Latest about Producers & Engineers
"I’m speaking a musical language with the modular synthesizer as my pen": Meet Arushi Jain, the "modular princess" using synths to reimagine Indian classical music
Delight is the mesmeric new offering from modular synthesist, composer and singer Arushi Jain. Hamish Mackintosh sat down with Jain to find out more
Bob Clearmountain talks mixing and tweaking Bruce Springsteen's Born In The USA guitars
The Apogee ECS Channel Strip gets a special mention
Tourist on how AI tech helped shape his new album, Memory Morning
The British producer on how technology shaped his new album, plus his 'Holy Trinity' of synths
The samples from every Prodigy album track have been found and clipped in this YouTube masterpiece
Hats very much off to Eightminutesupsidedown for this frankly staggering piece of work
It’s ‘Jean-Michel flying car’ as the French electronic music pioneer takes flight in the KleinVision AirCar
Watch him taking a ride in Air Force Oxygene
Catching Flies: “By the time you’ve patched a hardware synth, found the right cable, turned it on and tuned it – you’ve lost the idea”
Manipulating samples into abstract new forms, Catching Flies has emerged with a creative identity all of his own. We sat down with the producer to find out more about his latest release, Tides
Mastering maestro Joe LaPorta talks Bowie's Blackstar, loudness, AI and being “very much a vibe guy”
“It’s just knowing how far you can push something before it loses its musicality,” says the man who finessed Miley Cyrus’s Flowers
“I thought, ‘We're going to need to do this live’”: Dan Nigro on recording Olivia Rodrigo’s GUTS
The Grammy-nominated producer explains how he and Olivia Rodrigo developed GUTS' in-your-face sound
“That was so wrongheaded”: Porter Robinson says that he regrets dismissing EDM as “not really art”
“It was turning into this arena-sized highly commercial thing, which wasn’t what I wanted to do, and the whole EDM festival thing felt super whack to me,” he says now
Beyoncé’s recording engineer explains why the star’s huge dynamic range dictated his choice of preamp
“A lot of people ask why I don’t use the Neve on her," says Stuart White. "And I love the Neve on vocals, don’t get me wrong, but the Neves tend to crackle when you turn the pre gain”