Bruce Aisher

Regular readers will need no introduction to modular synthesis.

The problem with signature sound libraries can be the difficulty of placing their content into other contexts.

Sotto is the latest in Sonokinetic's phrase-based orchestral library range, and embraces the less bombastic side of the orchestra.

Two years ago we took a look at Soulsby's Atmegatron.

Sample Magic is a well-regarded purveyor of Dance and Electronica-flavoured sample packs.

Vintage samplers are still sought out for their distinctive sound.

Midi Madness, an algorithmic melody generator, in its original form ran as both standalone software and plug-in

Portable pocket money synth series

Studio Electronics' interest in filter design points fairly and squarely at some of the design decisions made when coming up with the Boomstar range on review here

The last time we tested a piece of Koma Elektronik kit, we ended up with a diminished bank balance.

Spitfire continues its sonic onslaught, with the fourth incarnation in the Evo Grid series.

Native hopes to make big noise with these reverb emulator plug-ins. Can it can conjure-up the magic of the classics with this bundle?

Synth geek Bruce Aisher has been feeling the allure of perfectly executed real instrument samples. Will Embertone's latest deliver the magic?

We go cable crazy and patch up an analogue feast of beautiful electronic noise

Now updated to work with Windows systems, Bruce Aisher looks at Revoice Pro 2, the all-embracing audio alignment and correction system

An Oberheim-inspired analogue synth

We get physical with Steinberg's colourful range of fader, knob and button-laden controllers

How well will Flux fare in the less glamorous world of audio analysis?