
Neil Crossley
Neil Crossley is a freelance writer and editor whose work has appeared in publications such as The Guardian, The Times, The Independent and the FT. Neil is also a singer-songwriter, fronts the band Furlined and was a member of International Blue, a ‘pop croon collaboration’ produced by Tony Visconti.
Latest articles by Neil Crossley

“He said, ‘Nice record. Now, who should we get to sing it?’ How Paul McCartney created the Bond classic Live And Let Die
By Neil Crossley published
“Writing a Bond song is a bit of an accolade. I always had a sneaking ambition to do it”
“I went to the label and said, ‘This song sucks. This is not the song I wrote.’”: The war over a ’90s anthem
By Neil Crossley published
An idiosyncratic and insanely catchy rock-pop classic

“I asked if there was another way of expressing whether God was ‘just a slob like one of us’”: Inside a ’90s classic
By Neil Crossley published
"I knew that we were going to be hearing this for the rest of our lives”

“I found John watching the sunrise and still listening to the song”: Yoko Ono and John Lennon's final collaboration
By Neil Crossley published

“It's a sad song because it's all about the unattainable”: The ballad that sparked the breakup of The Beatles
By Neil Crossley published
Featuring "atrocious" bass-playing by John Lennon

“Prince was always borrowing my car. But it's not a red Corvette – it's a pink Mercury!”: Inside Prince's first big hit
By Neil Crossley published
One of the most sexually explicit songs ever to appear in the mainstream pop charts

“A song about a woman involved with birds and magic”: The Fleetwood Mac hit that Stevie Nicks wrote in 10 minutes!
By Neil Crossley published
Nicks’ performance of the song on stage every night “was like an exorcism”

“They all thought it was a bonkers idea but it worked”: The Eagles classic that defined the sound of country rock
By Neil Crossley published
"Those open chords felt like an announcement: ‘And now... the Eagles!’”

“They certainly booed”: How Bob Dylan created one of his greatest songs as controversy erupted around him
By Neil Crossley published
When Dylan went electric, not everyone approved

“The title was a joke, but it fitted the song so perfectly”: How Massive Attack created a groundbreaking ’90s hit
By Neil Crossley published
“We were trying to create dance music for the head rather than the feet"

“I gave it to Michael and he wrote that lyric in one stream of consciousness”: How INXS created a funky No.1 hit
By Neil Crossley published
Need You Tonight marked a distinct sonic shift for the band

“They joined the two bits together to make one song”: The story of the greatest thing The Beatles ever recorded
By Neil Crossley published
How Sgt. Pepper's epic finale was created

“I was screaming at the top of my lungs that it had to be a whistle!”: How Tori Amos created the classic Cornflake Girl
By Neil Crossley published
Its memorable infectious hooks belie a dark lyrical core

“We’d never heard of ‘disco music’ at the time”: How the Bee Gees created the greatest dancefloor-filler of all time
By Neil Crossley published
Ah, ah, ah, ah...

“Mick came in with a song, but it was very Dylan-esque”: How The Rolling Stones created Sympathy For The Devil
By Neil Crossley published
The Stones were hitting a whole new creative peak

“He said, ‘It’s just rock ’n’ roll with lipstick on!’”: How Bowie and Lennon bonded to create a funky No.1 hit
By Neil Crossley published
“We spent hours and hours discussing fame," Bowie said

“George Harrison didn’t get it at all”: When Led Zeppelin's first LP confused a Beatle — and was ignored by Mick Jagger
By Neil Crossley published
The album was made for a bargain price of £1,782

“One of the few songs that reduces me to tears every time I hear it”
By Neil Crossley published
How Brian Wilson hooked up with an LA advertising executive to pen one of the most majestic and moving pop songs ever created

“I immediately heard the melody in my head”: How Madonna created a dancefloor classic — with the sample from heaven
By Neil Crossley published
An intoxicating mash-up of ’70s disco, ’80s electropop and 2000s club music

“He’s given me the riff of the century!”: The classic song Stevie Wonder wrote for Jeff Beck — but saved for himself
By Neil Crossley published
The clavinet was a fresh and distinctive sound — and its most iconic recorded moment was on Superstition

“I didn’t even want it on the album”: How Alanis Morissette created her biggest hit
By Neil Crossley published
“I see words as paint, so I play with them," she said

“I sit at my piano and watch skies moving and trees blowing”: The strange story of the Kate Bush classic Cloudbusting
By Neil Crossley published
“The stimulus of the countryside is fantastic,” she said

“They joined the two bits together to make one song”: The story of the greatest thing The Beatles ever recorded
By Neil Crossley last updated
How Sgt. Pepper's epic finale was created
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