
Andy Price
I'm Andy, the Music-Making Ed here at MusicRadar. My work explores both the inner-workings of how music is made, and frequently digs into the history and development of popular music.
Previously the editor of Computer Music, my career has included editing MusicTech magazine and website and writing about music-making and listening for titles such as NME, Classic Pop, Audio Media International, Guitar.com and Uncut.
When I'm not writing about music, I'm making it. I release tracks under the name ALP.
Latest articles by Andy Price

When the Beatles stole the Rolling Stones’ thunder and dropped Hey Jude at the Beggars Banquet launch party
By Andy Price published
It was supposed to be Jagger’s night - but a stealthy Paul McCartney had other ideas…

How becoming more in-tune with our feelings when listening to music made us better creators - with a little thanks to David Byrne
By Andy Price published
Whether it’s by being exposed to new genres or digging out some of your favourite records - zoning in to how music affects your emotions gives you the best creative blueprint for music-making

How Prince summoned one of the greatest guitar solos of all time from thin air
By Andy Price published
The heart-rending heights of Prince’s most affecting piece of music were conjured largely on the spot, during a now mythical performance

L-Acoustics’ new DJ-aimed stem separation software can pull apart any stereo source
By Andy Price published
Could this astounding tech be the cornerstone of future immersive DJ live set-ups?

Roland releases free update to the SH-4d bringing new oscillator models and the ability to pattern chain
By Andy Price published
Superbooth 25: The update widens the scope of Roland’s punch-packing modern classic

The ultra-rare PPG 1002 has been rebuilt for the 21st century - and it comes with a jaw-dropping price tag
By Andy Price published
Superbooth 25: One of the rarest synths in the history of music returns as a limited edition re-run - but you’re going to have to be quick if you want to grab one

Instruō's new semi-modular Seashell offers time-saving total recall of parameters via software
By Andy Price published
Superbooth 25: The Seashell looks like the perfect bridge between the knob-twiddling world of modular synthesis and DAW-based workflows

Why tech isn’t to blame for your lack of inspiration
By Andy Price published
Our journey through the 100 things that all music-makers should know continues with a reminder that expensive gear won’t instantly make you a better music-maker

9 fresh long reads on tracks with astounding musical moments
By Andy Price published
Our recently published deep-dives into rock and pop classics featuring arrangement quirks, left-field riffs or abrupt rhythmic changes are collected here

How one Beatles track spawned a recording technique revolution
By Andy Price published
Originally called ’The Void’, the groundbreaking song found the Fab Four exploring higher planes of consciousness - and leaning on the studio more than ever before

Why reverb is one of the most reliable effects in a producer's arsenal
By Adam Douglas published
“When used correctly, a good reverb can lift a song into the stratosphere”

Producer John Porter on working with the Smiths on some of their most iconic tracks
By Andy Price published
We interviewed the producer of the Smiths' early career work recently, and he revealed some eye-opening insights…

New to making tracks? Start here
By Andy Jones published
Want to make a track from scratch but don't know where to begin? We'll show you

How Rick Rubin’s philosophy of chance led System of a Down to the first metal masterpiece of the 21st century
By Andy Price published
It’s one of the biggest streamed metal songs of all time, but what role did the hand of fate play in its origin?

Why you should never view music-making as a job
By Andy Price published
In the first of our 100 things that all modern music-makers should know, we’re stressing that a bleak outlook for the industry doesn’t mean you should stop creating music on your own terms

How Green Day exceeded expectations with their most ambitious song
By Andy Price published
The sprawling 2004 epic reflected Billie Joe Armstrong’s own lived experiences - and was the cornerstone of American Idiot

How Johnny Cash drew on his own experiences to make his greatest songs
By Andy Price published
The Man in Black comes under our spotlight as we break down his take on the creative process

South Arcade on how they became the figureheads of a growing Y2K revival
By Andy Price last updated
From trending on TikTok to sparking a retro renaissance, South Arcade explain why they want to wind the clock back to 2005

How a feat of spontaneous creativity resulted in one of Pink Floyd’s most majestic moments
By Andy Price published
A gentle meditation on mortality was brought to passionate life thanks to one woman’s improvised vocal

How an explosive 2001 switch-up revealed just how ferocious Muse could get
By Andy Price published
The juggernaut of a riff proved Muse’s mettle, setting the stall for a stadium-filling future

The dramatic birth of Paul McCartney’s greatest post-Beatles song
By Andy Price published
Vaulting between three distinct sections, the Wings classic was conjured with the same spirit as Abbey Road’s closing medley

Mark Pritchard tells us how he and Thom Yorke made the sublime Tall Tales
By Andy Price published
The Warp Records’ heavyweight joined forces with Radiohead and the Smile’s main man to craft a bewitching document of 21st century anxieties

“We were able to fire up a bass sound that was indistinguishable from the flavour of New Order’s Blue Monday in seconds”: EastWest Sounds Iconic review
By Andy Price published
A haul of vintage synths have been mined for all their gold in EastWest’s most pop-angled pack to date
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