
Andy Price
I'm Andy, the Music-Making Ed here at MusicRadar. My work explores both the inner-workings of how music is made, and frequently digs into the history and development of popular music.
Previously the editor of Computer Music, my career has included editing MusicTech magazine and website and writing about music-making and listening for titles such as NME, Classic Pop, Audio Media International, Guitar.com and Uncut.
When I'm not writing about music, I'm making it. I release tracks under the name ALP.
Latest articles by Andy Price

A British university just classified mayonnaise as an instrument. And this isn’t an April Fool
By Andy Price published
We’re not pulling your egg. Northumbria University has officially certified that mayonnaise can be used as an instrument

“David didn’t seem happy about it”: Tony Visconti reveals Bowie's reaction to Holy Holy
By Jamie Sefton published
Visconti joins us to talk Holy Holy's farewell tour, working with Paul McCartney and why AI is "clogging the arteries" of the music business

The story of the Beastie Boys' incendiary Sabotage
By Andy Price published
Its legendary DIY video was hugely influential, but few realise that the fury of the Beastie Boys’ Sabotage was triggered by real studio pressure

A decade on, we look back at the musical theory and retro gear that shaped Bruno Mars’ 2016 classic
By Roland Schmidt published
Exploring how one of Bruno Mars’ biggest tunes works on a musical level - and revealing its debt to the 1980s

The contentious origin of the David Guetta monolith that brought Sia to mainstream attention
By Andy Price published
In 2011, Titanium was inescapable, but its many millions of listeners probably didn’t know that its powerhouse Sia vocal was only ever intended to be a guide

How Talking Heads crafted the delicate beauty of This Must Be the Place (Naive Melody)
By Andy Price published
Both one of Talking Heads’ most out-of-character compositions and their most emotionally resonant, This Must Be the Place continues to cast its spell over listeners

"A massive expansion of its abilities as a modulation and automation powerhouse": Bitwig Studio 6 review
By Andy Price published
This sizeable update to Bitwig Studio expands on its strengths, and locks it in as the creative sound designer’s ultimate home base

The tense night David Bowie and Queen spontaneously came up with a classic
By Andy Price published
When Bowie went for a hang with Queen, a song for the ages was born. But assembling it was fraught with no short supply of pressure

Spotify reveals how much it actually pays out to musicians in its new Loud & Clear report
By Andy Price published
The numbers might be a surprise to those who have previously bemoaned the financial dynamics of the streaming giant

Why Ryuichi Sakamoto’s spellbinding theme from Merry Christmas, Mr. Lawrence remains so captivating
By Roland Schmidt published
We take a deeper look at the theory underpinning Ryuichi Sakamoto’s gorgeous, award-winning theme from the movie that gave him his acting and scoring debut

The story of Born Slippy, Underworld’s emotion-stirring dance classic
By Andy Price published
At the dawn of the 1990s, Underworld were a spent force - little did they realise they were about to create one of the decade’s most enduring tracks

Dissecting the musical magic of Superstition, the song Stevie Wonder just couldn’t let go
By Roland Schmidt published
Exploring the mechanics of the song which was taken to mega-success by Stevie Wonder - much to Jeff Beck's frustration

We visit the LA house where Lily Allen made West End Girl, and explore the home studio of Blue May
By Andy Price published
We take a look at the vintage gear-packed home studio of Blue May - the environment where Lily Allen created West End Girl

How a heartbroken bellboy took his revenge with one of the biggest indie anthems of all time
By Andy Price published
It’s one of the most omnipresent songs of the 21st century, but few realise that Mr. Brightside’s tale of betrayal reflected Brandon Flowers’ real experience of being cheated on

Did the Beatles really pioneer hard rock as early as 1965? John Lennon certainly thought so
By Andy Price published
From its buzzing guitar drone to its clattering drums, Ticket to Ride was certainly a step forward for the Beatles sonically - but did it really invent heavy rock?

How Sia made one of the biggest tracks of the 2010s
By Andy Price published
It was a song that unravelled the psychology of hedonism - with an arrangement that came together in under an hour

The fateful circumstances that led to Coldplay’s biggest ever song
By Andy Price published
Coldplay’s first stab at a euphoric crowd-pleaser was a clear indication that a stadium-filling future awaited

A decade on, we analyse the inner workings of one of Beck’s most potent bangers
By Roland Schmidt published
Released over a year ahead of its effervescent parent album Colors, Wow demonstrated that Beck’s penchant for genre-blurring was still in rude health

Can ROLI's new AI Music Coach really match up to a human piano teacher? We get the exclusive first look
By Andy Price published
ROLI’s AI-powered piano teacher claims to be able to tutor students while keeping an eye on their unique nuances. We got hands-on with this eye-catching innovation at NAMM

The Beatles vs. Kraftwerk: Who has really been the most influential on the future of music
By Andy Jones published
Mirror, mirror on the wall, who will be the fabbest of these four?

The best music tech gear of NAMM 2026: Epic polys, acoustic synths, budget samplers, a Behringer Juno and more
By Si Truss published
MusicRadar's Matt Mullen and Andy Price have been roving the show floor – here are their music technology highlights

NAMM 2026: rolling news from the world's biggest music-making gear show
By Andy Price last updated
All the hottest new guitars, synths, drums and other gear from Anaheim 2026

NAMM 2026: A trio of new offerings in the KSM series claim to sport some ‘impossibly low’ self-noise
By Andy Price published
NAMM 2026: A trio of new offerings in the KSM series claim to sport some ‘impossibly low’ self-noise

The Leviasynth rises! Hydrasynth’s successor is finally here. Has ASM created one of the decade's best synths?
By Andy Price published
NAMM 2026: The anticipation was high, but will the Leviasynth be a worthy follow-up to ASM’s incredible 2020 debut?

“You’ll smile broadly at the ease with which you can land on astonishing results”: Native Instruments Absynth 6 review
By Andy Price published
The trailblazing soft synth that we’d all but given up hope on has made a glorious comeback, but how does Absynth fit into a changed music production landscape?
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