
Andy Price
As the former editor of Computer Music, I aim to bring the same knowledge and experience that underpinned that magazine to the editorial I write, but I'm very eager to engage with new and emerging writers to cover the topics that resonate with them. My career has included editing MusicTech magazine and website, consulting on SEO/editorial practice and writing about music-making and listening for titles such as NME, Classic Pop, Audio Media International, Guitar.com and Uncut. When I'm not writing about music, I'm making it. I release tracks under the name ALP.
Latest articles by Andy Price

How a journalist’s joke led Jimi Hendrix to set fire to his guitar for the first time
By Andy Price published
It was a ritual that would symbolise Hendrix’s esoteric allure, but the first night he did it, the incendiary act was quickly thought up backstage

How Phil Collins’ globe-spanning Live Aid journey led to one of the most disastrous reunions ever
By Andy Price published
The hectic day that Phil Collins Concorde-hopped between continents was mired by a shambolic reunion which he unwittingly became a part of

How Oasis rustled up the ultimate Britpop anthem with Don't Look Back in Anger
By Andy Price published
A song destined to be bellowed at gigs, pubs, birthdays and wedding receptions for the rest of time, the huge hit crystallised a cultural moment, and verified Oasis as 90s Britain’s most popular band

How to avoid letting technical problems with the music-making process slow you down
By Andy Price published
It’s easy for us to hang around one particular arrangement or mix for months, pouring over the fine details. It's advisable to keep the bigger flow going

How a shrewd power move from Michael Jackson permanently dented his friendship with Paul McCartney
By Andy Price published
Once friends and collaborators, Michael Jackson’s seizure of the Beatles’ publishing rights from Paul would distance the music heavyweights

How the Oasis vs Blur chart battle marked Britpop's cultural peak, and the beginning of its end
By Andy Price published
1995’s chart battle between Oasis and Blur cemented the two bands as Britpop’s warring kings, but creatively, the movement was unravelling

We just witnessed the first night of the Oasis comeback. Here’s our take on the Gallagher brothers’ reconciliation
By Andy Price published
After 16 years of feuding, the pair seemed on a solid footing with each other as they shook Cardiff’s Principality Stadium with a salvo of Oasis classics

"On every laptop you have access to every sound you could ever want. That can make creativity hard": Peel
By Andy Price published
Forging a close bond as two-thirds of international superstars, Foster the People, Sean Cimino and Isom Innis have embarked on a parallel life as Peel.

Void & Vista's plugins are 'pieces of art for people to make art with'
By Andy Price published
We sit down with the brains behind Strands and Folds, two Kontakt instruments that caught our attention with a wildly imaginative approach to sound design

How Cherry Audio recreated the sound of the world's first commercial polysynth in software
By Andy Price published
We caught up with Cherry Audio's CTO Dan Goldstein to find out more about how it crafted a plugin emulation of a super-rare proto-synth from 1939

Leapwing Audio on their stable of forensic mix plugins
By Andy Price published
Leapwing's intuitive, incisive plugins let users perform forensic mix surgery with ease and emulate the tones of iconic producers.

Musik Hack on their quest to refine plugin UI design
By Andy Price published
We sit down with Musik Hack co-founder Sam Fischmann to hear more about the philosophy behind its superb mastering plugin

ARMNHMR on their tools of the trade
By Andy Price published
Joseph Chung and Joseph Abella’s fusion of dubstep, trance and techno has found favour with millions of listeners globally

“Learning how to mix is almost as important as hitting on your original musical idea”: New to the mixing process? Start here
By Andy Jones published
Don't let a brilliant song be swallowed up in a bad mix by following our guide to the central principles of the process

"As nuanced as the real thing, but only if you know what you're doing": The ultimate guide to plugin guitars
By Andy Price published
After spending decades trying to emulate the guitar, it might have been easier just to pick one up and learn how to play it…

"Our aim with ShaperBox is to make it easy for any producer to get complex-sounding results, all in one plugin": Cableguys talk modulation-mad multi-effects plugins and more
By Andy Price published
We sit down with the developer behind ShaperBox and Kickstart to find out more about Cableguys' inspired creations

"It’s the best reverb for the buck": Composer Jason Graves on his go-to reverb plugin
By Andy Price published
After scoring Dead Space and Call of Duty, Graves' most recent video game project takes him offshore to a monster-infested oil rig

“We were even encouraged to dig out some particularly gnarly old stuff that hadn’t seen the light of day in years”: Freqport FreqInOut FO1 review
By Andy Price published
We take a look at Freeport’s latest in/out box which promises to morph your hardware into plugin form without breaking a sweat

Osmium - a new collective featuring Hildur Guðnadóttir - talk self-built instruments and exploring wild frontiers of sound
By Andy Price published
The Chernobyl and Joker composer’s new project leans on self-built instruments - and the brutal vocal textures of Rully Shabara

The unlikely encounter between a pre-fame Freddie Mercury and David Bowie at a London market
By Andy Price published
The future Queen frontman encountered his eventual Under Pressure collaborator when working as a shop assistant at Kensington Market

Expressive E launches its all new super-realistic virtual strings collection
By Andy Price published
These MPE-based string instruments aim to make nuanced and humanistic performances a reality

The strange, sad day that Syd Barrett unexpectedly showed up in the studio when Pink Floyd were making Wish You Were Here
By Andy Price published
The making of Pink Floyd’s 1975 masterpiece was partly a tribute to their former frontman - but when Syd Barrett himself appeared at the studio, his former bandmates took a while to realise it was actually him

The intriguing mystery of the ringing phone captured at the end of David Bowie’s Life on Mars
By Andy Price published
The ringing phone that closes out Bowie’s Hunky Dory epic was captured by accident - and nobody quite knows who was on the other end
Want all the hottest music and gear news, reviews, deals, features and more, direct to your inbox? Sign up here.