NAMM 2016: M-Audio updates M-Track and MIDIsport audio and MIDI interfaces
Check out the 2016 ranges here
NAMM 2016: M-Audio has updated its M-Track range of audio interfaces, which now includes five models. There are a couple of new MIDISport MIDI interfaces, too.
Each of the interfaces offers a different I/O configuration, and all of them will be available in the second quarter of 2016.
Scroll down for specs, and find out more on the M-Audio website.
M-Track Hub, £50
USB monitoring interface with built-in 3-port hub
- Studio-quality audio with 24-bit resolution on playback
- (2) Balanced 1/4-inch main outputs with dedicated large metal level control
- Powers three separate USB MIDI devices
- Headphone out with independent level control
M-Track Solo, £85
24/192 USB-C high speed 2x2 audio interface
- 24bit/192kHz resolution for professional recording and monitoring
- (1) Dedicated XLR/TRS combo input and (1) dedicated instrument input—perfect for solo artists
- USB-C high-speed audio interface (compatible w/USB-A) with zero-latency monitoring with
- USB/Direct Balance control
- Headphone out with independent level control
Included software
- AIR Creative Collection FX (20 World Class FX AU/VST plugins as made famous by Pro Tools®)
- Ableton Live Lite
- AIR Strike
- AIR Xpand!2
- AIR Mini Grand
M-Track 22, £100
24/192 USB-C high speed 2x2 audio interface
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- 24bit/192kHz resolution for professional recording and monitoring
- Switch between (2) XLR/TRS combo inputs or (2) instrument inputs on the fly with auto sensing
- front and real panel jacks
- 5-pin MIDI Input/output for connecting all external MIDI gear
- USB-C high-speed audio interface (compatible w/USB-A) with zero-latency monitoring with
- USB/Direct Balance control
Included software
- AIR Creative Collection FX (20 World Class FX AU/VST plugins as made famous by Pro Tools)
- Ableton Live Lite
- AIR Strike
- AIR Xpand!2
- AIR Mini Grand
M-Track 84, £210
24/192 USB-C high speed 8x4 audio interface
- 24bit/192kHz resolution for professional recording and monitoring
- (4) XLR/TRS combo inputs, (2) instrument inputs, with dedicated pre-amps for maximum recording control
- (2) 1/4-inch Headphone outputs with independent source select switches (1/2 or 3/4) and level controls for recording 2 musicians with 2 separate mixes
- USB-C high-speed audio interface (compatible w/USB-A) with zero-latency monitoring with
- USB/Direct balance control
Included software
- AIR Creative Collection FX (20 World Class FX AU/VST plugins as made famous by Pro Tools)
- Ableton Live Lite
- AIR Strike
- AIR Xpand!2
- AIR Mini Grand
M-Track 1212, £280
32/192 12-in/12 Out USB-C high speed audio interface
- 32-bit 192kHz studio-quality audio, raises the performance bar for elite audio interfaces
- Switch between (2) XLR/TRS combo inputs or (2) instrument inputs on the fly
- Fully expand your recording session with the smallest footprint with the (2) included DB25 8-channel TRS connectors for connecting 8 line-level inputs and outputs
- Control Panel application built from the ground up for engineers and producers creating mix groups, and routing sub mixes
Included software
- AIR Creative Collection FX (20 World Class FX AU/VST plugins as made famous by Pro Tools)
- Ableton Live Lite
- AIR Strike
- AIR Xpand!2
- AIR Mini Grand
MIDISport Hub 2x2, £50
2x2 MIDI Interface with USB Hub
- 3-port USB 3.0 powered hub
- 2x2 MIDI I/O
- Merge/Standalone operation
- Bus-powered when not using the hub
- 4 dedicated signal LEDs show when MIDI information is sent and received
MIDISport Hub 4x4, £90
4x4 MIDI Interface with USB Hub
- 3-port USB 3.0 Powered Hub
- 4x4 MIDI I/O
- Bus-powered when not using the hub
- 8 dedicated signal LEDs show when MIDI information is sent and received
- Rugged metal chassis stands up to abuse in studio or on the road
I’m the Deputy Editor of MusicRadar, having worked on the site since its launch in 2007. I previously spent eight years working on our sister magazine, Computer Music. I’ve been playing the piano, gigging in bands and failing to finish tracks at home for more than 30 years, 24 of which I’ve also spent writing about music and the ever-changing technology used to make it.
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