If you make music on a computer, your DAW - or Digital Audio Workstation, to give it its full name - is the most important tool in your creative arsenal. Yes, you’ll likely have a MIDI keyboard, audio interface, set of studio monitor speakers and possibly a microphone or two in your home recording setup as well, but your music production software sits at the centre of everything.
As such, it’s important to get a DAW that you’re happy with - and, perhaps even more importantly, a digital audio workstation that will enable you to turn your ideas into music as quickly and painlessly as possible. Put simply, the best DAW for you is the one that makes it easiest for you to make music.
To help you find that DAW, we’ve put together a guide to what we consider to be the best Digital Audio Workstations on the market today. In truth, any one of these products will enable you to make music - and we're not saying that any one is better than all the others - but they’re all slightly different in the way that they operate, so it’s worth taking the time to consider your options carefully.
Best DAWs: Our top picks
If you want the best DAW for beginners, it’s hard to look past Apple’s GarageBand, which is free - and a no-brainer - if you have a Mac. Acoustica’s Mixcraft is probably the closest PC equivalent, though you’ll have to pay for that one.
In terms of value for money, Cockos’s Reaper is hard to beat - this is a serious DAW at a stupidly low price - and Logic Pro offers significant bang for your buck, too (again, that’s Mac-only, though).
Then there’s Image-Line’s FL Studio, which is notable for its impressive lifetime free updates. This could save you some serious money in the long term.
Finally, we have to mention Ableton Live, undoubtedly the big digital audio workstation success story of the past two decades. Whether it’s the best DAW is open to debate, obviously, but with its fast and fluid workflow it’s certainly made a massive impression, and is used by more artists than we’d care to mention.
Best DAWs: Product guide
It's hard to overstate the impact that Live has had on the music software marketplace. When the first version was released in 2001 it threw out the traditional design rulebook and established itself not just as a recording program for composers, but also as a performance instrument in itself. Since then, it's exploded in popularity and influenced the development of countless other desktop and mobile apps.
The long-awaited Live 11 takes things to the next level, adding much-requested features such as an elegant comping system and support for MPE. There are new devices, too, along with updates for existing ones.
While some of the changes might require a little getting used to for veterans, Ableton has again managed to enhance Live’s capabilities without adding bloat to its famously streamlined workflow. It retains its place at the cutting edge of DAW technology.
Read the Ableton Live 11 Suite review
Originally launched as FruityLoops, Image-Line's DAW holds near-iconic status for a certain generation of producers, particularly in the hip-hop and EDM realms.The headline feature in version 20 was a native 64-bit Mac version, meaning that FL Studio can now be used on macOS (as well as PC) without the need for a clunky workaround. Pleasingly, licenses are shared between both Mac and PC versions.
Image-Line offers lifetime free upgrades to FL Studio users, meaning that all existing users of the software now automatically own upgrades to version 20 on both platforms. And the updates just keep on coming: version 20.5 brought in Flex, a new preset-based soft synth, while 20.6 added a variety of new features. 20.7, meanwhile, gives you the tools you need to make a social media-orientated music video, and version 20.8 makes the software even "faster and more precise".
There will always be those who claim that FL Studio isn’t as ‘serious’ as some other DAWs, but the facts suggest otherwise, and it has some notable fans in the pro community, too.
Read the FL Studio 20 review
It’s been a while since we had a ‘full’ new version of Logic Pro - version X was released way back in 2013 - but numbers can be deceiving. Version 10.5 is Logic Pro 11 in all but name, turning this most traditional of DAWs into a truly contemporary music-making platform.
Central to this overhaul is the addition of Ableton-style Live Loops, which enable you to jam with ideas before recording them to the main timeline. There's also a new step sequencer, completely overhauled samplers and new tools for electronic beatmakers.
Even though Apple is largely following trends here rather than setting them, this is the modernising step up that many Logic users have been waiting for.
More than all that, though, Logic Pro remains superb value for money - this is just the latest of many well-judged free updates - and, for the price, Mac users won’t find a more comprehensive set of music production tools anywhere else.
Steinberg has spearheaded music software development for over 30 years, and through Cubase, which started as a MIDI sequencer, introduced a whole generation to the block-based arrange screen now used in the majority of today’s DAWs.
Along the way, the company also invented virtual studio technology, developed a class-leading audio editor (WaveLab) and survived the dark days of software piracy.
Despite increased competition, Cubase is still up there at the head of the DAW pack. The latest version, Cubase 11, is a solid update that expands its offering on a number of key fronts. For new purchasers, the many excellent plugins, extensive sound library and massive functionality make it worth the asking price, and it's worth noting that the more affordable Artist and Elements editions come with decent feature sets, too. An oldie but a goodie, then.
Read the Steinberg Cubase 11 review
Studio One has been gaining ground for several years, and it's now a DAW of real power and maturity, not merely matching its rivals in most respects but going beyond them in a few areas.
Version 5 sees the software really come of age, with a fully developed score editor and Clip Gain Envelopes that that deliver surgical region-based volume automation. In fact, whether you're an existing user or new to music production - or even an old hand who's dissatisfied with their current DAW of choice - it's one of the best DAWs around.
With its responsive, modernist interface, smooth workflow and innovative-but-relevant feature set, Studio One 5 truly represents the state of the art in virtual studio design.
For the benefit of those not in the know, Reaper is a remarkably affordable cross-platform DAW that has a tiny footprint and sophisticated MIDI/audio routing capabilities. What’s more, the demo is fully-functional, though if you want to keep using it after 30 days, you’re required to pay the license fee.
This is one of the most customisable and affordable DAWs around. What's more, it's wonderfully responsive, with everything from scrolling and zooming to fader moves and item editing feeling quick and fluid. Reaper 6 continues the good work of previous versions, offering subtle refinements that you’ll appreciate on a daily basis.
Factor in some budget for the soundware of your choice and Reaper makes for a top-class music production environment.
Find out more: Cockos Reaper 6
2019 was a big year for Reason. Its developer, Propellerhead Software, became Reason Studios, and version 11 of the rack-based DAW was released. This introduced the Reason Rack Plugin, which enables the DAW’s core tools to be used as a VST 3 or AU plugin within another DAW.
A second smart addition to Reason 11 is the ability to use elements of the DAW’s SSL-modelled mixer as individual devices. Having them available alongside Rack instruments is a great touch, and works particularly well in the Reason Rack Plugin.
Of course, you can still use Reason as your main DAW, but with the stock instruments and effects now available to use anywhere you like, and version 11.2 adding a new MIDI Out device for controlling your external gear, this is the most attractive that the software has looked in years. It's now available on subscription, too, via the Reason+ service.
Read the Reason Studios Reason 11 review
Has it really been seven years since the launch of the first version of Bitwig Studio? It has indeed, though that still makes it a relative infant in DAW terms.
The application has come a long way in that time, though, throwing off the shackles of its inevitable Ableton Live comparisons - the two share a number of original developers and some significant workflow similarities - by adding multiple features that have bolstered Bitwig’s reputation as possibly the most inventive DAW on the market.
The most recent 'major' release was version 3 - an update very much focussed around just a single new feature, albeit a significant one. We’re referring to The Grid, a new type of device that brings a fully modular environment to Bitwig Studio’s toolkit.
This, along with some nifty pitch enhancements in version 3.1, new EQ and saturation options in version 3.2, and the addition of Polymer - a "fun and quick" hybrid modular synth - to version 3.3, further cements Bitwig Studio’s existing stake as the creative producer’s DAW of choice.
More than 17 years after a fresh-faced John Mayer helped to launch it at Macworld, GarageBand has matured into a pretty capable DAW. Sure, it’s great for beginners, but dig a little deeper and you’ll find some rather more advanced features, too.
Non-musicians can simply sequence the supplied audio loops, but a decent collection of software instruments comes supplied, too, as does multitrack recording functionality and a good selection of virtual guitar amps and stompboxes. Drummer is great for automatically generating beats, Smart Controls make for more pleasant editing of sounds, and you can even use the Logic Remote iPad app to control the software.
As a further bonus, projects are compatible with Logic Pro, GarageBand’s big brother, and also with the iOS version of GarageBand, giving you a mobile option. And the fact that it’s free means that every Mac owner should try it.
When PC users ask us if it’s possible to get a GarageBand-style application for their operating system, we tend to point them in the direction of Mixcraft. Through its eight major updates, Mixcraft has evolved from a basic starter app to a genuinely impressive DAW, taking on features normally associated with costlier alternatives.
Mixcraft 9 has a sleeker interface with detachable panels, as well as new automation features, vocoder tracks, new effects and instruments and the option to convert audio to MIDI with a single click.
It might not be the flashiest DAW on the market, but if you invest in Mixcraft you'll be getting a well-supported production solution that comes at a great price, and beginners will find it very approachable.
It’s hard to know where to start with Pro Tools, which remains an industry standard in recording studios around the world. The software has never had quite the same impact in the home recording market, but knowledge of it certainly puts you at an advantage if you want to work in the industry.
Recent updates have seen Avid improving Pro Tools’ workflow. You can now update tracks and timeline sections during playback, so you can experiment with effects, presets, loop points, etc, without ever stopping the music. As such, your creativity can flourish uninterrupted.
There's also Avid Cloud Collaboration, for cloud-based project storage, while the Avid Marketplace, which is designed to connect you with others in the audio community.
Whether all of this will be enough to significantly grow the Pro Tools user base remains to be seen, but existing fans are unlikely to look anywhere else.
Find more more: Avid Pro Tools 2020
Back in 2018, online DAW vendor BandLab announced that it was acquiring the Cakewalk IP, which was then in the hands of Gibson, and that the Sonar DAW would live on as Cakewalk by BandLab
Better still, it's now made the software available for free. The third-party content that was bundled with the paid-for version has been removed, but the DAW's key features, such as the Skylight user interface, flexible ProChannel modules and 64-bit mix engine, are all here.
So, if you're a PC user on the lookout for a new DAW, you've got literally nothing to lose by trying this one.
Find out more: Cakewalk by BandLab
Best DAWs: Buying advice
As we’ve already noted, the best DAW for you is the one that you find it easiest to make music with, so it’s worth trying demos of all the software that you’re considering. Think carefully about how you’re going to work, and the elements of the digital audio workstation that are most important to you.
A DAW can be used throughout the music production process: for recording, editing, arranging, mixing and even mastering. If you can, try working through this process - demo versions of many DAWs are available - so that you can test the workflow. If you frequently find yourself struggling and are constantly consulting the manual, the software you’re using probably isn’t for you, and it could be time to look elsewhere.
It goes without saying that, before you buy, you should also make sure that your prospective DAW is compatible with your computer, any other hardware that you might have, and any plugins that you consider essential to your workflow.