Ableton Live 11 Suite review By Tim Cant £539 €599 $749 The immensely popular DAW reaches its 11th iteration with an array of new features
5 electronic music genres that literally anyone can produce By Tim Cant Discover the styles that can be child's play
4 VST plugins that every electronic music producer wishes existed By Tim Cant Allow us to indulge our deepest instrument and effect fantasies...
12 epically self-indulgent ‘90s electronic music tracks to luxuriate in during lockdown By Tim Cant Extra-long bangers that will challenge your attention span
9 ways to be a productive electronic music producer in self-isolation By Tim Cant Stave off cabin fever with our guide to making the most of your time in solitary confinement
The 7 types of electronic music producer: which are you? By Tim Cant Trap Kid? Mid-life Synth Crisis Man? Work out exactly who you are and who you’re dealing with in this handy guide
5 music production myths busted! By Tim Cant Your ears shouldn't always be trusted, and your DAW's audio engine doesn't suck...
Producers: how to get your music played by DJs By Tim Cant, DJ Expo Want DJs to support your productions? Follow our dos and don'ts
How to make a ‘90s hardcore rave track like Calvin Harris’s Hypnagogic (I Can’t Wait) By Tim Cant A Bobby Bryrd break meets a vocal acapella, M1 piano and acid house bassline in the Love Regenerator banger
The Prodigy: 10 of their greatest, most influential moments By Tim Cant The tracks that cemented the Keith Flint-fronted band's genre-smashing sound
10 classic sample libraries that changed music By Tim Cant From jungle breaks to genre-defining club sounds, we celebrate 25 years of kick-ass collections
The top 10 most unlikely sample sources By Tim Cant Aled Jones meets rave and Macaulay Culkin goes jungle
How to make a Paleo Bounce track By Tim Cant We show you how to create the ultimate old-school sound!
5 reasons why your protest song is making things worse By Tim Cant Why fighting the power could be counter-productive
5 electronic music genres that used to be cool (but aren't any more) By Tim Cant We slip on our rose-tinted headphones
10 ways being an electronic music producer ruins your life By Tim Cant You might have the sickest wobs on your block, but have they come at a terrible cost?
The 10 dumbest technical mistakes that producers make By Tim Cant Make sure you don't fall into these all too familiar traps
The 10 best and worst sampled tunes ever! By Tim Cant When it comes to sampling, taste (or lack of it) is paramount, so here are our top ten sampled tracks, ranging from the sublime to the ridiculous...
8 dumb things you need to stop doing when you're sampling By Tim Cant Sampling grants us great power, but with it comes great responsibility. Here are the eight mortal sampling sins you need to stop committing right now.
Alan Parsons on his favourite gear and why he avoids using compression By Tim Cant Legendary producer discusses latest lecture series at Abbey Road Studios
Channel One's Mikey Dread on running one of the world's most famous sound systems By Tim Cant The veteran DJ tells us about the trials and tribulations of bringing spiritual music to the masses.
The 10 worst ways musicians troll themselves online By Tim Cant How to avoid being an internet ignoramus
The 10 worst things about being an electronic music producer By Tim Cant Making beats in your DAW can be great fun, but there are downsides...
Groove Armada's Tom Findlay on the art of the re-edit By Tim Cant The DJ/producer discusses his latest Late Night Tales compilation
