Andy Price
I'm Andy, the Music-Making Ed here at MusicRadar. My work explores both the inner-workings of how music is made, and frequently digs into the history and development of popular music.
Previously the editor of Computer Music, my career has included editing MusicTech magazine and website and writing about music-making and listening for titles such as NME, Classic Pop, Audio Media International, Guitar.com and Uncut.
When I'm not writing about music, I'm making it. I release tracks under the name ALP.
Latest articles by Andy Price

By Andy Price Published
The collection of letters were penned by the future Pope of Mope between the ages of 14 and 20, and expose the young Morrissey’s flair for the written word

By Roland Schmidt Published
How this unmistakable Dark Side of the Moon classic, which started life in a garden shed, works

By Andy Price Published
Combining never before seen archive footage with fresh interviews, Christie’s new film is the ultimate document of Wham!’s momentous but turbulent 1985 trip - and the legacy it left on a generation of Chinese fans

By Roland Schmidt Published
The pseudo-biographical No Scrubs provided TLC with their biggest hit to date. We dig into its structure and sweet jazz harmonies

By Roland Schmidt Published
How a throwaway comment relieved Billy Joel’s writer’s block and yielded one of his most iconic hits of the 80s. We put ourselves under pressure!

By Andy Price Published
A dominant force in nostalgia-evoking synthwave, The Midnight have plunged even further down our cultural memory-hole with a new analogue foray…

By Andy Price Published
The latest co-branded cassette player release from We Are Rewind celebrates the totemic record that all-but demands playback on a physical format

By Andy Price Published
Bernard Butler shares with us the odd events that lead to him almost teaming up with Morrissey

By Andy Price Published
Built atop an orchestral version of the Rolling Stones’ The Last Time, Richard Ashcroft and The Verve conjured a timeless symphony of self-assertion

By Sean Hannam Published
From the ashes of an acrimonious split came the song that some regard as the I Will Survive of the ‘90s

By Roland Schmidt Published
The dazzling track heralded the jaw-dropping return of the former pop pixie, yet Can't Get You Out of My Head was cooked up in record time by its writers - and with just one synth!

By Andy Price Published
Some new statistical analysis has spotlighted a rapid decrease in the number of popular tracks that feature explicit lyrics. When did we all get so uptight?

By Andy Price Published
The house DJ, producer and former Avicii collaborator tells us about his new role at artist and label partner Amuse - and reflects on his memories of working with a future superstar

By Andy Price Published
Eminem’s autobiographical juggernaut is a masterclass in tension-building - and is frequently rolled out for sporting fixtures

By Roland Schmidt Published
Hi-NRG meets Catholic orthodoxy - we analyse the Pet Shop Boys' masterwork

By Andy Price Published
Akira has composed the memorable soundtracks for the beloved video game series since the very beginning

By Andy Price Published
To mark this year’s Global Beatles Day, newly released insights show which of the Fabs’ songs aspiring musicians want to learn first - and which they keep coming back to…

By Roland Schmidt Published
On Kid A, Radiohead went resonant with some severe vocal processing - although complex at the time, the incredible results can now be easily achieved in software

By Roland Schmidt Published
If you love the sound of the talkbox, but grapple with the practicality of the hardware, we have some top tips for recreating the classic sound with plugins

By Roland Schmidt Published
We get creative with an effects chain inspired by Jon Hopkins, and a heavy dose of felt piano

By Roland Schmidt Published
Snow Patrol's 2006 monster became one of the biggest radio songs of all time, but why did it work so well?

By Andy Price Published
Few realise that Acker Bilk’s haunting Stranger on the Shore had a very personal origin

By Andy Price Published
Chester Bennington was a little on the fence as to whether Linkin Park’s most enduring track was strong enough to be on their debut
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