Matt Mullen
I'm MusicRadar's Tech Editor, working across everything from product news and gear-focused features to artist interviews and tech tutorials. I love electronic music, and I love writing about the tools and techniques we use to make it.
Latest articles by Matt Mullen

By Matt Mullen Published
Equipped with a diverse range of classic electric piano sounds, the plugin also features a vast array of effects and customization options

By Matt Mullen Published
Bon Iver's Justin Vernon reveals that his contribution to Swift's Grammy-winning indie-folk opus was recorded in less time than you probably expected

By Matt Mullen Published
Songscription wants to make transcription fast, easy and accessible for those without the skills to achieve it

By Matt Mullen Published
Open plugins, tweak parameters and even generate chord progressions using a simple voice command

By Matt Mullen Published
The Los Angeles recording facility has hosted Michael Jackson, Ariana Grande, Whitney Houston, Stevie Wonder and more

By Matt Mullen Published
Galaxias' 1.8 update also introduces an overhauled interface, "warp speed" load times and a DAW-friendly Immersive Mode

By Matt Mullen Published
SynthMaster 2 for iOS is free until November 17

By Matt Mullen Published
Designed to "capture the essence of classic sequencing with the flexibility of modern modular workflow", BQ-10 brings MIDI support and Eurorack compatibility to Korg's vintage sequencer

By Matt Mullen Published
Best known for his solo work, Dijon’s up for Producer of the Year at the 2026 Grammys despite only contributing to a single project with another artist: Justin Bieber's Swag. Could he win it?

By Matt Mullen Published
SessionDock is a genius project organization tool for macOS, designed to help you stay on top of a mountain of unfinished tracks

By Matt Mullen Published
Cubase 15 also introduces an overhauled Expression Maps system, a new Melodic Pattern Editor and DAWproject support

By Matt Mullen Published
Equipped with 12 ethically-trained voice models, MetaMorph is designed to transform the timbre of vocals in your DAW without relying on cloud-based processing

By Matt Mullen Published
The Swedish brand has also unveiled the EP-2350 Ting, a handheld lo-fi microphone with built-in effects designed to be paired with Riddim

By Matt Mullen Published
The French brand's small-but-mighty MIDI controller keyboard just got a little mightier

By Matt Mullen Published
AlphaTheta suggests that users temporarily downgrade to Ver3.20 to ensure "stable operation"

By Matt Mullen Published
A "complete reimagining" of the Ocean Way Studios plugin launched in 2013, the Deluxe version now features emulations of the studio's reverb chambers designed by UA founder Bill Putnam Sr.

By Matt Mullen Published
The SDS-3 was the precursor to Simmons' SDS-V, the pioneering and hexagonal electronic drum kit beloved by everyone from Prince to Duran Duran

By Matt Mullen Published
E-instruments' Slower Fragment is a virtual instrument built on real pitched-down tape recordings of pianos, synths, strings and more

By Matt Mullen Published
Bon Iver's Justin Vernon also reveals the vintage instrument behind the song's bassline, which he says is his "favourite synth ever"

By Matt Mullen Published
Collection 6 also features SGX-2, an acoustic piano instrument based on the SGX-2 Premium Piano Engine from Korg's Kronos and Nautilus workstations

By Matt Mullen Published
The collection includes a "treasure trove of synths, drum machines, and vocoders" alongside an extensive number of historic woodwind and brass instruments

By Matt Mullen Published
MG4+ is Antelope's take on a popular 500-Series six-band analogue EQ renowned for introducing top-end shine and clarity

By Matt Mullen Published
"Thomas told me in this lift on the way down to the show that the first time he fell in love with electronic music was in this building in 1992. He also told me hasn’t played a proper set without the mask on for 24 years"

By Matt Mullen Published
"One of the funniest things about my job is this total distortion of how it works. It’s so odd to me how everyone has such a clear assumption on how it happened, and they weren’t there. No one was there"
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