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Music technology gear of the year 2025
Tech Music technology gear of the year 2025: Our favourite new synths, drum machines, plugins and more
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  1. Tech
  2. Software & Apps

RÜFÜS's favourite music software

News
By Computer Music published 2 June 2016

We get the lowdown on the chilled Aussie trio's favourite bits of kit from keyboardist Jon George

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.

Ableton Live

Ableton Live

When I was kid, I started out on Cubase and got all my info and tutorials from Computer Music! It took about a year to click, but then I went on to learn Pro Tools and now the band has all settled on Ableton. When we’re not in the studio, we can swap files so easily with Ableton - it’s been a godsend.

Page 1 of 5
Page 1 of 5
Arturia Jupiter 8V

Arturia Jupiter 8V

I love soft synths, but if I’m being brutally honest, we spend a lot of time in the studio trying to get soft synths to sound like analogue synths - warping them, adding huge chorus effects and even sticking them through analogue preamps. All to get that little bit of extra warmth.

Page 2 of 5
Page 2 of 5
IK Multimedia CSR Hall Reverb

IK Multimedia CSR Hall Reverb

The wrong reverb can feel really, really cheesy, but there’s so much depth and space in the CSR - we’ve put it on a lot of different instruments and it always seems to make whatever it’s on sound so much cooler.

Page 3 of 5
Page 3 of 5
Waves Mercury Bundle

Waves Mercury Bundle

The thing about compressors, EQs and saturators - all those tools that turn an idea into a finished song - is that you’ve got to feel comfortable with them. If you’re always struggling to get it to do what it’s supposed to, you’ll start looking elsewhere. You never get that problem with Waves; so intuitive and immediate.

Page 4 of 5
Page 4 of 5
Rob Papen SubBoomBass

Rob Papen SubBoomBass

This gets used a lot, for the main bassline as well as the sub. We might occasionally add a hardware top bassline - something like the MS-20 or the Mopho - but we always end up filtering out the bottom end and letting the SubBoom do all the bass work.

Page 5 of 5
Page 5 of 5
Computer Music
Computer Music
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Computer Music magazine is the world’s best selling publication dedicated solely to making great music with your Mac or PC computer. Each issue it brings its lucky readers the best in cutting-edge tutorials, need-to-know, expert software reviews and even all the tools you actually need to make great music today, courtesy of our legendary CM Plugin Suite.

Read more
Music technology gear of the year 2025
Tech Music technology gear of the year 2025: Our favourite new synths, drum machines, plugins and more
 
 
asg
Artists “I have a little bit of a love-hate relationship with my Prophet ’08”: Art School Girlfriend on new project Lean In
 
 
modeselektor
Artists "The answer might sound a little boring, but it's probably my iPhone": Modeselektor on their go-to instrument
 
 
jasper tygner
Artists "I put it on everything": Jasper Tygner on the Soundtoys plugin behind the "filmic" sound of debut album Blue
 
 
Apparat live
Artists Apparat tells us how he regained his creative demon to make his first album in seven years
 
 
chris lake
Artists “People have been imitating my sound for a long time, but now someone can type a prompt and make a song that sounds like Chris Lake – that's wild!”: Chris Lake on how AI is putting music-making “under threat”
 
 
Latest in Software & Apps
Apple MacBook Neo
Computers The first reviews of the MacBook Neo are in, and it looks like good news for budget-conscious music producers
 
 
izotope
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Roland Melody Flip AI plugin
Tech Roland unveils its first generative AI tool, Melody Flip
 
 
Bitwig
Digital Audio Workstation Get a FREE Bitwig 6 8-Track license exclusively with MusicRadar
 
 
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Apple MacBook Neo
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The Gibson Michael Schenker 1971 Flying V Collector's Edition is a forensic replica of the guitar made famous by the former UFO and Scorpions guitarist – a guitar that is now owned by Metallica's Kirk Hammett.
Artists How a broken string, a loan from his brother and a fresh paint job helped Michael Schenker turn this Flying V into an icon of rock
 
 

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