Latest about Producers & Engineers
"It was literally plugged into Logitech computer speakers”: Jim-E Stack on the lo-fi production behind Bon Iver's Walk Home
Stack opened up the Pro Tools session for SABLE, fABLE highlight Walk Home for Mix with the Masters
How a happy accident helped George Michael have a hit with a song he thought sounded too much like Prince
After releasing three different versions, Michael would later say that he didn't like the one that reached the Top 5 in the US and the UK
“Is NOT going to happen”: William Orbit has written Ray Of Light sequel but Madonna hasn’t responded
But “zero hard feelings” says the producer
"She had no filter": Mark Ronson explains what made Amy Winehouse such a great musical collaborator
He also looks back on the time he brought Winehouse and Adele together for a performance at the 2008 Brit Awards
Josh Groban says he has no regrets about his “ballsy” decision to make an album with Rick Rubin
“I found myself bored, so I wanted to learn again, get the good fear again," he says of 2010's Illuminations
"I’d say 95 percent of the work I’ve done was unpaid”: James Blake on the hit and miss nature of production work
“You’re throwing stuff at a wall and seeing what sticks” he says
Why Bruno Mars' new single Risk It All could have ended up sounding very different
“Most of the other versions were more up-tempo," says co-writer/producer D'Mile
“A lot of people got a hard drive full of music and they don’t know how to finish… just tell everybody, ‘Hey, that’s what I got – hope you like it!’”: Watch Saba, No ID and Jimmy Douglass build a track from scratch
Universal Audio documents Chicagoan rapper Saba's free-flowing session with two veteran producers
