Andy Price
As the former editor of Computer Music, I aim to bring the same knowledge and experience that underpinned that magazine to the editorial I write, but I'm very eager to engage with new and emerging writers to cover the topics that resonate with them. My career has included editing MusicTech magazine and website, consulting on SEO/editorial practice and writing about music-making and listening for titles such as NME, Classic Pop, Audio Media International, Guitar.com and Uncut. When I'm not writing about music, I'm making it. I release tracks under the name ALP.
Latest articles by Andy Price
8 of the best new immersive audio plugins for 2024
By Andy Price published
GEAR EXPO 2024: Here are our picks of some of the slickest routes to creating and mixing in surround or 3D sound
"I started hallucinating whispers that weren't part of the composition - it was intense": Maria W Horn on spectral synthesis, recording in a former prison and her love of SuperCollider
By Andy Price published
Through instrumental textures, room responses, the human voice and a specialised computer language, Maria W Horn explores sound's spectral properties. We heard more about her processes and the chilling story behind her affecting new album, Panoptikon
"Platforms don't need to be complex, or for someone to be hoovering up that much of the income": Wavetick on their new artist and producer-focused sample marketplace
By Andy Price published
Promising an artist-focused service that gives musicians, beatmakers and producers a free marketplace to trade their sonic wares, Wavetick aims to disrupt the current sample website paradigm in the creator’s favour. Let’s find out more…
Leapwing Audio: “The first person I asked for an opinion on our products was Bob Katz. I was convinced he’d find something wrong with it - he came back and said that it was the best-sounding thing he’d heard”
By Andy Price published
Leapwing's intuitive, incisive plugins let users perform forensic mix surgery with ease and emulate the tones of iconic producers. We spoke to Product Manager Robin Reumers to find out more
Ableton Live 12 is here: everything you need to know - new devices, MIDI additions, workflow changes and more
By Andy Price published
The next edition of Live has landed with a new synth, MIDI tools, a refreshed interface and more
Composer Petri Alanko on scoring Alan Wake 2, building his own instruments and his 2000-strong plugin collection: "You start following a tiny lead and it can bring you into this marvellous, different world"
By Andy Price published
Petri Alanko built a score for Alan Wake 2 that harnessed an arsenal of plugins with DIY instruments and a huge array of hardware and software synths. We spoke to Petri about his idiosyncratic approach
Aaron Horn: "My dad banned me from all the studios as a little kid. Every kid just wants to hit a load of buttons, don’t they?"
By Andy Price published
Stepping out of the shadow of his legendary father, Trevor, Aaron Horn has charted a unique course across the music industry, from producing for Doja Cat to mastering sound meditation
Mixing Night Audio: “I sold my SSL last year. I don’t need to look at gear anymore; I want to look at stuff that’s fun and inspiring and clever and different. That’s the ethos behind our designs”
By Andy Price published
We catch up with the founders of Mixing Night Audio, the brand behind quirky, gamified plugins like LOLCOMP that deliver pro-level results
"The most heartwarming thing was to receive nice words about my music from Aphex Twin": Sign Libra takes us inside the making of her intensely personal third album
By Andy Price published
Latvian producer Agata Melnikova is harnessing old-school software for a cutting-edge sound on Hidden Beauty
“We wrote it in about five minutes”: Interrogating the myth of the quickly-written hit song
By Andy Price published
We speak to industry luminaries and songwriting experts to investigate whether the popular idea that chart-topping song can be written in minutes holds any water…
Minimal Audio: "One of the best things about the music technology industry is that it’s one of the only places left where indie people can make something special that means something"
By Andy Price published
We sit down with Jacob Penn, Ben Wyss and Nathan Wexler of Minimal Audio to hear more about the development of their latest soft synth and content platform, Current
“My idea was to merge The 1975 and Skrillex and make something between those two worlds”: SILK on the phenomenal success of his viral hit single Quiver
By Andy Price published
Hailed by the likes of Fred again.. and Disclosure, SILK’s emotive hybrid of tech house and pop merges melodic songcraft with irresistible, club-ready beats
Magnetic Skies: "Everything starts off in Logic with stock synth plugins, but most of what you hear on this album will be the Juno-106"
By Andy Price published
Fusing the chilly intensity of darkwave with the melodic sensibilities of ’80s synthpop, four-piece outfit Magnetic Skies have just dropped their debut album. We sat down with frontman Simon Kent to find out more
Apashe: "Ableton became a reason to give up on your old DAW and switch - now Bitwig is starting to get that same traction"
By Andy Price published
Best of 2023: Blending the world of classical music with a hard-hitting, electronic ethos, Apashe is operating within a uniquely epic sonic universe. We find out more about the scope of his ambitions
ARMNHMR: "Minimal Audio's Rift and Xfer's Serum are by far the most-used plugins in our toolbox"
By Andy Price published
Joseph Chung and Joseph Abella’s fusion of dubstep, trance and techno has found favour with millions of listeners globally
Musik Hack on refining UI design with the Master Plan plugin: "I want to make something that allows people to express themselves purely and not feel like they’re having to make compromises"
By Andy Price published
We sit down with Musik Hack co-founder Sam Fischmann to hear more about the development of its new mastering plugin
6 of the best new DAWs in 2023
By Andy Price published
Ableton, Bitwig, Logic and FL Studio all received major updates this year, but who'll take our crown?
8 of the best new plugins in 2023
By Andy Price published
Gear of the Year continues with our round-up of the finest soft synths, effects processors and mixing tools that 2023 had to offer
How Meduza almost abandoned billion-streaming global hit Piece of Your Heart: “We couldn’t figure out what to do with it - we were actually close to junking it”
By Andy Price published
Driven by a gift for euphoric hooks, big-room beats and deft vocal processing, this Milan-hailing trio have become Italy's most-streamed artist. We spoke to Meduza about the making of their eclectic debut LP
The best free VST drum plugins 2023: drum machines, samplers and grooveboxes for budget-friendly beatmaking
By Si Truss published
Top quality free drum synths, ROMplers and percussion plugins
Infekt: "I start off by thinking how I can make the craziest bass sounds, and build everything else around that"
By Andy Price published
We sit down with the bass music behemoth to talk studio secrets, AI and why Bitwig is his DAW of choice
What's it really like to record an album at Abbey Road? We spent a day in the studio with The Clockworks and Bernard Butler to find out
By Andy Price published
RECORDING WEEK 2023: We’ve all dreamt of making a masterpiece at Abbey Road. For this Galway four-piece, the iconic studio became the real-life HQ for the recording of their debut, produced by Bernard Butler
Gregg Kowalsky: "I was feeding all kinds of weird stuff into Ableton's audio-to-MIDI converter. Something just clicked, and I ended up building a whole album around it"
By Andy Price published
The LA-based multi-instrumentalist and producer embraces the unpredictable chaos of generative MIDI data on new album Eso Es
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