
By Sean Hannam Published
Pauline Black speaks to us about the origins of the Selecter, and how the group’s upbeat debut single ironically gained traction amongst the very DJs it was criticising

Brain me in: It's MusicRadar's Quiz of the Week #16
By Daniel Griffiths Published
You're just 10 quick music biz quiz questions away from greatness…

We speak to the noise music creatives pushing out at the extremes of sound: “It's somehow a kind of fetish”
By Adam Douglas Published
Noise music can be powerful and unpredictable. Learn how to bring noise techniques like feedback and extreme gain into your own productions

“It feels like the most ‘us’ thing we’ve ever done – Suno isn’t coming up with that anytime soon”: Sylvan Esso on the making of Ow ∞
By Jim Ottewill Published
Grammy-nominated electronic duo Sylvan Esso’s Amelia Meath and Nick Sanborn dive into the story behind their first new album in four years
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