
Adam Douglas
Adam Douglas is a writer and musician based out of Japan. He has been writing about music production off and on for more than 20 years. In his free time (of which he has little) he can usually be found shopping for deals on vintage synths.
Latest articles by Adam Douglas

Exploring the rise of plugin subscriptions and possible alternative models
By Adam Douglas published
“I think the dislike of subscriptions is almost universal”

“We're talking about measurable increases in dopamine, reduced anxiety, and better emotional resilience”: Why making music is actually good for you
By Adam Douglas published
AI is pushing us to cut corners, but the evidence is very clear: playing and making music is a powerfully healthy activity, one that humans evolved to do

How the effects of Long COVID have harmed professional musicians and DJs
By Adam Douglas published
Though the 2020 COVID pandemic had many negative effects on the music industry, an underreported aspect is how Long COVID has left some professional musicians unable to continue with their careers

“There’s a freedom of thought that doesn’t exist elsewhere”: How and why California became the heart of the synthesizer world
By Adam Douglas published
Many of the biggest players in the genesis of modern music-making hailed from California, but just what made the state such fertile ground for the synth pioneers to flourish?

I tried a music tracker and it rewired my brain (in a good way)
By Adam Douglas published
Beloved by artists from Aphex Twin to Deadmau5, trackers swap the trusty piano roll for a text-based, vertically-scrolling interface that looks like something out of The Matrix. Let's find out how deep the tracker rabbit hole goes

The groundbreaking tech that will shape the future of music production
By Adam Douglas published
This isn’t sci-fi. We look at five areas where the future of music production might evolve based on very real technology

Why reverb is one of the most reliable effects in a producer's arsenal
By Adam Douglas published
“When used correctly, a good reverb can lift a song into the stratosphere”

Should today’s music-makers and producers fear AI - or embrace its inevitability?
By Adam Douglas published
This is the dawning of the AI age - but it doesn’t have to be the death knell for humans. Here’s why we believe music production will always be a human-led pursuit

“Analogue is better than digital, Behringer gear is garbage, and your cheap-ass monitors are ruining your mixes”: 10 of the most persistent music tech myths busted
By Adam Douglas published
It's time to separate fact from fiction. We take on ten hot takes confidently spouted by purists, gatekeepers and overzealous Redditors

Why there’s nothing wrong with collecting gear as a hobby - even if you don’t use it
By Adam Douglas published
Gatekeepers will tell you to sell your synths if you’re not using them “enough” - but isn’t your personal relationship with them sufficient reason to keep them around?

“I started getting messages from strangers asking if I knew about this other product”: A tale of two mini-synths
By Adam Douglas published
MicroKits’ Synth-a-Sette is a tiny synthesizer in a cassette-like form factor. So is Dubreq's Stylosette. Is it a copycat or a coincidence?

How to work with reverb effectively
By Adam Douglas published
“When used correctly, a good reverb can lift a song into the stratosphere”

Should you consider attending a music production school?
By Adam Douglas published
Attending a music production school could give you the skills to succeed in the industry. But is it really worth the money?

"Is it actually overpriced or is there something I'm missing?": Why is the Teenage Engineering OP-XY so expensive?
By Adam Douglas published
Teenage Engineering provoked the wrath of the synth community with the release of its $2299 OP-XY. We take a look at why people are so enraged, why the device is priced so highly, and whether it's actually worth the cash

Is using commercially available samples in a track really that much of a problem?
By Adam Douglas published
“There's no such thing as cheating. Just make music you like and stop following rules.”

“It’s rumoured to have been used by everyone from Björk to Aphex Twin”: The history of making music with video games consoles
By Adam Douglas published
For many of us, video games were a potent point of introduction to the world of music production. We take a look back at the games and consoles that have inspired music-makers over the years
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