We suspect that a guitar wireless system might be something that you’ve always thought about getting, but perhaps you never quite got round to buying one or thought it was an unnecessary luxury.
The benefits of wireless systems are obvious - you'll have no more electric guitar leads to break or get in the way, as well as the freedom to stalk the entire stage during a gig - but we'd forgive you for thinking that a guitar wireless system could be pricey, a pain to set up and prone to developing glitches when you least expect them.
To set the record straight, none of these gripes are actually true. If you don't have loads of cash to splash, the cheapest guitar wireless systems are... well, cheap, but setup is usually really simple. If you want to just plug and play, in some cases you really do just plug in, turn on and start playing.
What’s more, clever management of frequencies by the hardware should ensure that you always get a rock-solid signal in any playing situation and audio quality shouldn’t suffer, either.
Guitar wireless systems: everything you need to know
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A guitar wireless system comprises two main parts: a transmitter and a receiver. The transmitter is the bit that plugs into the 1/4-inch jack output on your guitar.
In some instances, the transmitter is actually attached to the plug, so you have the guitar equivalent of a USB dongle; in other cases, the transmitter comes as a bodypack that clips to your belt or slips into your pocket. This pack is then connected to the 1/4-inch output on your guitar using a proprietary cable that comes in the box.
Your guitar’s output is then transmitted to the receiver. Some companies offer this in a pedal format that can be slotted directly onto your ‘board, while others offer a completely standalone unit that can sit on your amp or wherever it feels most comfortable. The receiver features an audio output that can be plugged into your amp or anywhere else you might want to send it.
The transmitter in your guitar wireless system will be designed to run on battery power. Increasingly, these systems come with built-in rechargeable batteries, or they take standard batteries that can be changed as required.
Whichever power option you choose, if you head to a gig or practice fully charged there's no need to worry about running out of juice halfway through; today’s guitar wireless systems can keep running for many hours without faltering, so you can rest assured your encore won't be dampened by your hardware giving up the ghost.
Here we’ve rounded up the best wireless guitar systems available to buy right now. There’s an option to suit every budget and requirement. Liberation from your lead is only a few clicks and a courier visit away...
The best guitar wireless systems right now
Another pedalboard-based guitar wireless system, the WL-50 promises plug 'n' play operation and features a receiver that sits right on your pedalboard. Wireless connection is set automatically and we're promised low-latency, rock-solid performance and a decent operating range. There are also selectable cable tone simulation options: short, long and bypass.
The transmitter can be used for up to 12 hours at a time and slots neatly into the receiver's docking port when you need to charge its battery. The receiver can run on two AA batteries or get its juice from the optional PSA-A adapter. Choose the latter option and its DC output can distribute power to one or more other pedals using an optional daisy-chain cable, which could prove useful.
It's got nothing to do with Bono et al, but the U2 could still be the guitar wireless system you've been looking for. Operation is simple: plug the transmitter into your guitar, the receiver into an effects pedal or amp, then turn them on. Once the two are talking to each other, you're good to go. The setup process is simple, then, and you're also promised high-quality audio performance, great tone and reliability.
The U2 might be made out of plastic, but it promises to be pretty durable. The five-hour running time isn't as much as on some of the other systems, but that should still be more than enough to keep you roaming the stage for an entire gig.
The XSW 1-Cl1 has the look of a more traditional wireless system, comprising a bodypack transmitter and desktop receiver unit. You can play for up to 10 hours, while automatic frequency management and sync via remote channel should make for easy setup. If you're playing in a large band, rest assured that you can use up to 10 of these systems simultaneously.
Obviously, if you're looking for a receiver that sits on your pedalboard and a transmitter that plugs straight into your guitar then this isn't the product for you (a cable is supplied to connect your guitar to the transmitter, incidentally) but Sennheiser has been doing the wireless thing for many years now, so if you do plump for the XSW 1-Cl1, you can be sure that you're going with a brand that has a strong reputation in this area.
Like Sennheiser and Shure, AKG is best-known for its microphones, but it offers this wireless system for instrumentalists, too. Like many of the products on this list, the WMS40 Mini promises plug-n-play operation, and you can play for an impressive 30 hours using a single AA battery. The fact that this can quickly be replaced - there's no need to wait for an internal battery to recharge - could count in its favour.
Clear sound quality is also high on the agenda. It works as you'd expect, with the transmitter - which can be put in your pocket or clipped to a belt - connecting to your guitar via a supplied cable, and the desktop receiver outputting audio via a 1/4-inch jack. If you shop around, you'll find that the AKG WMS40 Mini sits at the cheaper end of the price spectrum, making it worth considering if you want a budget guitar wireless system.
A three-part package, this guitar and bass-friendly bundle includes the GLXD6 receiver, which sits on your pedalboard and has the added bonus of a built-in tuner, the GLXD1 bodypack and the WA305 cable, which is used to connect the bodypack to your guitar.
There's automatic frequency management that's designed to deliver a reliable, rock-solid signal, while exceptional audio quality is also promised. You're looking at up to 16 hours of continuous use before the transmitter's built-in batteries need to be recharged, and the transmitter itself is made of metal for extra durability. This is a comprehensive package, then, albeit one that costs more than some of the competition.
