Andy Price
As the former editor of Computer Music, I aim to bring the same knowledge and experience that underpinned that magazine to the editorial I write, but I'm very eager to engage with new and emerging writers to cover the topics that resonate with them. My career has included editing MusicTech magazine and website, consulting on SEO/editorial practice and writing about music-making and listening for titles such as NME, Classic Pop, Audio Media International, Guitar.com and Uncut. When I'm not writing about music, I'm making it. I release tracks under the name ALP.
Latest articles by Andy Price
Sound Particles, the maker of the world's first spatial audio synthesizer, on SkyDust 3D: "The future is spatial"
By Andy Price published
The sky is not the limit for Sound Particles. We catch up with CEO Nuno Fonseca about the company's plans for a spatial future
Digit Music is making music tech more inclusive with its joystick MIDI controller: "It's the power of a keyboard in a device you can play with one finger"
By Andy Price published
We sat down with Digit Music founders Owain Wilson and Simon Tew to find out more about the Cmpsr controller
Beatie Wolfe: “It’s the imperfections that move us - Leonard Cohen’s weird voice or Nina Simone’s timing. It’s humanity that we respond to, not the perfect sheen”
By Andy Price published
The visionary multidisciplinary artist and composer on the profound power of music and the 'sonic self-portrait' that is her latest installation, imPRINTING
DAACI is the AI-powered 'meta-composition' software that writes music like a human: "It's interpreting what comes from a composer’s brain, rather than trying to imitate something that’s already been made"
By Andy Price published
DAACI CEO Rachel Lyske talks us through how this Abbey Road-backed startup is taking "the next step in the evolution of music creation"
5 of the best classic compressor emulations
By Andy Price published
We round up a selection of the worthiest analogue-modelled recreations of vintage dynamics processors
6 of the best classic EQ emulations
By Andy Price published
We pick out the finest software recreations of classic and vintage EQs from Neve, Pultec and more
Keir on the power of GarageBand, his 'magic' AKG C414 microphone and writing a song a week for five years
By Andy Price published
We spoke to the rising singer-songwriter alongside writing partner and producer George Glew to learn about the lengthy process of making his debut album
How to perfect your kick and snare with Arturia's Neve 1073 emulation
By Andy Price published
Get the sound of the most revered preamp and EQ circuit ever designed with this faithful software emulation
How to use the Pultec 'low-end trick' to improve your bass and kick
By Andy Price published
This classic trick, recreated with an emulation of the vintage hardware, delivers a tight and characterful low-end
Chris Lake on teaching himself to produce with a laptop and nothing else: "I’ve released music that I’ve only monitored on laptop speakers"
By Andy Price published
Fresh from the release of the pumping, Aluna-featuring Beggin’, we seized a rare opportunity to sit down with modern house titan Chris Lake
How joan recorded a million-streaming debut album in their bedroom: "Every melody matters. If the melody isn’t undeniably singable, the song isn’t going to stick"
By Andy Price published
With tens of millions of streams, a blossoming global fanbase and a knack for gleaming pop production, Arkansas duo joan are poised to become a very big deal
Django Django on the dance music-inspired Off Planet: "I started making music in the ’90s with an E-mu sampler, so part of my brain is still stuck there"
By Andy Price published
Django Django’s retro house-influenced new project is a flurry of hypersonic colours and energy. We spoke to the band’s cofounder David Maclean about the record’s inspirations, tech and evolution
Baby Audio's Caspar Bock on their "evolution" of the cult classic Yamaha CS01: "We wanted to make a synth that sounded as musical, gritty and ‘real’ as the original"
By Andy Price published
Hot on the heels of the launch of its very first soft synth, we speak to Baby Audio to find out more about why the company has sidestepped into synth-craft with BA-1
Nektar Aruba review
By Andy Price published
Sprucing up its MIDI drum controller with a raft of new features, Aruba offers a slick new way of performing your software drum instruments
How Cherry Audio recreated the sound of the world's first commercial polysynth in software: “There may be fewer than six working Novachords on the planet”
By Andy Price published
We caught up with Cherry Audio's CTO Dan Goldstein to find out more about its new plugin emulation of a super-rare proto-synth from 1939
Arrangement 101: How to escape the 4-bar loop and turn ideas into complete tracks
By Andy Price published
Transforming your sketches into fully-fledged songs can be a tricky process. That’s why it’s important to understand how an effective arrangement takes listeners on a journey…
"Auto-Bounce gives people their life back": Tom Salta's time-saving plugin automates the laborious process of bouncing stems and mixes in Logic
By Andy Price published
Video game composer Tom Salta got so tired of spending hours bouncing stems in Logic that he designed a plugin to do it for him
Manon Grandjean: "I love being an engineer, but I didn’t really want to be a producer. I'm an introvert - I like to be in my little corner doing things in Pro Tools"
By Andy Price published
The MPG Award-winning mix engineer talks plugins, studio techniques and working with Stormzy
"Without Pet Sounds, The Beatles wouldn’t have made Sgt Pepper": Giles Martin on mixing The Beach Boys’ masterpiece in Dolby Atmos
By Andy Price published
Giles Martin's seasoned ears have brought The Beach Boys' hallowed Pet Sounds into the spatial audio realm with astonishing results. We spoke to Giles to learn more…
Gryffin: "After I discovered deadmau5, Skrillex and Avicii, I immediately downloaded Ableton Live"
By Andy Price published
Gryffin tells us how going from AC/DC to deadmau5 and classical piano to Ableton Live helped him launch his bid for Spotify superstardom
JMG Sound Retronaut review
By Andy Price published
Promising to infuse the crackle of yesteryear into your tracks, Retronaut goes beyond its lo-fi headline to deliver thrilling sound-shaping abilities
7 of the best immersive audio plugins
By Andy Price published
Here are our picks of some of the slickest routes to create and mix in both Sony 360RA and Dolby Atmos
"This technology will replace stereo": Behind the scenes of groundbreaking 3D sound project Immersive London Calling
By Andy Price published
This 55-track compilation, mixed in 360 Reality Audio at London's ARK360° Studio, makes a convincing case for the post-stereo world
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