Cherry Audio emulates the Ensoniq ESQ-1 for its 40th birthday, “faithfully reproducing the complex, evolving, and richly textured sounds that defined the hardware”
Californian emulation specialist Cherry Audio has released its latest plugin, a digital recreation of the Ensoniq ESQ-1, one of the most influential and popular polysynths of the 1980s.
The original ESQ-1 launched in 1986 and blended analogue elements with early digital synthesis technology. Its sound engine featured a trio of digital oscillators for each of its eight voices, each of which made use of sampled single-cycle waveforms capable of producing both traditional analogue-style waveshapes and tones sampled from real world sources such as pianos, voices or woodwinds.
The synth combined these oscillators with analogue multimode filters, complimented by multiple LFOs and envelope generators, and an eight-track sequencer.
Released to mark the original’s 40th anniversary, Cherry Audio’s Ensoniq ESQ-1 is launched in official collaboration with current Ensoniq owner Creative Technology.
According to the developer: “Through official licensing, Cherry Audio built the instrument around the original 32 ESQ-1 waveforms, faithfully reproducing the complex, evolving, and richly textured sounds that defined the hardware.”
That reproduction has involved modelling the Curtis CEM3379 analogue filter chips, along with the four DCAs, four multistage envelopes, three LFOs, amplitude modulation, and oscillator sync.
Because the plugin faithfully recreates the architecture of the original synth, it allows for drag-and-drop import of patches and banks from original ESQ-1 as SysEx files or directly from the hardware via MIDI. SysEx patches can also be exported for use with the original instrument.
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Whereas the original synth was notoriously fiddly to program, with edits made numerically via its display screen, Cherry Audio’s version opens up the full sound engine with each parameter accessible across five UI screens.
As with the original synth, Cherry Audio’s ESQ-1 is equipped with a multitrack sequencer. This is one of several elements upgraded from the original design though. Here, the sequencer is a 16x4 polyphonic design that is capable of controlling both notes and modulation. It’s also equipped with tools for humanising patterns.
Other expansions on the original design include additional polyphony – up to 32 voices – along with an expanded modulation system, plus the ability to control the synth with aftertouch and MPE messages. Cherry Audio’s version also adds an effects section with 20 different processing modules.
"Partnering with Cherry Audio to revive the original sound of the ESQ-1 has been a truly rewarding collaboration," said Koh Zi Kai, Head of Licensing at Creative Technology Ltd. "Ensoniq represents a significant chapter in Creative Technology's history, and we are proud to see the authentic sound of the ESQ-1 preserved and made accessible to a new generation of musicians on the 40th anniversary of its release. Creative Technology stands behind its mission of bringing audio technology and people together, helping them to elevate their audio experience and connect on a deeper level with their music."
"The ESQ-1 is an important part of synthesizer history, and we aimed to honour that legacy with the depth and accuracy it deserves," said Dan Goldstein, CTO at Cherry Audio. "From the original waveforms to the precise modelling of the filter, we have carefully crafted every detail to capture what made the hardware iconic, while also providing today's musicians with the modern tools and expressiveness they expect."
Cherry Audio ESQ-1 comes with over 400 presets, including the sound banks from the original. The plugin is out now priced at $69. Head to the Cherry Audio site for more information.
I'm the Managing Editor of Music Technology at MusicRadar and former Editor-in-Chief of Future Music, Computer Music and Electronic Musician. I've been messing around with music tech in various forms for over two decades. I've also spent the last 10 years forgetting how to play guitar. Find me in the chillout room at raves complaining that it's past my bedtime.
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