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Best music tech gear of the month: review round-up (April 2010)

By Future Music, Computer Music, Ben Rogerson
published 9 April 2010

Plug-ins, synths, interfaces, mics and monitors (April 2010)

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Audio Damage Tattoo ($79)
AD's first instrument is an old-school drum machine

Audio Damage Tattoo ($79)

Every month, MusicRadar’s industry-leading sister magazines - Guitarist, Computer Music, Total Guitar, Rhythm, Future Music and Guitar Techniques - publish the best independent and in-depth music-making gear reviews.

We’ve collated the latest plug-ins, audio editors, synths, interfaces, monitors, mics and DJ gear to have fallen under the watchful eyes of Computer Music and Future Music’s test teams. All the gear on show here was originally reviewed in Computer Music issue 150 and Future Music issue 225. It was published on MusicRadar throughout March and April.

Scroll on for this month’s top picks and click through to read each product’s full review. First up: Audio Damage Tattoo.

MusicRadar’s verdict

“A neat and tidy instrumental debut for Audio Damage, Tattoo has a solid sound and a deceptively powerful feature set.”

5 out of 5

FULL REVIEW: Audio Damage Tattoo


(Reviewed in Computer Music magazine issue 150)

Page 1 of 14
Page 1 of 14
Audiofile Engineering Wave Editor ($79)
A Mac app that does what it says on the tin

Audiofile Engineering Wave Editor ($79)

MusicRadar’s verdict

“A refreshingly bloat-free app, Wave Editor's sensible, streamlined approach is certainly its strength.”

4 out of 5

FULL REVIEW: Audiofile Engineering Wave Editor


(Reviewed in Computer Music magazine issue 150)

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Page 2 of 14
Beat Kangz Electronics Beat Thang Virtual ($149)
An Akai MPC-style software groovebox

Beat Kangz Electronics Beat Thang Virtual ($149)

MusicRadar’s verdict

“It's not the most advanced MPC-alike, but Beat Thang captures the spirit better than most and has a bright future ahead of it if development goes as planned.”

3.5 out of 5

FULL REVIEW: Beat Kangz Electronics Beat Thang Virtual


(Reviewed in Computer Music magazine issue 150)

Page 3 of 14
Page 3 of 14
Intermorphic Mixtikl 2 ($80)
A bewildering but superb-sounding generative music app

Intermorphic Mixtikl 2 ($80)

MusicRadar’s verdict

“Get past Mixtikl's diabolical interface and you'll find a superb generative music engine waiting to be explored.”

3.5 out of 5

FULL REVIEW: Intermorphic Mixtikl 2


(Reviewed in Computer Music magazine issue 150)

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Page 4 of 14
Korg Kaossilator Pro (£350)
The mini phrase synth grows up

Korg Kaossilator Pro (£350)

MusicRadar’s verdict

“A big improvement on the original Kaossilator, the Pro version gives you a great new way of making music.”

4 out of 5

FULL REVIEW: Korg Kaossilator Pro


(Reviewed in Future Music magazine issue 225)

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Page 5 of 14
Akai MiniAK (£379)
A credible alternative to the microKORG?

Akai MiniAK (£379)

MusicRadar’s verdict

“A great set of fresh, powerful sounds but MiniAK is let down by its lack of editing and poor vocoder.”

4 out of 5

FULL REVIEW: Akai MiniAK


(Reviewed in Future Music magazine issue 225)

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Page 6 of 14
Softube Tube-Tech CL 1B (£320)
The classic compressor is now a native plug-in

Softube Tube-Tech CL 1B (£320)

MusicRadar’s verdict

“Softube deliver a superb compressor with a genuine analogue sound.”

4.5 out of 5

FULL REVIEW: Softube Tube-Tech CL 1B


(Reviewed in Computer Music magazine issue 150)

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Page 7 of 14
OTO Biscuit (€529)
Bitcrushing, filtering... and biscuiting

OTO Biscuit (€529)

MusicRadar’s verdict

“A magic black box for lo-fi, 8-bit and retro-game crunch. Perfect for adding quality grit.”

4 out of 5

FULL REVIEW: OTO Biscuit


(Reviewed in Future Music magazine issue 225)

Page 8 of 14
Page 8 of 14
Focusrite Saffire 6 USB (£164)
An audio interface for those who don't need oodles of I/O

Focusrite Saffire 6 USB (£164)

MusicRadar’s verdict

“The perfect Saffire for those with restricted I/O needs and budgets. A quality package.”

4 out of 5

FULL REVIEW: Focusrite Saffire 6 USB


(Reviewed in Future Music magazine issue 225)

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Page 9 of 14
Wacom Nextbeat (£1100)
A one-box digital DJing solution

Wacom Nextbeat (£1100)

MusicRadar’s verdict

“The Nextbeat delivers all it set out to, but the price and lack of auto features will put off a lot of people.”

3.5 out of 5

FULL REVIEW: Wacom Nextbeat


(Reviewed in Future Music magazine issue 225)

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Page 10 of 14
Nomad Factory Pulse-Tec EQs ($149)
Pultec's MEQ-5 and EQP-1A in a plug-in

Nomad Factory Pulse-Tec EQs ($149)

MusicRadar’s verdict

“Nomad Factory has turned out a fine Pultec EQ emulation - if you don't already have one, give it a try.”

4 out of 5

FULL REVIEW: Nomad Factory Pulse-Tec EQs


(Reviewed in Computer Music magazine issue 150)

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Page 11 of 14
PMC DB1S-AII (£2056)
A compact and highly musical set of monitors

PMC DB1S-AII (£2056)

MusicRadar’s verdict

“Outstanding tiny monitors that pack a serious punch. Accurately priced for their quality.”

4.5 out of 5

FULL REVIEW: PMC DB1S-AII


(Reviewed in Future Music magazine issue 225)

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Page 12 of 14
Newmann Retro NR47 (£999)
A quality mic inspired by a classic

Newmann Retro NR47 (£999)

MusicRadar’s verdict

“Big and bold with plenty of punch, the NR47 is a modern variation on a classic theme. A fantastic mic.”

4.5 out of 5

FULL REVIEW: Newmann Retro NR47


(Reviewed in Future Music magazine issue 225)

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Page 13 of 14
Pioneer CDJ-900 (£1099)
A cheaper alternative to the CDJ-2000

Pioneer CDJ-900 (£1099)

MusicRadar’s verdict

“A great deck with a couple of killer features. The CDJ-900 stands robust and reliable in a very crowded market.”

4 out of 5

FULL REVIEW: Pioneer CDJ-900


(Reviewed in Future Music magazine issue 225)

Liked this? Now read: The 11 best DAW software apps

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Future Music is the number one magazine for today's producers. Packed with technique and technology we'll help you make great new music. All-access artist interviews, in-depth gear reviews, essential production tutorials and much more. Every marvellous monthly edition features reliable reviews of the latest and greatest hardware and software technology and techniques, unparalleled advice, in-depth interviews, sensational free samples and so much more to improve the experience and outcome of your music-making.

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