Andy Price
I'm Andy, the Music-Making Ed here at MusicRadar. My work explores both the inner-workings of how music is made, and frequently digs into the history and development of popular music.
Previously the editor of Computer Music, my career has included editing MusicTech magazine and website and writing about music-making and listening for titles such as NME, Classic Pop, Audio Media International, Guitar.com and Uncut.
When I'm not writing about music, I'm making it. I release tracks under the name ALP.
Latest articles by Andy Price

By Andy Price Published
Ultravox’s stately powerhouse was an unlikely hit single - but its classically-inspired uniqueness was key

By Andy Price Published
T. Rex's signature song was written and recorded while on a hectic US tour, and would be their only stateside hit

By Andy Price Published
Like a Prayer saw Madonna ascend on both a thematic and musical level, but its provocative video pushed the buttons of the devout

By Roland Schmidt Published
“He played it to Motown, and they said, 'No way is Jeff Beck getting this song, it's too good’”

By Roland Schmidt Published
Mark Hollis’ masterpiece became an anthem of self-determination, but it was far from an overnight success

By Andy Price Published
Coldplay’s first stab at a euphoric crowd-pleaser was a clear indication that a stadium-filling future awaited

By Andy Price Published
We’re not pulling your egg. Northumbria University has officially certified that mayonnaise can be used as an instrument

By Jamie Sefton Published
Visconti joins us to talk Holy Holy's farewell tour, working with Paul McCartney and why AI is "clogging the arteries" of the music business

By Andy Price Published
Its legendary DIY video was hugely influential, but few realise that the fury of the Beastie Boys’ Sabotage was triggered by real studio pressure

By Roland Schmidt Published
Exploring how one of Bruno Mars’ biggest tunes works on a musical level - and revealing its debt to the 1980s

By Andy Price Published
In 2011, Titanium was inescapable, but its many millions of listeners probably didn’t know that its powerhouse Sia vocal was only ever intended to be a guide

By Andy Price Published
Both one of Talking Heads’ most out-of-character compositions and their most emotionally resonant, This Must Be the Place continues to cast its spell over listeners

By Andy Price Published
This sizeable update to Bitwig Studio expands on its strengths, and locks it in as the creative sound designer’s ultimate home base

By Andy Price Published
When Bowie went for a hang with Queen, a song for the ages was born. But assembling it was fraught with no short supply of pressure

By Andy Price Published
The numbers might be a surprise to those who have previously bemoaned the financial dynamics of the streaming giant

By Andy Price Published
At the dawn of the 1990s, Underworld were a spent force - little did they realise they were about to create one of the decade’s most enduring tracks

By Andy Price Published
We take a look at the vintage gear-packed home studio of Blue May - the environment where Lily Allen created West End Girl

By Andy Price Published
It’s one of the most omnipresent songs of the 21st century, but few realise that Mr. Brightside’s tale of betrayal reflected Brandon Flowers’ real experience of being cheated on

By Andy Price Published
From its buzzing guitar drone to its clattering drums, Ticket to Ride was certainly a step forward for the Beatles sonically - but did it really invent heavy rock?

By Andy Price Published
It was a song that unravelled the psychology of hedonism - with an arrangement that came together in under an hour

By Andy Price Published
Coldplay’s first stab at a euphoric crowd-pleaser was a clear indication that a stadium-filling future awaited

By Roland Schmidt Published
Released over a year ahead of its effervescent parent album Colors, Wow demonstrated that Beck’s penchant for genre-blurring was still in rude health

By Andy Price Published
ROLI’s AI-powered piano teacher claims to be able to tutor students while keeping an eye on their unique nuances. We got hands-on with this eye-catching innovation at NAMM
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