Free music software round-up: Week 11
The new releases and updates in one place
For nearly three months now, MusicRadar has been bringing you news of the latest free music software to hit the internet.
This week, we're dealing with pretty conventional fare: tube amp, clean amp and delay plug-ins and an instrument that can't quite decide whether it's a piano or a polysynth.
You'll find more details about all four below. If you like the look of any or all of them, just click that big blue Download button…
Voxengo Tube Amp 2.0
Platform/format: PC, Mac/VST, AU Download
Just updated to version 2.0. Tube Amp's sound is said to vary from "a mild warm overdrive to a fuzzy distortion". It also sports a -6dB/oct low-pass filter and supports multi-channel processing. We should also tell you that Voxengo has updated another of its free plug-ins, MSED, to v2.1.
AcmeBarGig Aftershock Digital Delay
Platform/format: PC/VST Download
Offering three independent delays (left, right and centre), Aftershock enables you to choose from Tap, Host tempo and standard delay options. It can hold a delay up for to six seconds at 44.1kHz, and there are separate Feedback and volume controls for each one.
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AcmeBarGig Tribe Clean Amp
Platform/format: PC/VST Download
AcmeBarGig has certainly been busy this week, as it's also released this Impulse Response-powered amp plug-in (you can load up the IRs of your choice). Promising clean tones and said to be "a blank canvas to experiment with", and comes with a selection of IRs to get you started.
The Lower Rhythm B-400
Platform/format: PC/VST Download
In terms of sonics, B-400 is said to fall somewhere between "an electronic piano and a basic polysynth". It sports three oscillators (each of which can choose from 32 waveforms), a leslie/vibrato style flutter engine output, a clean out and a tube simulator with 3-band EQ.
I’m the Deputy Editor of MusicRadar, having worked on the site since its launch in 2007. I previously spent eight years working on our sister magazine, Computer Music. I’ve been playing the piano, gigging in bands and failing to finish tracks at home for more than 30 years, 24 of which I’ve also spent writing about music and the ever-changing technology used to make it.
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