Best DAWs 2024: The best digital audio workstations for PC and Mac

Pro Tools Sketch
(Image credit: Avid)

If you make music on a computer, be that a PC or a Mac, your DAW - or Digital Audio Workstation, to give it its full name - is the most important tool in your creative arsenal. As such, finding the best DAW for you is vitally important.

Yes, you’ll likely have a MIDI keyboard, audio interface, set of studio monitor speakers and possibly a microphone or two in your home recording setup as well, but your music production software sits at the centre of everything, and if it's not working for you, your level of creativity is likely to be compromised.

As such, it’s important to get a DAW that you’re happy with - and, perhaps even more importantly, a digital audio workstation that will enable you to turn your ideas into music as quickly and painlessly as possible. Put simply, the best DAW for you is the one that makes it easiest for you to make music, and inspires you to keep creating.

To help you find that DAW, we’ve put together an expert guide to what we consider to be the best Digital Audio Workstations on the market today, including full reviews for many of our choices.

In truth, any one of these products will enable you to make music - and we're not saying that any one is definitively better than all the others - but they’re all slightly different in the way that they operate and there are subtle differences between their feature sets, so it’s worth taking the time to consider your options carefully and try out demo versions wherever possible.

Best DAWs: Our top picks

If you want a great entry-level option, it’s hard to look past Apple’s GarageBand, which is free, and a no-brainer if you have a Mac (or, indeed, an iOS device). It hasn't had a major update for a while, but that shouldn't stop you from giving it a go, as it might give you everything you need. 

Acoustica’s Mixcraft is probably the closest PC equivalent, though you’ll have to pay for that one.

In terms of value for money, Cockos’s Reaper is hard to beat - this is a serious DAW at a stupidly low price - and Logic Pro offers significant bang for your buck, too. There's also an iPad version of Logic Pro, which is easily the best DAW for Apple's tablet, but is only available on subscription.

Then there’s Image-Line’s FL Studio, which is notable for its impressive lifetime free updates. This could save you some serious money in the long term.

Finally, we have to mention Ableton Live, undoubtedly the big digital audio workstation success story of the past two decades. Whether it’s the best DAW is open to debate, obviously, but with its fast and fluid workflow it’s certainly made a massive impression, and is used by more artists than we’d care to mention. This is soon to be updated to version 12, but if you buy version 11 now, you'll get a free upgrade.

Best DAWs: Product guide

Ableton Live 11.1

(Image credit: Ableton)
An inspiring DAW with a next-level workflow

Specifications

Launch price: From $99/£69/€79
Versions: Intro, Standard, Suite
Compatibility: PC/Mac
System requirements (PC): Windows 10, Intel Core i5 or AMD multi-core processor, 3GB disk space for basic installation (8GB frecommended), up to 76GB disk space for additional content
System requirements (Mac): macOS 10.13 or later, Intel Core i5 or Apple silicon processor, 8GB RAM, 3GB disk space for basic installation (8GB frecommended), up to 76GB disk space for additional content

Reasons to buy

+
Fast and creative workflow
+
Excellent built-in devices
+
The choice of countless pros

Reasons to avoid

-
Latest update doesn't feel as essential as the last few versions
-
Plugin delay compensation is still an issue for a few of the effects

It's hard to overstate the impact that Live has had on the music software marketplace. When the first version was released in 2001 it threw out the traditional design rulebook and established itself not just as a recording program for composers, but also as a performance instrument in itself. Since then, it's exploded in popularity and influenced the development of countless other desktop and mobile apps.

Live 11 adds much-requested features such as an elegant comping system and support for MPE. There are new devices, too, along with updates for existing ones. Further updates have added native support for Apple's M1 and M2 Macs and AUv3 plugin compatibility, so you can now run certain iOS synths and effects within Live.

There's more to come, too, thanks to the imminent release of Live 12. This heralds the arrival of a couple of big new devices - the Meld synth and the Roar colouring/saturation effect - plus a new suite of MIDI tools that are designed to make it easier to come up with new melodic and harmonic ideas.

Don't feel you have to wait for that, though, as anyone who purchases Live 11 right now will get a free upgrade to the new version.

Read the Ableton Live 11 Suite review

FL Studio 21

(Image credit: Image-Line)
A unique DAW that's kickstarted many electronic music producers' careers

Specifications

Launch price: From $99/£89/€99
Versions: Fruity, Producer, Signature, All Plugins Bundle
Compatibility: PC/Mac
System requirements (PC): Windows 10, 11 or later, 4GB storage space, 4GB RAM
System requirements (Mac): macOS 10.13.6 or later, 4GB storage space, 4GB RAM

Reasons to buy

+
Great for EDM producers
+
Good value for money
+
Lifetime free updates
+
Built-in stem separation

Reasons to avoid

-
The workflow can take a bit of getting used to if you're coming from another DAW

Originally launched as FruityLoops, Image-Line's DAW holds near-iconic status for a certain generation of producers, particularly in the hip-hop and EDM realms.

The headline feature in version 20 was a native 64-bit Mac version, meaning that FL Studio can now be used on macOS (as well as PC) without the need for a clunky workaround. Pleasingly, licenses are shared between both Mac and PC versions. 

Image-Line offers lifetime free upgrades to FL Studio users, meaning that all existing users of the software can download new versions on both platforms without paying a penny extra.

And the updates just keep on coming: FL Studio 21 was released towards the end of 2022 and added new audio clip envelopes, themes and plugins. Bringing things right up to date, version 21.2 added a Roland Juno-6 synth emulation and even built-in stem separation, a feature that many of its DAW rivals are lacking (though not for too much longer, we suspect).

With its unique workflow, FL Studio offers a great entry-point into the world of music production, but to say that it's 'only for beginners' would be to do it a major disservice. If you like its approach, there's no reason why it can't be your DAW for life.

Read the FL Studio 21 review

Apple Logic Pro for Mac 10.8 and Logic Pro for iPad 1.1

(Image credit: Apple)
Amazing value and great performance on the Mac, and now the iPad, too

Specifications

Launch price: $200/£200/€230 ($5/£5 a month or $49/£49 a year on the iPad)
Versions: Standard
System requirements (Mac): macOS 10.13.6 or later, 64-bit processor
System requirements (iPad): iPad with Apple A12 Bionic chip or later and iPadOS 16.4 or later

Reasons to buy

+
Great value
+
Tried and tested workflow
+
Comes with loads of content
+
Excellent iPad version that can share projects

Reasons to avoid

-
Mac and iPad only

It’s been a while since we had a ‘full’ new version of Logic Pro - version X was released way back in 2013 - but numbers can be deceiving. Version 10.5 was Logic Pro 11 in all but name, turning this most traditional of DAWs into a truly contemporary music-making platform.

Central to this overhaul was the addition of Ableton-style Live Loops, which enable you to jam with ideas before recording them to the main timeline. There was also a new step sequencer, completely overhauled samplers and new tools for electronic beatmakers.

As of Logic Pro 10.7, Apple's DAW enables you to create tracks in the company's Dolby Atmos-powered spatial audio format. There are new mixer and panner controls for this, and 12 other Logic Pro plugins are now spatial audio-ready, too.

And there's more: there's now an excellent iPad version of Logic Pro that, while not a direct replacement for the desktop version, is a brilliant music production application in its own right. And some of its best features - the likes of the Sample Alchemy and Beat Breaker plugins - were added to the Mac version as part of the Logic Pro 10.8 update, alongside a new automatic Mastering Assistant.

Aside from all that, Logic Pro remains superb value for money. For the price, Mac users won’t find a more comprehensive set of music production tools anywhere else.

Read the Apple Logic Pro 10.7 review

Read the Apple Logic Pro for iPad review

Steinberg Cubase 13

(Image credit: Steinberg)
A grand old DAW that can still keep pace with the bright young things

Specifications

Launch price: From $100/£85/€89
Versions: Elements, Artist, Pro
Compatibility: PC/Mac
System requirements (PC): 64-bit: Windows 10, Intel Core i series or AMD Ryzen multi-core CPU, 4GB RAM (8GB recommended), 30GB storage space
System requirements (Mac): macOS Mojave, macOS Catalina, macOS Big Sur, Intel Core i series CPU, 4GB RAM (8GB recommended), 30GB storage space

Reasons to buy

+
A great history and lots of development
+
Refined workflow
+
Good balance of features on each of the three versions

Reasons to avoid

-
'Traditional' design

Steinberg has spearheaded music software development for over 30 years, and through Cubase, which started as a MIDI sequencer, introduced a whole generation to the block-based arrange screen now used in the majority of today’s DAWs. 

Along the way, the company also invented virtual studio technology (VST), developed a class-leading audio editor (WaveLab) and survived the dark days of software piracy. 

Despite increased competition, Cubase is still up there at the head of the DAW pack. The latest version, 13, evolves rather than revolutionises the user experience, rocking an overhauled MixConsole, new vocal processing plugins and a simple notation tool. 

For new purchasers, the many excellent plugins, extensive sound library and massive functionality continue to make Cubase worth the price of admission, and it's worth noting that the more affordable Artist and Elements editions come with decent feature sets, too. All of which is to say that the Cubase train shows no sign of slowing just yet.

Read the Steinberg Cubase Pro 13 review

PreSonus Studio One 6

(Image credit: PreSonus)
An 'upstart' DAW that's now playing in the big league

Specifications

Launch price: From £100/£85/€95
Versions: Prime (free), Artist, Professional
Compatibility: PC/Mac
System requirements (PC): Windows 10 (64-bit only), Intel Core i3/AMD A10 processor or better, Minimum 4GB RAM / Recommended 8GB or more, 40 GB free hard drive space (Studio One Professional), 20GB free hard drive space (Studio One Artist)
System requirements (Mac): macOS 10.13 or higher (64-bit only), Intel Core i3 or better (Apple Silicon M1 support coming early 2021), Minimum 4GB RAM / Recommended 8GB or more, 40 GB free hard drive space (Studio One Professional), 20GB free hard drive space (Studio One Artist)

Reasons to buy

+
And excellent all rounder
+
Productive workflow
+
Mature, stable and contemporary

Reasons to avoid

-
Make sure you’ve got plenty of RAM!

Studio One has been gaining ground for several years, and it's now a DAW of real power and maturity, not merely matching its rivals in most respects but going beyond them in a few areas.

Following the 'coming of age' release that was version 5 - this included a fully developed score editor and Clip Gain Envelopes for surgical region-based volume automation - version 6 added Smart Templates that are designed to quickly get you started on a specific task, the ability to customise the interface, lyric support, a Global Video Track and new plugins.

Version 6.5, meanwhile, threw Dolby Atmos support into the mix, and also introduced a new file format, DAWproject, that's designed to make it easier to share projects between different applications. This only works in Studio One and Bitwig Studio at the moment, but if it gets adopted more widely, it could turn out be very useful.

Fuller, fatter and more versatile than the majority of DAWs out there, version 6 takes Studio One to the next level, and ably re-configures itself to suit your needs.

Read the PreSonus Studio One 6 review

Best DAWs: Cockos Reaper 6

(Image credit: Cockos)

6. Cockos Reaper

A seriously powerful DAW at a bargain price

Specifications

Launch price: From $60
Versions: Standard
Compatibility: PC/Mac/Linux (experimental)
System requirements (PC): 32-bit: Windows XP/Vista/7/8/10, 12MB storage space; 64-bit: Windows XP/Vista/7/8/10 x64, 13MB storage space
System requirements (Mac): 32-bit: OS X 10.5-10.13, 18MB storage space; 64-bit: OS X 10.5-10.14, 20MB storage space (dedicated OS X 10.15 Catalina version also available)

Reasons to buy

+
Amazing value for money
+
Sophisticated MIDI/audio routing capabilities
+
Tiny storage footprint

Reasons to avoid

-
Doesn't come with loads of plugins

For the benefit of those not in the know, Reaper is a remarkably affordable cross-platform DAW that has a tiny footprint and sophisticated MIDI/audio routing capabilities.

This is one of the most customisable and affordable DAWs around. What's more, it's wonderfully responsive, with everything from scrolling and zooming to fader moves and item editing feeling quick and fluid. Reaper 7 demonstrates that the software is still moving with the times, thanks to the addition of Track Lanes (use them to manage takes, layer sounds, assemble alternate track versions or store playlists), Swipe Comping (for fast assembly of multiple takes), FX Containers (create your own chains) and more track channels and MIDI I/O.

Factor in some budget for the soundware of your choice and Reaper makes for a top-class music production environment, and with a free 60-day evolution period, you're given plenty of time to find that out for yourself.

Find out more: Cockos Reaper 7

Reason Studios Reason 12

(Image credit: Reason Studios)
The rack-based DAW can now be used as a plugin

Specifications

Launch price: From $99/£69/€79
Versions: Intro, Standard, Suite
Compatibility: PC/Mac
System requirements (PC): Windows 7 or later (64-bit), Intel or AMD multi-core processor, 4GB RAM (8GB or more recommended for large ReFills or Rack Extensions), 4 GB free system disk space required, plus 8 GB for optional content. Additionally, program may use up to 20 GB scratch disk space
System requirements (Mac): Mac OS X 10.11 or later (64-bit), Intel Mac with multi-core processor, 4GB RAM (8GB or more recommended for large ReFills or Rack Extensions), 4 GB free system disk space required, plus 8 GB for optional content. Additionally, program may use up to 20 GB scratch disk space

Reasons to buy

+
Unique rack-based workflow
+
Great SSL-modelled mixer
+
You can use its devices as a plugin

Reasons to avoid

-
Hardware-esque design won't be for everybody

Reason has undergone some big changes over the past few  years. In 2019, its developer, Propellerhead Software, became Reason Studios, and version 11 of the rack-based DAW was released. This introduced the Reason Rack Plugin, which enables the DAW’s core tools to be used as a VST 3 or AU plugin within another DAW. 

Of course, you can still use Reason as your main DAW, but with the stock instruments and effects now available to use anywhere you like, and a new MIDI Out device for controlling your external gear, this is the most attractive that the software has looked in years.

Reason 12 sweetens the deal still further, with a more powerful and flexible Combinator, hi-res graphics and a new sampler. VST3 support has also been added (as of version 12.5), and the arrival of a native version for Apple silicon-powered Macs (version 12.6), users of those machines can expect significant performance boosts

The software is now available on subscription, too, via the Reason+ service.

Read the Reason Studios Reason 12 review

Bitwig Studio 5

(Image credit: Future)
A great option for the creative producer

Specifications

Launch price: From $99/€99
Versions: 16-track, Standard
Compatibility: PC/Mac/Linux
System requirements (PC): Windows 7 or later (64-bit), Dual-core AMD or Intel CPU or faster with SSE4.1 support, 4GB RAM, Minimum 12GB free disk space (for full content installation)
System requirements (Mac): Mac OS X 10.13 or later, 64-bit Intel CPU, 4GB RAM, Minimum 12GB free disk space (for full content installation)
System requirements (Linux): Ubuntu 18.04 or later, 64-bit dual-core or better x86 CPU with SSE3 support, Minimum 12GB free disk space (for full content installation)

Reasons to buy

+
Hugely creative
+
Built-in modular environment
+
Genuinely forward-thinking feature set

Reasons to avoid

-
Some bits might baffle newbies

Has it really been almost a decade since the release of the first version of Bitwig Studio? It has indeed, though that still makes it a relative infant in DAW terms.

The application has come a long way in that time, though, throwing off the shackles of its inevitable Ableton Live comparisons - the two share a number of original developers and some significant workflow similarities - by adding multiple features that have bolstered Bitwig’s reputation as possibly the most inventive DAW on the market.

That said, version 4, was most notable for the introduction of a pretty fundamental feature: comping. This is handled in a typically elegant, 'Bitwiggy' way, though, and if you're looking for new 'creative' functionality, consider Operators, which add a new and very powerful dimension to how and when MIDI or audio events are triggered.

Version 5, meanwhile, offers an all-new browser, modulators in the mixer, Remote Controls on the track and project, new clip launcher features and, perhaps most importantly, additional MSEGs (Multi-Stage Envelope Generators). 

This is all in addition to The Grid, Bitwig Studio's own built-in modular environment, which helps to make the software feel as much like an instrument as it does a recording package. In fact, if you want to experiment, you could argue that Bitwig's DAW is a good as it gets.

Read the Bitwig Studio 5 review

Apple GarageBand

(Image credit: Apple)

9. Apple GarageBand

A great introduction to music making

Specifications

Launch price: Free
Compatibility: PC/Mac
System requirements: macOS 10.13.6 or later

Reasons to buy

+
Free with all Macs
+
Very easy to use
+
Ready-made upgrade path

Reasons to avoid

-
No PC version
-
Can we have an update, please?

More than 20 years after a fresh-faced John Mayer helped to launch it at Macworld, GarageBand has matured into a pretty capable DAW. Sure, it’s great for newbies, but dig a little deeper and you’ll find some rather more advanced features, too.

Non-musicians can simply sequence the supplied audio loops, but a decent collection of software instruments comes supplied, too, as does multitrack recording functionality and a good selection of virtual guitar amps and stompboxes. Drummer is great for automatically generating beats, Smart Controls make for more pleasant editing of sounds, and you can even use the Logic Remote iPad app to control the software.

As a further bonus, projects are compatible with Logic Pro, GarageBand’s big brother, and also with the iOS version of GarageBand, giving you a mobile option. And the fact that it’s free means that every Mac owner should try it.

Our only real criticism is that the software hasn't received a major update in a while; if Apple could bring a new of the newer Logic Pro features across (as it has done in the past), GarageBand users might find that they never need to look anywhere else.

Best DAWS: Acoustica Mixcraft

(Image credit: Future)
A GarageBand rival for Windows users

Specifications

Launch price: From $79
Versions: Recording Studio, Pro Studio
Compatibility: PC
System requirements (PC): Windows 7 SP1, 8 or 10 (64-bit), 1.8 GHz Dual Core CPU (Quad Core or higher recommended), 4GB RAM (8GB recommended)

Reasons to buy

+
Easy to use
+
You won't easily outgrow it
+
Decent content library

Reasons to avoid

-
No obvious upgrade path

When PC users ask us if it’s possible to get a GarageBand-style application for their operating system, we tend to point them in the direction of Mixcraft. Through its nin major updates, Mixcraft has evolved from a basic starter app to a genuinely impressive DAW, taking on features normally associated with costlier alternatives.

Mixcraft 10 is notable for its new interface, which promises to be easier to navigate. Menus have been simplified, and the project start window, plugin manager, piano roll, automation tools, libraries, and mixer panels have all been enhanced. There are more customisation options, too, along, with an integrated Mixcraft Store that enables you to purchase new content from within the application.

It might not be the flashiest DAW on the market, but if you invest in Mixcraft you'll be getting a well-supported production solution that comes at a great price, and newcomers will find it very approachable.

Read more about Acoustica Mixcraft 10

Pro Tools Sketch

(Image credit: Avid)

11. Avid Pro Tools

The industry-standard recording and post-production software now has a clip-based workflow option, too

Specifications

Launch price: From $30/£25/€28 a month
Versions: First, standard and Ultimate
Compatibility: PC/Mac
System requirements (PC): Windows 10, 64-bit Intel Core Processor (i3 2GHz or faster recommended), 16GB RAM (32GB or more recommended), 15GB disk space for installation
System requirements (Mac): macOS 10.13.6 or later, M2, M1 or Intel Dual Core i5 or faster, 16GB RAM (32GB or more recommended), 15GB disk space for installation

Reasons to buy

+
A genuine industry standard
+
You can get started with a free version
+
Pro Tools Sketch switches up the workflow

Reasons to avoid

-
Still more likely to appeal to pros than hobbyists

It’s hard to know where to start with Pro Tools, which remains an industry standard in recording studios around the world. The software has never had quite the same impact in the home recording market, but knowledge of it certainly puts you at an advantage if you want to work in the industry.

2022 saw the biggest update of the Pro Tools line in years, with a new free version - Pro Tools Intro - using the same installer as the full software, meaning that it's fully compatible. This version added ARA 2 support for direct integration with Melodyne, and Aux I/O, a macOS-exclusive feature that enables flexible routing of audio between Pro Tools and other software/hardware.

The fun continued last year, when Avid introduced Pro Tools Sketch. Both a free iPad app and a new window in Pro Tools, this presents you with an Ableton Live style clip launching interface that enables you to move away from a linear workflow to something that, for some people, will feel liberating. 

Pro Tools is moving with the times, then, and you've dismissed the software before, now could be a good moment to take another look.

Find more more: Avid Pro Tools

Best DAWs: Cakewalk by BandLab

(Image credit: Cakewalk)

12. Cakewalk by BandLab

Sonar rides again, and for free

Specifications

Launch price: Free
Versions: Standard
Compatibility: PC
System requirements: Windows 8 or higher (64-bit only), 2.6GHz Intel or AMD multi-core processor (at least Intel i5 or AMD A10 APU recommended), 4GB RAM, 5GB disk space

Reasons to buy

+
A full DAW for nothing
+
Customisable Skylight interface
+
Flexible ProChannel modules

Reasons to avoid

-
No Mac version

Back in 2018, online DAW vendor BandLab announced that it was acquiring the Cakewalk IP, which was then in the hands of Gibson, and that the Sonar DAW would live on as Cakewalk by BandLab

Better still, it's now made the software available for free. The third-party content that was bundled with the paid-for version has been removed, but the DAW's key features, such as the Skylight user interface, flexible ProChannel modules and 64-bit mix engine, are all here.

So, if you're a PC user on the lookout for a new DAW, you've got literally nothing to lose by trying this one.

Find out more: Cakewalk by BandLab

Best DAWs: Buying advice

Reason 11

(Image credit: Reason Studios)

What is a DAW?

DAWs - or Digital Audio Workstations - are programs you can use to create, record, edit and arrange music.

At the heart of almost every DAW lies something called a sequencer - in fact, sequencers are such an integral part of DAWs that you'll often hear a DAW simply referred to as a sequencer.

Early sequencers were big, clunky hardware devices used to tell other hardware devices (such as drum machines and keyboards) what to play, using a type of performance message called MIDI.

You would first program the sequencer, which would in turn send the MIDI data (containing instructions for what notes to play and when) to outboard devices, which would then interpret the data and turn it into sound.

Indeed, you would 'sequence' a whole song in this way, which would be played back and then recorded to tape.

Modern sequencers are not fundamentally different, but because they're software-based and incorporated into a powerful DAW, they're much more flexible. You can change parts and move them around far more easily, and record actual sounds (audio) as well as sending and receiving MIDI. You can also play software instruments - you usually get some of these with your DAW - and apply effects (again, you usually get some of these bundled in)

Sequencers are used to organise several instruments or parts, and each of these parts is loaded onto a 'track'. Therefore, a 64-track sequencer would enable you to have up to 64 different parts playing in unison.

The performance information for each track is usually mapped out on a timeline, a space in which time is displayed horizontally and tracks are displayed vertically. When you press play, a vertical line called a playhead moves through the song from left to right, and when it reaches an event within a track, the associated sound is heard.

The transport controls contain everything from the standard play, pause and record buttons to repeat (or looping) controls and more.

To adjust the volume of each of the tracks, your DAW also contains a mixer. A hardware mixer is a device used to balance the volumes of separate sound sources, and combine or 'mix' them all to be played through just one set of speakers.

The software equivalent in a DAW works on exactly the same principle. Each of the sequencer's tracks has something called a channel strip, and each track's channel strip is where the volume, panning (where the sound sits in the stereo field, ie, left or right), routing (where the sound comes from and goes to) and more are all controlled.

Each channel strip also has a few buttons such as mute, solo and record arm/enable.

Almost all DAWs also support plugins - additional effects and instruments that can be loaded in used in your productions. These come in a range of formats and can massively expand your sonic horizons.

How do I choose a DAW?

As we’ve already noted, the best DAW for you is the one that you find it easiest to make music with, so it’s worth trying demos of all the software that you’re considering. Think carefully about how you’re going to work, and the elements of the digital audio workstation that are most important to you.

A DAW can be used throughout the music production process: for recording, editing, arranging, mixing and even mastering. If you can, try working through this process - demo versions of many DAWs are available - so that you can test the workflow. If you frequently find yourself struggling and are constantly consulting the manual, the software you’re using probably isn’t for you, and it could be time to look elsewhere.

It goes without saying that, before you buy, you should also make sure that your prospective DAW is compatible with your computer, any other hardware that you might have, and any plugins that you consider essential to your workflow.

Find out more about how we test music gear and services at MusicRadar.

MusicRadar's got your back Our team of expert musicians and producers spends hours testing products to help you choose the best music-making gear for you. Find out more about how we test.

Ben Rogerson

I’m the Deputy Editor of MusicRadar, having worked on the site since its launch in 2007. I previously spent eight years working on our sister magazine, Computer Music. I’ve been playing the piano, gigging in bands and failing to finish tracks at home for more than 30 years, 24 of which I’ve also spent writing about music and the ever-changing technology used to make it. 

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