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Latest Reviews

Akai MPC Sample review
By Si Truss Published
The MPC range gains a fun, affordable sketchpad with a fair few tricks up its sleeve

Akai MPC XL review
By Si Truss Published
The new flagship of the MPC range is a true production powerhouse

“This ease of use is rare in such a small practice amp that covers so much tonal ground, and is the reason the Prism-Mini is worth considering as your desktop companion”: Laney Prism-Mini review
By Pete Emery Published
Laney targets the practice amp market with a versatile range of tones and effects, all in an easy-to-use, diminutive package

“Might have become our favourite reverb, covering a lot of ground, from the smallest snappiest rooms to vast, endless galaxies”: Erica Synths Nightverb review
By Rob Redman Published
We’ve never wanted to ‘play’ a reverb before but now we can. We don't want to stop!

“There’s plenty of output to use the pedal as a conventional boost with tonal options. And there’s a whole area of dirt to be explored”: JHS Pedals 424 Gain Stage review
By Trevor Curwen Published
The latest from JHS Pedals captures the sound of plugging your guitar into the input stages of a vintage multi-track recorder, aka, the mk.gee approach

“Would I take this to gigs and use it with confidence, knowing that my pedals are being powered sufficiently and safely? Absolutely”: Harley Benton Spaceship Power 40-B review
By Richard Blenkinsop Published
The classic four-bar pedalboard with a comprehensive built-in power supply

"A massive expansion of its abilities as a modulation and automation powerhouse": Bitwig Studio 6 review
By Andy Price Published
This sizeable update to Bitwig Studio expands on its strengths, and locks it in as the creative sound designer’s ultimate home base

"For a guitar that comes in at this price, the overall build is impressive, with a level of attention to detail that’s more than respectable": Harley Benton Custom Line King-12 CE NT review
By Daryl Robertson Published
The German brand is looking to be crowned as the best budget 12-string acoustic, but does it deserve the title?
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