Latest Synths Reviews
“A bubbling cauldron full of ancient sounds, but confusing to learn and lacking in space”: Teenage Engineering EP-1320 Medieval review
Hear ye! Beholdeth “the world’s first medieval electronic instrument”. But is it formius o’er functionus?
“Still the synth and keyboard collection to beat”: Arturia V Collection 11 Pro review
If you thought this classic synth collection had peaked, think again – it’s time to welcome the 1990s!
“$199 for a synth that retreads the well-worn VA path is a big ask”: Universal Audio Anthem review
This new softsynth makes UA's Spark subscription even more tempting, but is it worth its high asking price as a standalone purchase?
“A worthy addition to Moog’s long history of analogue synths”: Moog Messenger review
It might look a little basic at first glance, but on closer inspection Moog’s latest is a smart and inspiring – if pricey – monosynth
“We’ll push the boat out here and say that this could be its finest synth plugin to date”: Cherry Audio ODC 2800 review
“One of the most iconic synthesizers of all time, in a highly usable and great sounding piece of software”: GForce Software Oberheim TVS Pro review
Introducing a software rebirth, based on a hardware reissue. GForce presents two seminal voices in a single legendary Oberheim
“One of the most alive-feeling synths I’ve tried – even when it’s picking a fight”: Erica Synths Steampipe review
This digital physical modelling synth is designed with wind instruments in mind – but there’s more versatility here than meets the eye
“Pigments is becoming so powerful it risks making the V Collection look obsolete”: Arturia Pigments review
With physical modelling and a vocoder among the additions for Pigments 6, we explore why Arturia’s flagship softsynth is very much worth your time in 2025
