iPhone/iPad iOS music making app round-up: Week 59

The other new releases

The new version of GarageBand for iOS is certainly the biggest release of the week - and you might also have heard that Apple launched a new iPad - but other apps have arrived as well. Read on to find out more.

Also make sure you check out The best iPhone/iPad music making apps in the world today.

If you've got a new iOS app, make sure you let us know about it by emailing musicradar.pressreleases@futurenet.com with all the details.

NEXT: IK Multimedia DJ Rig

IK Multimedia DJ Rig, £1.49

Ahead of the launch of its iRig Mix hardware, IK has released its companion DJing app at a special introductory price. The design has a familiar twin-deck look about it, and there’s automatic beat matching. Note that some features have to be unlocked with the Pro Bundle add-on and that there’s currently no native iPad version.

Buy now from the App Store

Harmony Systems Ip Touch for Logic, £2.99

A new controller app that’s optimised for use with Apple’s Logic DAW. Use it to trigger transport controls, mix, adjust software instrument parameters, set automation modes and more.

Buy now from the App Store

Imaginando Livkontrol 1.1, £2.49

An update for this Ableton Live controller app, and one that heralds the arrival of a redesigned interface. The Scene launch buttons now display the Scene name, too, and there’s also a tap tempo feature and a song record button.

Buy now from the App Store

apeSoft iDensity, £5.99

A significant update for this ‘granular synthesis playground’. New features include the ability to play as background audio, an FX chain and independent Y and X scrubbing at the same time for grains density/length.

Buy now from the App Store

Liked this? Now read: The best iPhone music making apps and The best iPad music making apps

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I’m the Deputy Editor of MusicRadar, having worked on the site since its launch in 2007. I previously spent eight years working on our sister magazine, Computer Music. I’ve been playing the piano, gigging in bands and failing to finish tracks at home for more than 30 years, 24 of which I’ve also spent writing about music and the ever-changing technology used to make it.