Latest articles by Andy Price
"It’s the best reverb for the buck, in the world": Composer Jason Graves on his go-to reverb plugin
After scoring Dead Space and Call of Duty, Graves' latest video game project takes him offshore to a monster-infested oil rig
Ray Volpe: “Sometimes I won’t touch Ableton for two months, then I’ll be in there every day for 14 hours a day cranking out four crazy ideas back to back”
We caught up with bass music titan Ray Volpe to discover how he assembles his brand of crowd-pleasing ultra-bangers fully in-the-box…
We sit down with Bitwig for a roundtable discussion to mark ten years of their remarkable DAW
The Bitwig team join us to reflect on a decade of developing the music production software that's redefining the DAW
Kasbo on keeping things simple in the studio and working on his own terms
Birthed from an agonising stress-related hearing loss, and put together in an ABBA-backed prison-turned studio, Kasbo’s third album, The Learning of Urgency is a potent, melody-infused statement from an artist in ascendance
Former Spitfire Audio CEO Will Evans on new music tech company Song Athletics: "We’re making tools for music-makers, but coming from a place of having a broader interest in sound and the love of music and recording"
Since launching in 2023, Song Athletics has released sample packs, a plugin and even a coffee range - but where is the brand headed next?
"On every laptop you have access to every sound you could ever want. That can make creativity hard": Peel
Forging a close bond as two-thirds of international superstars, Foster the People, Sean Cimino and Isom Innis have embarked on a parallel life as Peel. The pair’s debut LP Acid Star showcases the breadth of their unfettered sonic ambitions…
Catching Flies shows us how to breathe life into digital-sounding synth patches
"This technique is very simple, but I use it on most tracks..."
Modalics: "Our dream is to change how people create music digitally"
We sat down with the brains behind Beat Scholar, EON-Arp and the new Time-Oddity Chorus
Catching Flies: “By the time you’ve patched a hardware synth, found the right cable, turned it on and tuned it – you’ve lost the idea”
Manipulating samples into abstract new forms, Catching Flies has emerged with a creative identity all of his own. We sat down with the producer to find out more about his latest release, Tides
Kölsch: "I have this obsession with instruments that don’t sound very good"
Danish house and techno artist Kölsch’s latest album, I Talk To Water, incorporates recordings by his late musician father and explores the emotional weight of grief. We found out more about its conception…
"I come from the old-school, the analogue tape and mixing desk-era - but with software, you have so much potential for playing around": The Orb spin-off Sedibus on new project SETI, manipulating samples and the evolution of technology
Detaching from The Orb mothership, Sedibus is the latest project of core figurehead Alex Paterson, accompanied by former Orb-member and key creative collaborator Andy Falconer
8 of the best new immersive audio plugins for 2024
GEAR EXPO 2024: Here are our picks of some of the slickest routes to creating and mixing in surround or 3D sound
"I started hallucinating whispers that weren't part of the composition - it was intense": Maria W Horn on spectral synthesis, recording in a former prison and her love of SuperCollider
Through instrumental textures, room responses, the human voice and a specialised computer language, Maria W Horn explores sound's spectral properties. We heard more about her processes and the chilling story behind her affecting new album, Panoptikon
"Platforms don't need to be complex, or for someone to be hoovering up that much of the income": Wavetick on their new artist and producer-focused sample marketplace
Promising an artist-focused service that gives musicians, beatmakers and producers a free marketplace to trade their sonic wares, Wavetick aims to disrupt the current sample website paradigm in the creator’s favour. Let’s find out more…
Leapwing Audio: “The first person I asked for an opinion on our products was Bob Katz. I was convinced he’d find something wrong with it - he came back and said that it was the best-sounding thing he’d heard”
Leapwing's intuitive, incisive plugins let users perform forensic mix surgery with ease and emulate the tones of iconic producers. We spoke to Product Manager Robin Reumers to find out more
Ableton Live 12 is here: everything you need to know - new devices, MIDI additions, workflow changes and more
The next edition of Live has landed with a new synth, MIDI tools, a refreshed interface and more
Composer Petri Alanko on scoring Alan Wake 2, building his own instruments and his 2000-strong plugin collection: "You start following a tiny lead and it can bring you into this marvellous, different world"
Petri Alanko built a score for Alan Wake 2 that harnessed an arsenal of plugins with DIY instruments and a huge array of hardware and software synths. We spoke to Petri about his idiosyncratic approach
Aaron Horn: "My dad banned me from all the studios as a little kid. Every kid just wants to hit a load of buttons, don’t they?"
Stepping out of the shadow of his legendary father, Trevor, Aaron Horn has charted a unique course across the music industry, from producing for Doja Cat to mastering sound meditation
Mixing Night Audio: “I sold my SSL last year. I don’t need to look at gear anymore; I want to look at stuff that’s fun and inspiring and clever and different. That’s the ethos behind our designs”
We catch up with the founders of Mixing Night Audio, the brand behind quirky, gamified plugins like LOLCOMP that deliver pro-level results
"The most heartwarming thing was to receive nice words about my music from Aphex Twin": Sign Libra takes us inside the making of her intensely personal third album
Latvian producer Agata Melnikova is harnessing old-school software for a cutting-edge sound on Hidden Beauty
“We wrote it in about five minutes”: Interrogating the myth of the quickly-written hit song
We speak to industry luminaries and songwriting experts to investigate whether the popular idea that chart-topping song can be written in minutes holds any water…
Minimal Audio: "One of the best things about the music technology industry is that it’s one of the only places left where indie people can make something special that means something"
We sit down with Jacob Penn, Ben Wyss and Nathan Wexler of Minimal Audio to hear more about the development of their latest soft synth and content platform, Current
“My idea was to merge The 1975 and Skrillex and make something between those two worlds”: SILK on the phenomenal success of his viral hit single Quiver
Hailed by the likes of Fred again.. and Disclosure, SILK’s emotive hybrid of tech house and pop merges melodic songcraft with irresistible, club-ready beats
Magnetic Skies: "Everything starts off in Logic with stock synth plugins, but most of what you hear on this album will be the Juno-106"
Fusing the chilly intensity of darkwave with the melodic sensibilities of ’80s synthpop, four-piece outfit Magnetic Skies have just dropped their debut album. We sat down with frontman Simon Kent to find out more
Apashe: "Ableton became a reason to give up on your old DAW and switch - now Bitwig is starting to get that same traction"
Best of 2023: Blending the world of classical music with a hard-hitting, electronic ethos, Apashe is operating within a uniquely epic sonic universe. We find out more about the scope of his ambitions