Latest Synths Reviews
“A bastion of ingenuity. It’s noisy and expensive, but so much fun”: Gamechanger Audio Motor Synth II review
The world’s first electro-mechanical synth has evolved. We see how the Mk II compares...
“The purest, most characterful poly that Moog has made in recent memory”: Moog Muse review
We ask if Moog’s new flagship polysynth is indeed a dream source of musical inspiration
“It’s rare that we’ve heard such flexible results made so quickly and easily”: Tracktion Dawesome Myth review
Peter V is fast becoming the most ground-breaking plugin developer around. His latest is a synth of mythical proportions
“Sounds every bit like a vintage string machine, and far more besides”: GForce Software VSM IV review
This updated VSM continues to prove that strings are very much the thing! We swot up on our virtual string theory
“Its versatility in use, coupled with huge levels of programmability, make it a must-have”: Cherry Audio Chroma review
If you’re after a colourful new synth, Cherry Audio has something that covers the whole spectrum. We look through the prism
“Deceptively simple to use and hugely varied in the tones it’s capable of”: Intellijel Atlantix review
We chart the rise of a new synth voice titan
“A solidly built and versatile workhorse for studio and performance use”: Donner Essential D1 Beat Machine review
Following last year’s bass synth, Donner releases a fun, affordable drum machine
“A very clever performance and sound design synth created for a small footprint and low price”: Oberheim TEO-5 review
Taking a leaf from Sequential’s book, Oberheim debuts a cost-effective version of one of its poly synths. But it doesn’t merely imitate
